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• Waiting for the Great Leap Forwards: Mixing Pop, Politics, and Cultural Studies

  Author(s):

  Gil Rodman (see profile)

  Date:

  2015

  Group(s):

  Cultural Studies

  Subject(s):

  Culture--Study and teaching, Popular music

  Item Type:

  Book chapter

  Tag(s):

  Cultural studies, Popular Music Studies

  
  

• "The Sound of the Underground": Distinguishing Alternative Identity in Rap's Contemporary Moment

  Author(s):

  Jacob P. Cupps (see profile)

  Date:

  2022

  Subject(s):

  Hip-hop, Identity (Psychology), Music theory, Popular music

  Item Type:

  Thesis

  Tag(s):

  Hip Hop, Identity, Popular Music Studies

  
  

• Textual Stealing?: Copyright, Race, and Elusive Justice

  Author(s):

  Gil Rodman (see profile)

  Date:

  2021

  Group(s):

  Cultural Studies

  Subject(s):

  Copyright, Racism, Mass media--Study and teaching, Culture--Study and teaching, Popular music

  Item Type:

  Book chapter

  Tag(s):

  Robin Thicke, Marvin Gaye, Cultural appropriation, Reparations, Media studies, Cultural studies, Popular Music Studies

  
  

• Timbre, Rhythm, and Texture within Music Theory’s White Racial Frame

  Author(s):

  Megan Lavengood (see profile)

  Date:

  2021

  Group(s):

  Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Music theory, Musicology, Electronic dance music, Popular music

  Item Type:

  Book chapter

  Tag(s):

  Roland TR-909, analysis, percussion, drum machines, Jeff Mills, Popular Music Studies

  
  

• Music Analysis and the Politics of Knowledge Production: Interculturality in the Music of Honjoh Hidejirō, Miyata Mayumi, and Mitski

  Author(s):

  Toru Momii (see profile)

  Date:

  2021

  Subject(s):

  Popular music, Race relations--Study and teaching, Ethnology--Study and teaching, Critical theory, Music, Japan, Music theory

  Item Type:

  Dissertation

  Tag(s):

  21st-century music, Honjoh Hidejirō, Mitski, Miyata Mayumi, Contemporary music, Critical race and ethnic studies, Interculturality, Japanese music, Popular Music Studies

  
  

• Savage intimacy, deviant safety: surveillance technology and club culture

  Author(s):

  Larisa Mann (see profile)

  Date:

  2017

  Group(s):

  Ethnomusicology, Law, Technology and Society, Music and Sound

  Subject(s):

  Popular music, Privacy, Spying, Area studies

  Item Type:

  Conference paper

  Tag(s):

  Popular Music Studies, Surveillance studies

  
  

• Embodied Meaning in Jamaican Popular Music

  Author(s):

  Larisa Mann (see profile)

  Date:

  2015

  Group(s):

  Ethnomusicology, Music and Sound

  Subject(s):

  Caribbean Area, Ethnology--Fieldwork, Music, Popular music

  Item Type:

  Article

  Tag(s):

  intimacy, Caribbean, Epistemology, Ethnographic fieldwork, Popular Music Studies

  
  

• Resistance Gazes in Recent Music Videos

  Author(s):

  Brad Osborn (see profile)

  Date:

  2021

  Group(s):

  Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Motion picture music, Culture--Study and teaching, Mass media--Study and teaching, Music theory, Popular music

  Item Type:

  Article

  Tag(s):

  music video, Beyoncé, Rihanna, Film music, Cultural studies, Media studies, Popular Music Studies

  
  

• Heavy Metal as response to Global Crises

  Author(s):

  David Burke (see profile)

  Date:

  2021

  Subject(s):

  Heavy metal (Music)--Instruction and study, Popular music, Philosophy, Postmodernism, Critical theory

  Item Type:

  Conference paper

  Tag(s):

  Metal Music Studies, Popular Music Studies

  
  

• « Politique de l’instant musical. Résider, produire, disparaître – écouter. Entretien avec Nicolas Frize »

  Author(s):

  Lambert Dousson (see profile)

  Date:

  2008

  Subject(s):

  Popular music

  Item Type:

  Interview

  Tag(s):

  Contemporary music

  
  

• « Anges pour l'histoire. Entretien avec Vinko Globokar »

  Author(s):

  Lambert Dousson (see profile) , Sylvain Prudhomme

  Date:

  2005

  Subject(s):

  Popular music

  Item Type:

  Interview

  Tag(s):

  Contemporary music

  
  

• « De la structure au geste. Entretien avec Frédéric Durieux »

  Author(s):

  Lambert Dousson (see profile)

  Date:

  2007

  Subject(s):

  Popular music

  Item Type:

  Interview

  Tag(s):

  Contemporary music

  
  

• « De l’écoute buissonnière à l’empreinte du geste. Entretien avec Gérard Pesson »

  Author(s):

  Lambert Dousson (see profile) , Sarah Troche

  Date:

  2009

  Subject(s):

  Popular music

  Item Type:

  Interview

  Tag(s):

  Gérard Pesson, Contemporary music

  
  

• « Faire corps, (dés)assembler. Sur les pouvoirs politiques de l’écriture musicale (Wagner, Mahler, Berio) »

  Author(s):

  Lambert Dousson (see profile)

  Date:

  2005

  Subject(s):

  Popular music, Aesthetics--Philosophy

  Item Type:

  Article

  Tag(s):

  Richard Wagner, Gesamtkunstwerk, Luciano Berio, Contemporary music, Aesthetic theory

  
  

• « Vertiges de la voix »

  Author(s):

  Lambert Dousson (see profile)

  Date:

  2020

  Subject(s):

  Popular music

  Item Type:

  Article

  Tag(s):

  Electroacoustic music, Contemporary music

  
  

• « Les cosmophonies domestiques de Karlheinz Stockhausen. Maison-musique-machine : mystique(s) »

  Author(s):

  Lambert Dousson (see profile)

  Date:

  2008

  Subject(s):

  Popular music

  Item Type:

  Article

  Tag(s):

  Karlheinz Stockhausen, Contemporary music

  
  

• « Un spectre habite les océans (Steve Reich, Gérard Grisey, le chant des cigales et des baleines) »

  Author(s):

  Lambert Dousson (see profile)

  Date:

  2009

  Subject(s):

  Popular music

  Item Type:

  Article

  Tag(s):

  steve reich, Gérard Grisey, music and nature, whales, Contemporary music

  
  

• Formalisme et ritualité chez Boulez et Stockhausen

  Author(s):

  Lambert Dousson (see profile)

  Date:

  2013

  Subject(s):

  Popular music, Aesthetics, Art and philosophy, Structuralism, Barthes, Roland

  Item Type:

  Article

  Tag(s):

  Pierre Boulez, Karlheinz Stockhausen, Claude Lévi-Strauss, Contemporary music, Philosophy and the arts, Formalism, Roland Barthes

  
  

• An Index to The Tuneful Yankee and Melody Magazine

  Author(s):

  Kendra Leonard (see profile)

  Date:

  2021

  Group(s):

  MS Screen Arts and Culture, Music Library Association, Women in American Music

  Subject(s):

  Bibliography, Music--Social aspects, Popular music, Popular culture, Silent films, Music, Periodicals

  Item Type:

  Book

  Tag(s):

  index, silent film, Music and Society, Popular Music Studies, Silent cinema

  
  

• Politique de la voix archivée

  Author(s):

  Lambert Dousson (see profile)

  Date:

  2014

  Subject(s):

  Popular music, Music and philosophy, Opera, Voice

  Item Type:

  Article

  Tag(s):

  Contemporary music, Voice and opera

  
  

• Cartridge Music in the Quarantine: Presence, Absence, Contingency Setups and (De-)territorialised Performances

  Author(s):

  Valério Fiel da Costa, Marcello Messina (see profile) , Marco Scarassatti

  Date:

  2020

  Group(s):

  Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Popular music, Sound art, Composition (Music), Music--Performance, Video art

  Item Type:

  Article

  Tag(s):

  John Cage, experimental music, covid-19, quarantine, Contemporary music, Music composition, Music performance, Video arts, Collaboration

  
  

• Editorial: Ubiquitous Music Making in COVID-19 Times

  Author(s):

  Leandro Costalonga, Damián Keller, Marcello Messina (see profile)

  Date:

  2020

  Group(s):

  Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Computers, Music, Popular music, Culture--Study and teaching, Composition (Music)

  Item Type:

  Article

  Tag(s):

  Computers and music, Contemporary music, Cultural studies, Music composition

  
  

• “The Performer’s Experience: Positional Listening and Positional Analysis,” in G. Borio, G. Gioriani, A. Cecchi, and M. Lutzu, eds. Investigating Music Performance: Theoretical Models and Intersections (Routledge, 2020), 56-68.

  Author(s):

  John Covach (see profile)

  Date:

  2020

  Group(s):

  American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Popular music, Music theory, Music, History

  Item Type:

  Book chapter

  Tag(s):

  Popular Music Studies, Music history

  
  

• "Popular Music in the Theory Classroom," in The Routledge Companion to Music Theory Pedagogy, edited by Leigh VanHandel (Routledge, 2020), pp. 331-339.

  Author(s):

  John Covach (see profile)

  Date:

  2020

  Group(s):

  American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Popular music, Music theory, Music, History

  Item Type:

  Book chapter

  Tag(s):

  Popular Music Studies, Music history

  
  

• “Jimmy Miller, the Rolling Stones, and Beggars Banquet,” in “They Call My Name Disturbance”: Beggars Banquet and the Rolling Stones’ Rock and Roll Revolution, edited by Russell Reising (Routledge, 2020), pp. 19-25.

  Author(s):

  John Covach (see profile)

  Date:

  2020

  Group(s):

  American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Popular music, Music, History, Music theory

  Item Type:

  Book chapter

  Tag(s):

  Popular Music Studies, Music history

  
  

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