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• La recepción cervantina en el Romanticismo: la ópera Don Chisciotte de Manuel García (1826) [The reception of Cervantes in Romanticism: the opera Don Chisciotte by Manuel García]

  Author(s):

  Paulino Capdepon (see profile)

  Date:

  2016

  Group(s):

  American Musicological Society, History, International Musicological Society (IMS), Musical Theater Interest Group – Society for Music Theory (SMT MTIG), Society for Music Theory (SMT)

  Subject(s):

  Music, Novels, Cervantes Saavedra, Miguel de, 1547-1616, Operas, Don Quixote (Cervantes Saavedra, Miguel de)

  Item Type:

  Book chapter

  Tag(s):

  music, Opera, cevantes

  
  

• Vibrationen, die die Ankunft Mozart ankündigen. Mozartrezeption im Spanien des 18. Jahrhunders

  Author(s):

  Paulino Capdepon (see profile)

  Date:

  2007

  Group(s):

  American Musicological Society, International Musicological Society (IMS), Musical Theater Interest Group – Society for Music Theory (SMT MTIG), Society for Music Theory (SMT), Society for Music Theory—Autographs & Archival Documents Interest Group

  Subject(s):

  Music, Operas, Mozart, Wolfgang Amadeus, 1756-1791, Spain

  Item Type:

  Book chapter

  Tag(s):

  music, Theater, Opera, reception

  
  

• Die Rezeption der Opern Mozarts in der 1. Hälfte des 19. Jahrhunderts und die Rolle des spanischen Sängers und Komponisten Manuel García (1775-1832)

  Author(s):

  Paulino Capdepon (see profile)

  Date:

  2011

  Group(s):

  International Musicological Society (IMS), Musical Theater Interest Group – Society for Music Theory (SMT MTIG), Society for Music Theory (SMT)

  Subject(s):

  Operas, Theater, Music, Mozart, Wolfgang Amadeus, 1756-1791, García, Manuel, 1775-1832

  Item Type:

  Article

  Tag(s):

  Composer, musical composition, musical culture, Singer, theatre

  
  

• Detroit’s Bohème

  Author(s):

  Jack Blaszkiewicz (see profile)

  Date:

  2022

  Group(s):

  American Musicological Society

  Subject(s):

  Operas, Michigan--Detroit, Musicology

  Item Type:

  Review

  Tag(s):

  Opera, detroit, puccini, musicology, performance

  
  

• Theater of War: Reconstructing (Trans)National Affiliation and Performance Residue in a Divided City

  Author(s):

  Juliane Braun (see profile)

  Date:

  2021

  Group(s):

  GS Drama and Performance, LLC 19th-Century American, LLC Francophone, LLC Literatures of the United States in Languages Other Than English

  Subject(s):

  Performances, Operas, Parades, Transnationalism, Ethnic relations, Multilingualism, Louisiana--New Orleans, Taylor, Zachary, 1784-1850, Mexican War (1846-1848)

  Item Type:

  Book chapter

  Tag(s):

  archive, repertoire, performance, opera, parade, nineteenth-century america, mexican war, New Orleans, multiethnic

  
  

• Verdi, Auber and the Aida-type

  Author(s):

  Jack Blaszkiewicz (see profile)

  Date:

  2022

  Group(s):

  American Musicological Society

  Subject(s):

  Musicology, Operas, Nineteenth century, Verdi, Giuseppe, 1813-1901, Auber, D. F. E. (Daniel François Esprit), 1782-1871

  Item Type:

  Article

  Tag(s):

  Opera, Intertextuality, verdi, aida, italian opera, musicology

  
  

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