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• Salience, Common Tones, and Middleground Dissonance in the Fourth Chorus of Brad Mehldau’s Improvisation on “All the Things You Are”

  Author(s):

  Rich Pellegrin (see profile)

  Date:

  2023

  Group(s):

  Society for Music Theory – Jazz Interest Group

  Subject(s):

  Jazz, Music theory, Musicology, Mehldau, Brad, Musical analysis

  Item Type:

  Article

  
  

• Reparations in Music Scholarship

  Author(s):

  Kendra Leonard (see profile)

  Date:

  2023

  Group(s):

  Composers of Color Resource Project, Julia Perry Working Group, Women in American Music

  Subject(s):

  Musicology, Music theory, Racism, Anti-racism, Anti-racism--Study and teaching

  Item Type:

  Article

  Tag(s):

  music, musicology, Music Theory, music theory pedagogy, music history pedagogy, race

  
  

• Academic (In)Discipline, Research (In)Sanity and the Conundrum of (Indigenous) Timescapes

  Author(s):

  Bernd Brabec de Mori (see profile)

  Date:

  2022

  Group(s):

  Anthropology, Ethnomusicology, Indigenous Studies, Music and Sound

  Subject(s):

  Indigenous peoples, Musicology, Psychiatry, Philosophy, History

  Item Type:

  Book chapter

  Tag(s):

  discipline, indiscipline

  
  

• Influencia y recepción de la obra musicológica de Constantin Floros [Influence and reception of the musicological output of Constantin Floros]

  Author(s):

  Paulino Capdepon (see profile)

  Date:

  2020

  Group(s):

  Digital Humanists, International Musicological Society (IMS), Public Humanities, Society for Music Theory (SMT), Society for Music Theory—Autographs & Archival Documents Interest Group

  Subject(s):

  Musicology, Floros, Constantin, Research, Music theory

  Item Type:

  Book chapter

  Tag(s):

  music, Theory, Reception

  
  

• Música y músicos en la Colegiata de Santa María la Mayor de Talavera de la Reina (1800-1851),

  Author(s):

  Paulino Capdepon (see profile)

  Date:

  2022

  Group(s):

  International Musicological Society (IMS), Public Humanities, Religious Studies, Society for Music Theory (SMT), Society for Music Theory—Autographs & Archival Documents Interest Group

  Subject(s):

  Musicology, History, Contemporary Christian music, Chapels, Spain--Talavera de la Reina

  Item Type:

  Book

  Tag(s):

  music, religion, Religion and Culture

  
  

• La teoría musical española en la época de Tomás Vicente Tosca [The Spanish musical theory at the time of Tomás Vicente Tosca]

  Author(s):

  Paulino Capdepon (see profile)

  Date:

  2022

  Group(s):

  Digital Humanists, International Musicological Society (IMS), Public Humanities, Society for Music Theory (SMT), Society for Music Theory—Autographs & Archival Documents Interest Group

  Subject(s):

  Musicology, Music theory

  Item Type:

  Book chapter

  Tag(s):

  music, theory

  
  

• La Real Capilla de Madrid durante el magisterio del compositor italiano Francisco Corselli (1705-1778) [The Madrid Royal Chapel at the time of Italian composer Francesco Corselli (1705-1778)]

  Author(s):

  Paulino Capdepon (see profile)

  Date:

  2021

  Group(s):

  Arts and Humanities Funding, Digital Humanists, International Musicological Society (IMS), Society for Music Theory (SMT), Society for Music Theory—Autographs & Archival Documents Interest Group

  Subject(s):

  Musicology, History, Chapels, Sacred music, Dramatic music

  Item Type:

  Book chapter

  Tag(s):

  music, history, opera, religion

  
  

• La Orquesta Sinfónica de Madrid y los actos conmemorativos del Centenario de Beethoven de Ludwig van Beethoven (1927) [The Madrid Symphony Orchestra and the Ludwig van Beethoven's Centenary Celebrations (1927)]

  Author(s):

  Paulino Capdepon (see profile)

  Date:

  2021

  Group(s):

  Arts and Humanities Funding, Digital Humanists, Gender Studies, International Musicological Society (IMS), Public Humanities

  Subject(s):

  Musicology, History

  Item Type:

  Book chapter

  Tag(s):

  music, orchestra, Symphony, Beethoven, Spain, reception

  
  

• Neue Ursprungsthese zur Melodie des Quirinusliedes Neuss – These falsch – Autograph aufgetaucht

  Author(s):

  Bruno Buike (see profile)

  Date:

  2023

  Subject(s):

  Musicology, History

  Item Type:

  Essay

  Tag(s):

  St.Quirinus, Quirinuslied Neuss

  
  

• A Novena para a festa de S. Joseph de Pedro Vaz Rego: A sua integração na Catedral de Évora na primeira metade do século XVIII

  Author(s):

  Luís Henriques (see profile)

  Date:

  2021

  Group(s):

  Historical Soundscape Studies, Music in Évora studies

  Subject(s):

  Music, Musicology, Sacred music, Soundscapes (Music), Music--Baroque influences

  Item Type:

  Book chapter

  Tag(s):

  Novena, Pedro Vaz Rego, Évora Cathedral, Historical Soundscape

  
  

• 'Antennas Have Long Since Invaded Our Brains.’ Listening to the ‘Other Music’ in Friedrich Kittler.

  Author(s):

  Melle Jan Kromhout (see profile)

  Date:

  2015

  Group(s):

  International Musicological Society (IMS), Music and Sound, Open Music

  Subject(s):

  Musicology, Kittler, Friedrich A., Sound, Listening, Noise

  Item Type:

  Book chapter

  
  

• Detroit’s Bohème

  Author(s):

  Jack Blaszkiewicz (see profile)

  Date:

  2022

  Group(s):

  American Musicological Society

  Subject(s):

  Operas, Michigan--Detroit, Musicology

  Item Type:

  Review

  Tag(s):

  Opera, detroit, puccini, musicology, performance

  
  

• Neue Ursprungsthese zur Melodie des Quirinusliedes Neuss

  Author(s):

  Bruno Buike (see profile)

  Date:

  2022

  Subject(s):

  Musicology, History, Sacred music

  Item Type:

  Essay

  Tag(s):

  Gregorian chanting, First Protestant Prayerbook, Neuss/Germany, St.Quirinus

  
  

• Teaching Julia Perry’s Homunculus C.F.

  Author(s):

  Kendra Leonard (see profile)

  Date:

  2022

  Group(s):

  Composers of Color Resource Project, Julia Perry Working Group, Southwest Music Studies Colloquium, Women in American Music

  Subject(s):

  Musicology, Music theory, Composers, Black, Women composers, Minimal music, Serialism (Music), Teaching

  Item Type:

  Book chapter

  Tag(s):

  music, teaching music, women composers, black composers

  
  

• The “piano technician” and his “unfortunate piano:” Henry Cowell in the machine age

  Author(s):

  Christine Fena (see profile)

  Date:

  2009

  Subject(s):

  Piano music, Musicology, Cowell, Henry, 1897-1965, Nineteen twenties, Pianists, Player piano, Pianola, Reader-response criticism, Art appreciation, Musical criticism

  Item Type:

  Conference paper

  Tag(s):

  Machine Age

  
  

• Verdi, Auber and the Aida-type

  Author(s):

  Jack Blaszkiewicz (see profile)

  Date:

  2022

  Group(s):

  American Musicological Society

  Subject(s):

  Musicology, Operas, Nineteenth century, Verdi, Giuseppe, 1813-1901, Auber, D. F. E. (Daniel François Esprit), 1782-1871

  Item Type:

  Article

  Tag(s):

  Opera, Intertextuality, verdi, aida, italian opera, musicology

  
  

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