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• Salience, Common Tones, and Middleground Dissonance in the Fourth Chorus of Brad Mehldau’s Improvisation on “All the Things You Are”

  Author(s):

  Rich Pellegrin (see profile)

  Date:

  2023

  Group(s):

  Society for Music Theory – Jazz Interest Group

  Subject(s):

  Jazz, Music theory, Musicology, Mehldau, Brad, Musical analysis

  Item Type:

  Article

  
  

• Music Analysis and Music Criticism-FINAL

  Author(s):

  Arthur Maisel (see profile)

  Date:

  2022

  Subject(s):

  Musical analysis

  Item Type:

  Article

  Tag(s):

  Philosophy of music, Beethoven analysis

  
  

• Contemplation, Heroism, and Gender in Clara Schumann's Piano Trio in G Minor, Op. 17, Third Movement (1846)

  Author(s):

  Tekla Babyak (see profile)

  Date:

  2022

  Group(s):

  American Musicological Society, Education and Pedagogy, German Literature and Culture, LLC 19th- and Early-20th-Century German, Society for Music Theory (SMT)

  Subject(s):

  Music, Gender identity, Critical pedagogy, Romanticism in music, Nineteenth century, Germans--Music, Women composers, Musical analysis, Chamber music, Music--Instruction and study

  Item Type:

  Course material or learning objects

  Tag(s):

  Music, Critical Pedagogy, women composers, gender history, Music Aesthetics, German studies, nineteenth century, gender equity, Romanticism, 19th century german

  
  

• Music Analysis and Music Criticism

  Author(s):

  Arthur Maisel (see profile)

  Date:

  2022

  Subject(s):

  Musical analysis

  Item Type:

  Article

  Tag(s):

  Philosophy of music, Beethoven analysis

  
  

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