CORE Search Results Start Search Over

• Overtone Invariants are the Framework for Musical Consonance; An Illustrated Overview

  Author(s):

  Joel Edelman (see profile)

  Date:

  2022

  Group(s):

  American Musicological Society, International Musicological Society (IMS), Music and Sound, Society for Music Theory (SMT)

  Subject(s):

  Music, Cognition, Music theory

  Item Type:

  Article

  Tag(s):

  consonance, dissonance, harmonic, overtone, Music cognition, Prosody, theory

  
  

• "The Sound of the Underground": Distinguishing Alternative Identity in Rap's Contemporary Moment

  Author(s):

  Jacob P. Cupps (see profile)

  Date:

  2022

  Subject(s):

  Hip-hop, Identity (Psychology), Music theory, Popular music

  Item Type:

  Thesis

  Tag(s):

  Hip Hop, Identity, Popular Music Studies

  
  

• Timbre, Rhythm, and Texture within Music Theory’s White Racial Frame

  Author(s):

  Megan Lavengood (see profile)

  Date:

  2021

  Group(s):

  Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Music theory, Musicology, Electronic dance music, Popular music

  Item Type:

  Book chapter

  Tag(s):

  Roland TR-909, analysis, percussion, drum machines, Jeff Mills, Popular Music Studies

  
  

• /r/musictheory: Making Music Theory on Reddit

  Author(s):

  Megan Lavengood (see profile) , Nathaniel Mitchell

  Date:

  2022

  Group(s):

  Society for Music Theory (SMT)

  Subject(s):

  Music--Instruction and study, Internet--Study and teaching, Music theory, Musicology, Social media, Racism, Internet

  Item Type:

  Book chapter

  Tag(s):

  exoticism, forum, moderation, collaborative learning, Music pedagogy, Internet Studies

  
  

• Why Philip Ewell’s “Music Theory and the White Racial Frame” is Fundamentally Wrong: Ignoring Inconvenient Facts

  Author(s):

  Scott Fruehwald (see profile)

  Date:

  2022

  Subject(s):

  Music theory

  Item Type:

  Article

  Tag(s):

  heinrich schenker, Schenker Controversy

  
  

• Register and Cadence Gesture (2): Gershwin’s “Embraceable You”

  Author(s):

  David Neumeyer (see profile)

  Date:

  2021

  Group(s):

  Society for Music Theory (SMT), Society for Music Theory – Jazz Interest Group

  Subject(s):

  Music theory, Jazz--Instruction and study

  Item Type:

  Article

  Tag(s):

  Jazz studies

  
  

• Why I Am Not a Schenkerian

  Author(s):

  Lodewijk Muns (see profile)

  Date:

  2008

  Subject(s):

  Music theory

  Item Type:

  Essay

  
  

• Contrapuntal Direction as a Diagnostic Tool in the Early L'homme armé Mass

  Author(s):

  Tim Daly (see profile)

  Date:

  2022

  Subject(s):

  Musical analysis, Music theory

  Item Type:

  Conference paper

  Tag(s):

  15th century counterpoint, Music analysis

  
  

• Text and Music in Two Songs by Charles K. Harris

  Author(s):

  David Neumeyer (see profile)

  Date:

  2022

  Group(s):

  Society for Music Theory (SMT)

  Subject(s):

  Music theory, Music, History

  Item Type:

  Article

  Tag(s):

  Tin Pan Alley, American popular song, Music history

  
  

• Imagining the Trans Symphony: Integrating Transgender Composer Identity in Music Analysis

  Author(s):

  Penrose Allphin (see profile)

  Date:

  2021

  Subject(s):

  Musicology, Music theory

  Item Type:

  Thesis

  Tag(s):

  Gender studies

  
  

• AMS Preliminary Program

  Author(s):

  Melia Wong (see profile)

  Date:

  2021

  Group(s):

  Digital Art History, Global & Transnational Studies, MusicID Community, Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Ethnomusicology, Music, History, Musicology, Music theory

  Item Type:

  Conference poster

  Tag(s):

  Music history

  
  

• A Transformational Approach to Gesture in Shō Performance

  Author(s):

  Toru Momii (see profile)

  Date:

  2020

  Subject(s):

  Music, Japan, Musical analysis, Music theory, Performance practice (Music)

  Item Type:

  Article

  Tag(s):

  Gagaku, Gesture, Shō, Transformational theory, Tōgaku, Japanese music, Music analysis, Performance practice

  
  

• Music Analysis and the Politics of Knowledge Production: Interculturality in the Music of Honjoh Hidejirō, Miyata Mayumi, and Mitski

  Author(s):

  Toru Momii (see profile)

  Date:

  2021

  Subject(s):

  Popular music, Race relations--Study and teaching, Ethnology--Study and teaching, Critical theory, Music, Japan, Music theory

  Item Type:

  Dissertation

  Tag(s):

  21st-century music, Honjoh Hidejirō, Mitski, Miyata Mayumi, Contemporary music, Critical race and ethnic studies, Interculturality, Japanese music, Popular Music Studies

  
  

• Review: Rae Linda Brown, The Heart of a Woman: The Life and Music of Florence B. Price

  Author(s):

  Kendra Leonard (see profile)

  Date:

  2021

  Group(s):

  Composers of Color Resource Project, Julia Perry Working Group, Music Library Association, Women in American Music

  Subject(s):

  Musicology, Music theory, History, Race

  Item Type:

  Book review

  
  

• Anne Teresa De Keersmaeker’s Violin Phase and the Experience of Time, or Why Does Process Music Work?

  Author(s):

  Mariusz Kozak (see profile)

  Date:

  2021

  Group(s):

  American Musicological Society, Performance Studies, SMT Dance and Movement Interest Group, Society for Music Theory (SMT)

  Subject(s):

  Music theory, Dance and technology, Phenomenology, Musicology

  Item Type:

  Article

  Tag(s):

  minimalism, Temporality

  
  

• The Bloomsbury Handbook of Popular Music Video Analysis. Edited by Lori A. Burns and Stan Hawkins. New York: Bloomsbury, 2019. 464 pp. ISBN 9781501342332.

  Author(s):

  Brad Osborn (see profile)

  Date:

  2021

  Group(s):

  Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Music, Musical analysis, Culture, Music theory, Musicology

  Item Type:

  Book review

  Tag(s):

  music video, Cultural musicology, Digital musicology, Film studies

  
  

• Resistance Gazes in Recent Music Videos

  Author(s):

  Brad Osborn (see profile)

  Date:

  2021

  Group(s):

  Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Motion picture music, Culture--Study and teaching, Mass media--Study and teaching, Music theory, Popular music

  Item Type:

  Article

  Tag(s):

  music video, Beyoncé, Rihanna, Film music, Cultural studies, Media studies, Popular Music Studies

  
  

• « Anthropologie et politique chez Richard Wagner. Un “faire-communauté” de la musique »

  Author(s):

  Lambert Dousson (see profile)

  Date:

  2021

  Subject(s):

  Music theory, Art and philosophy

  Item Type:

  Article

  Tag(s):

  Richard Wagner, Gesamtkunstwerk, Philosophy and the arts

  
  

• Musica Ficta Lesson Plan

  Author(s):

  Megan Kaes Long (see profile)

  Date:

  2021

  Subject(s):

  Music, Early works, Musicology, History, Music theory, Books, Musical notation

  Item Type:

  Course material or learning objects

  Tag(s):

  musica ficta, Early music, Historical musicology, History of the book, Music notation

  
  

• Recording of Francis Johnson Cotillion Cymbals

  Author(s):

  Sarah Iker (see profile)

  Date:

  2021

  Group(s):

  Composers of Color Resource Project

  Subject(s):

  Music, Music theory

  Item Type:

  Sound recording-musical

  
  

• Kinesthesis, Affectivity, and Music's Temporal (Re-/Dis-)Orientations

  Author(s):

  Mariusz Kozak (see profile)

  Date:

  2020

  Group(s):

  American Musicological Society, Music and Sound, SMT Dance and Movement Interest Group, Society for Music Theory (SMT)

  Subject(s):

  Music theory, Musicology, Affect (Psychology)

  Item Type:

  Video

  Tag(s):

  rhythm and meter, Time and temporality, Phenomenography, Temporality, Affect, Embodiment

  
  

• Leo Brouwer’s Hika: In Memoriam Toru Takemitsu: an Analysis of Musical Contour and Form

  Author(s):

  Julio Orlando Quimbayo-Bolaños (see profile)

  Date:

  2019

  Subject(s):

  Musical analysis, Music theory, Music

  Item Type:

  Thesis

  Tag(s):

  Classical Guitar, Contour Theory, Leo Brouwer, Toru Takemitsu, Music analysis, Western classical music

  
  

• The Volta: A Galant Gesture of Culmination

  Author(s):

  Nathaniel Mitchell (see profile)

  Date:

  2020

  Group(s):

  Society for Music Theory (SMT)

  Subject(s):

  Opera, History, Musicology, Music theory

  Item Type:

  Article

  Tag(s):

  abnegation, chromaticism, clausula, Cleofide, galant, Hasse, Koch, Pergolesi, schema, Vinci, History of opera

  
  

• Bespoke Music Theory: A Modular Core Curriculum Designed for Audio Engineers, Classical Violinists, and Everyone in Between

  Author(s):

  Megan Lavengood (see profile)

  Date:

  2020

  Group(s):

  Open Music Theory — Instructor Community, Society for Music Theory (SMT), Society for Music Theory – Jazz Interest Group, Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Teaching, Music theory

  Item Type:

  Article

  Tag(s):

  modular curricula, music theory pedagogy, Pedagogy

  
  

• Review of Music and Embodied Cognition: Listening, Moving, Feeling, and Thinking by Arnie Cox (2016)

  Author(s):

  Mariusz Kozak (see profile)

  Date:

  2016

  Group(s):

  American Musicological Society, SMT Dance and Movement Interest Group, Society for Music Theory (SMT)

  Subject(s):

  Music, Cognition, Music theory

  Item Type:

  Book review

  Tag(s):

  Music cognition, Embodied cognition

  
  

Viewing item 1 to 25 (of 127 items)

1 2 … 6 →