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• Can We Buy Virtue? Implications from State University Funding On Musical Instrument Performance Teacher Mandate

  Author(s):

  Robin Rolfhamre (see profile)

  Date:

  2021

  Group(s):

  Education and Pedagogy, Performance Studies

  Subject(s):

  Education, Higher, Music--Instruction and study, Music--Performance, Ethics, Rhetoric, Teaching, Learning

  Item Type:

  Book chapter

  Tag(s):

  musical instrument, mandate, Higher education, Music education, Music performance, Teaching and learning

  
  

• Cartridge Music in the Quarantine: Presence, Absence, Contingency Setups and (De-)territorialised Performances

  Author(s):

  Valério Fiel da Costa, Marcello Messina (see profile) , Marco Scarassatti

  Date:

  2020

  Group(s):

  Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Popular music, Sound art, Composition (Music), Music--Performance, Video art

  Item Type:

  Article

  Tag(s):

  John Cage, experimental music, covid-19, quarantine, Contemporary music, Music composition, Music performance, Video arts, Collaboration

  
  

• The Life of Teresa Carreño (1853–1917), a Venezuelan Prodigy and Acclaimed Artist

  Author(s):

  Anna Kijas (see profile)

  Date:

  2019

  Group(s):

  American Musicological Society, Music Library Association

  Subject(s):

  Musicology, Music--Performance, Biography

  Item Type:

  Article

  Tag(s):

  women composers, women pianists, Latin American musicians, Music performance, Women and performance

  
  

• Audible Picasso

  Author(s):

  June Julian (see profile)

  Date:

  2020

  Subject(s):

  Composition (Music), Musical notation, Music--Performance, Art, Modern, Twenty-first century, Sound art

  Item Type:

  Article

  Tag(s):

  Picasso, Minotaur, Music composition, Music notation, Music performance, Contemporary art, Sound/sound art

  
  

• The popular lute: an investigation of the function and performance of music in France between 1650 and 1700

  Author(s):

  Robin Rolfhamre (see profile)

  Date:

  2014

  Group(s):

  Music History/Musicology Pedagogy Resource Hub, Performance Studies, Renaissance / Early Modern Studies

  Subject(s):

  Popular music, Sixteenth century, Seventeenth century, France, Music, Music--Performance, Culture--Study and teaching, Performance art--Study and teaching

  Item Type:

  Dissertation

  Tag(s):

  popular music, Seventeenth-century, lute, Popular Music Studies, Early Modern, Early modern France, 17th-century music, Music performance, Cultural studies, Performance studies

  
  

• ‘Caprice de chaconne’ (1671): Symmetry and proportions in Francesco Corbetta’s work for Baroque guitar

  Author(s):

  Robin Rolfhamre (see profile)

  Date:

  2018

  Group(s):

  Communication Studies, Rhetoric and Composition

  Subject(s):

  Communication, Sixteenth century, Seventeenth century, Music--Performance, Rhetoric

  Item Type:

  Article

  Tag(s):

  Baroque, Early Modern, Music performance

  
  

• Through the Eyes of an Entangled Teacher: When Classical Musical Instrument Performance Tuition in Higher Education is Subject to Quality Assurance

  Author(s):

  Robin Rolfhamre (see profile)

  Date:

  2020

  Group(s):

  Education and Pedagogy

  Subject(s):

  Educational tests and measurements, Education, Higher, Music--Performance, College teaching, Learning strategies, Music

  Item Type:

  Article

  Tag(s):

  Educational assessment, Higher education, Music performance, Teaching and learning in higher education, Western classical music

  
  

• Rare Gems by the Pioneers of the Concert Spiritual (Pt. 2)

  Author(s):

  Randye Jones (see profile)

  Date:

  2020

  Group(s):

  Afrocentric Sounds, American Musicological Society, Music and Sound, Music Library Association

  Subject(s):

  African Americans--Social life and customs, Music--Performance

  Item Type:

  Documentary

  Tag(s):

  Negro spirituals, concert spirituals, African American culture, Music performance

  
  

• Rare Gems by the Pioneers of the Concert Spiritual (Pt. 1)

  Author(s):

  Randye Jones (see profile)

  Date:

  2020

  Group(s):

  Afrocentric Sounds, American Musicological Society, Music and Sound, Music Library Association

  Subject(s):

  African Americans--Social life and customs, Culture--Study and teaching, Music--Performance

  Item Type:

  Documentary

  Tag(s):

  Negro spirituals, concert spirituals, African American cultural studies, Music performance, Voice

  
  

• Annotated Bibliography of African American Carillon Music

  Author(s):

  Tiffany Ng (see profile)

  Date:

  2019

  Group(s):

  American Musicological Society, Music and Sound, Open Music

  Subject(s):

  African Americans--Social life and customs, Culture--Study and teaching, Multiculturalism--Study and teaching, Musicology, Music--Performance, Music

  Item Type:

  Bibliography

  Tag(s):

  racial equity, Negro spirituals, gospel music, ragtime, Campanology, African American cultural studies, Diversity studies, Music performance, Classical music

  
  

• Repurposing 'com-provisation' (script/pre-print of conference paper)

  Author(s):

  Dimitris Papageorgiou (see profile)

  Date:

  2019

  Group(s):

  Ethnomusicology, Improvisation and Composition, Music and Sound, Society for Music Theory (SMT)

  Subject(s):

  Music and philosophy, Musical notation, Music--Performance, Musicology

  Item Type:

  Conference paper

  Tag(s):

  assemblage, usership, Improvisation, comprovisation as sun-schediasmos, Music notation, Music performance, Composition

  
  

• Appendix 7 - Composers Brief Biographies

  Author(s):

  Randye Jones (see profile)

  Date:

  2019

  Group(s):

  American Musicological Society, Music and Sound, Music Library Association

  Subject(s):

  Music, History, African Americans--Social life and customs, Musicology, Music--Performance, United States, Twentieth century

  Item Type:

  Online publication

  Tag(s):

  Negro spirituals, American composers, Vocal Music, concert spirituals, music recordings, Music history, African American culture, Historical musicology, Music performance, 20th-century American music

  
  

• Appendix 5 – Relevant Resources

  Author(s):

  Randye Jones (see profile)

  Date:

  2019

  Group(s):

  American Musicological Society, Music and Sound, Music Library Association

  Subject(s):

  African Americans--Social life and customs, Composition (Music), Music libraries, Musicology, Music--Performance

  Item Type:

  Online publication

  Tag(s):

  African American music, Music bibliographies, Music composers, Negro spirituals, vocal performance, African American culture, Music composition, Music performance

  
  

• Appendix 4 - Song Literature Classification

  Author(s):

  Randye Jones (see profile)

  Date:

  2019

  Group(s):

  American Musicological Society, Music and Sound, Music Library Association

  Subject(s):

  African Americans--Social life and customs, Musicology, History, Music libraries, Music--Instruction and study, Music--Performance

  Item Type:

  Online publication

  Tag(s):

  African American music, music research, Negro spirituals, vocal performance, African American culture, Biblical studies, Historical musicology, Music pedagogy, Music performance

  
  

• Appendix 2 – Concert Spiritual Singers and Their Recordings

  Author(s):

  Randye Jones (see profile)

  Date:

  2019

  Group(s):

  Music and Sound, Music Library Association

  Subject(s):

  African Americans--Social life and customs, Music, Music--Performance

  Item Type:

  Online publication

  Tag(s):

  African American music, Negro spirituals, vocal performance, African American culture, Classical music, Music performance

  
  

• Appendix 1 – Recommended Recordings

  Author(s):

  Randye Jones (see profile)

  Date:

  2019

  Group(s):

  Music and Sound, Music Library Association

  Subject(s):

  African Americans--Social life and customs, Folk music, Music libraries, Music--Instruction and study, Music--Performance

  Item Type:

  Online publication

  Tag(s):

  Negro spirituals, vocal performance, African American culture, Music pedagogy, Music performance

  
  

• Notas de programa (Liszt, Schoenberg e Dallapiccola)

  Author(s):

  Júlia Azevedo (see profile)

  Date:

  2017

  Subject(s):

  Music--Performance, Musical analysis

  Item Type:

  Other

  Tag(s):

  Concert, piano, Arnold Schoenberg, Franz Liszt, Luigi Dallapiccola, Music performance, Music analysis

  
  

• Further Ruminations on Music

  Author(s):

  Arnold Berleant (see profile)

  Date:

  2017

  Subject(s):

  Aesthetics, Music and philosophy, Music, Music--Performance, Perception

  Item Type:

  Article

  Tag(s):

  Music Aesthetics, aesthetic engagement, perceptual experience, Music performance, Performance

  
  

• Explaining the Alexander Technique to clinicians and scientists: Psycho-physical re-education - an introduction to cognitive-motor system-level causes of performance-related problems.

  Author(s):

  Alison Loram (see profile) , Ian Loram

  Date:

  2017

  Subject(s):

  Performing arts, Medicine, Music--Performance, Human mechanics, Human body

  Item Type:

  Presentation

  Tag(s):

  Music performance, Movement

  
  

• Chronic profession-limiting problems in musicians: Underlying mechanisms and neuroplastic routes to recovery

  Author(s):

  Alison Loram (see profile)

  Date:

  2013

  Group(s):

  American Musicological Society, Music and Sound, Music Librarians

  Subject(s):

  Human body, Medicine, Human mechanics, Music--Performance, Performance practice (Music), Performing arts

  Item Type:

  Thesis

  Tag(s):

  Movement, Music performance, Performance, Performance practice

  
  

• Performance and Orality as Cultural and Pragmatic Strategies in the Musical Performance of 9ice

  Author(s):

  Adewale Bankole Ajayi (see profile)

  Date:

  2012

  Group(s):

  GS Drama and Performance, Interdisciplinary Approaches to Culture and Society, MS Opera and Musical Performance, TC Popular Culture, TC Postcolonial Studies

  Subject(s):

  Africa, Area studies, Culture--Study and teaching, Ethnomusicology, Music--Performance, Performance art--Study and teaching

  Item Type:

  Article

  Tag(s):

  ethnomusicology, performance, orality, African studies, Cultural studies, Music performance, Performance studies

  
  

• Estêvão Lopes Morago: O salutaris Hostia

  Author(s):

  Luís Henriques (see profile)

  Date:

  2012

  Subject(s):

  Music--Performance

  Item Type:

  Music

  Tag(s):

  17th Century, Angra do Heroísmo, Ensemble da Sé de Angra, motet, polyphony, Music performance

  
  

• Estêvão Lopes Morago: O bone Jesu

  Author(s):

  Luís Henriques (see profile)

  Date:

  2012

  Subject(s):

  Music--Performance

  Item Type:

  Music

  Tag(s):

  17th Century, Angra do Heroísmo, Ensemble da Sé de Angra, motet, polyphony, Music performance

  
  

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