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• Muriel Spark’s Italian palimpsests

  Author(s):

  Carla Sassi (see profile)

  Date:

  2018

  Group(s):

  CLCS European Regions, LLC 20th- and 21st-Century English and Anglophone, LLC Scottish

  Subject(s):

  Scottish literature, Italians--Social life and customs, Motion pictures, Italian, Popular culture, Cross-cultural studies

  Item Type:

  Article

  Tag(s):

  Italian culture, Italian cinema, Comparative cultural studies

  
  

• Notes on the End of Rome, Open City

  Author(s):

  Charles L. Leavitt IV (see profile)

  Date:

  2018

  Group(s):

  LLC 20th- and 21st-Century Italian

  Subject(s):

  Motion pictures, Motion pictures, Italian, History

  Item Type:

  Article

  Tag(s):

  Film, Italian cinema, Cinema, Cinema history, Modern Italian cinema

  
  

• Il realismo di un nuovissimo Medio Evo: Boccaccio in the Age of Neorealism

  Author(s):

  Charles L. Leavitt IV (see profile)

  Date:

  2016

  Group(s):

  LLC 20th- and 21st-Century Italian, TM Literary Criticism

  Subject(s):

  Italian literature, Italy, Area studies, Middle Ages, Boccaccio, Giovanni, 1313-1375, Motion pictures, Italian

  Item Type:

  Article

  Tag(s):

  Italian studies, Medieval Italian literature, Boccaccio, Italian cinema

  
  

• The Bourgeoisie Is Also a Class: Class as Character in Michelangelo Antonioni's "L'Avventura"

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2019

  Group(s):

  Film Studies

  Subject(s):

  Motion pictures, Italian, Motion pictures, Motion pictures--Social aspects, Art, American, Foreign films, Social classes

  Item Type:

  Article

  Tag(s):

  Michelangelo Antonioni, L'AVVENTURA, bourgeoise, Italian cinema, Film, Film and society, Film arts, Cinema, world cinema, Class

  
  

• IDENTIFICATION OF A WOMAN

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2012

  Group(s):

  Film Studies

  Subject(s):

  Motion pictures, Italian, Motion pictures, Art, American, Foreign films

  Item Type:

  Review

  Tag(s):

  Michelangelo Antonioni, Italian film, Italian cinema, Film, Film arts, Cinema, world cinema

  
  

• BICYCLE THIEVES: A Re-reading

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2019

  Group(s):

  Film Studies

  Subject(s):

  Motion pictures, Italian, Motion pictures, History, Motion pictures and history, Foreign films

  Item Type:

  Article

  Tag(s):

  neorealism, Italian cinema, Cinema, Cinema history, Film and history, Film, Film history, world cinema

  
  

• The Architectonics of Alienation: Antonioni's Edifice Complex

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2019

  Group(s):

  Film Studies

  Subject(s):

  Motion pictures, Film criticism, Motion pictures, Italian, Foreign films, Architecture, History

  Item Type:

  Article

  Tag(s):

  film modernism, Film, Italian cinema, world cinema, Film history, Cinema

  
  

• Los contornos del miedo. La huella del arte pictórico en el giallo italiano

  Author(s):

  Antonio Loriguillo-López (see profile) , Agustín Rubio Alcover

  Date:

  2018

  Subject(s):

  Motion pictures, Art, American, Motion pictures, Italian, Painting

  Item Type:

  Article

  Tag(s):

  Film arts, Film studies, Italian cinema

  
  

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