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• The Genealogy of Gesture: From Kira Muratova to Renata Litvinova

  Author(s):

  Irina Schulzki (see profile)

  Date:

  2021

  Group(s):

  Film-Philosophy, Film Studies

  Subject(s):

  Russia, Area studies, Women's studies, Motion pictures--Philosophy

  Item Type:

  Article

  Tag(s):

  gesture, film analysis, metalepsis, Women's cinema, monster theory, Film studies, Russian studies, Mediality, Film theory

  
  

• Cosmopoéticas da desobediência informe: leitura contra-colonial do regime da extração no catálogo Lumière

  Author(s):

  Marcelo R. S. Ribeiro (see profile)

  Date:

  2021

  Group(s):

  Archives, Arqueologia do sensível, Cultural Studies, Film Studies, Postcolonial Studies

  Subject(s):

  Archives--Study and teaching, Motion pictures, History, Motion pictures--Philosophy, Motion pictures and history, Imperialism, Postcolonialism

  Item Type:

  Article

  Tag(s):

  Lumière, Early cinemas, Decolonising Archives, Archival studies, Film studies, Film history, Film theory, Film and history, Colonialism, Decolonial theory

  
  

• Review of Eugenia Paulicelli, Drake Stutesman, and Louise Wallenberg (eds), Film, Fashion, and the 1960s

  Author(s):

  Alicia Mihalic (see profile)

  Date:

  2021

  Group(s):

  Cultural Studies, Film Studies

  Subject(s):

  Fashion, Fashion--Study and teaching, Motion pictures--Philosophy, Culture--Study and teaching, Motion pictures, Twentieth century

  Item Type:

  Book review

  Tag(s):

  Fashion History, 1960s, Fashion theory, Fashion studies, Film theory, Film studies, Cultural studies, 20th-century film

  
  

• The Camera Shot and the Gun Sight

  Author(s):

  Anne Eakin Moss (see profile)

  Date:

  2019

  Group(s):

  Film-Philosophy, Film Studies, Soviet and Russian history and culture

  Subject(s):

  Motion pictures, History, Motion picture studios, Motion pictures--Political aspects, Motion pictures--Philosophy, Motion pictures, Soviet, California--Los Angeles--Hollywood

  Item Type:

  Article

  Tag(s):

  Film (history and studio), Film and politics, Film theory, Soviet film, Studio-era Hollywood

  
  

• Landscapes of Disappearance

  Author(s):

  Edwin Culp (see profile)

  Date:

  2020

  Group(s):

  Film-Philosophy, Film Studies, Latin America and the Caribbean

  Subject(s):

  Motion pictures--Philosophy, Violence

  Item Type:

  Article

  Tag(s):

  Landscape art, Film theory

  
  

• Narrate AND Describe?: Point of View and Narrative Voice in CITIZEN KANE's Thatcher Sequence

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  1986

  Group(s):

  Film Studies

  Subject(s):

  Motion pictures, Motion pictures--Philosophy, California--Los Angeles--Hollywood, History, Twentieth century

  Item Type:

  Article

  Tag(s):

  american cinema, CITIZEN KANE, orson welles, Film, Film theory, Cinema, Hollywood cinema, Cinema history, Film history, 20th-century film

  
  

• Realist Film Theory and Flowers of Evil: Exploring the Philosophical Possibilities of Rotoscoped Animation

  Author(s):

  Jacqueline Ristola (see profile)

  Date:

  2017

  Subject(s):

  Motion pictures--Philosophy, Rabbis, Judaism--Study and teaching

  Item Type:

  Article

  Tag(s):

  rotoscope, cel animation, Film theory, Animation, Rabbinic studies

  
  

• Mediating Gesture in Theory and Practice

  Author(s):

  Ana Hedberg Olenina, Irina Schulzki (see profile)

  Date:

  2017

  Group(s):

  Film Studies

  Subject(s):

  Motion pictures, Mass media--Study and teaching, Human body--Political aspects, Motion pictures--Philosophy, Performance art

  Item Type:

  Article

  Tag(s):

  gesture, Giorgio Agamben, Sergei Eisenstei, political art, East European Studies, Film, Media studies, Body politics, Film theory

  
  

• Recreating Reality: Waltz With Bashir, Persepolis, and the Documentary Genre

  Author(s):

  Jacqueline Ristola (see profile)

  Date:

  2016

  Group(s):

  Film Studies

  Subject(s):

  Motion pictures--Philosophy

  Item Type:

  Article

  Tag(s):

  animated documentary, Animation, Documentary, Film theory

  
  

• Love at Loss: Jean-Luc Marion’s Concept of Erotic Reduction and Paul Thomas Anderson’s "Magnolia"

  Author(s):

  Irina Schulzki (see profile)

  Date:

  2015

  Subject(s):

  Cinematography, Motion pictures--Philosophy

  Item Type:

  Book chapter

  Tag(s):

  Film studies, phenomenology, subjectivity, Philosophy and Film, Postpostmodernism, Film theory

  
  

• Teorias do Cinema (Facom-UFBA, 2017.2)

  Author(s):

  Marcelo R. S. Ribeiro (see profile)

  Date:

  2017

  Group(s):

  Film Studies

  Subject(s):

  Motion pictures--Philosophy

  Item Type:

  Syllabus

  Tag(s):

  Film studies, Film theory

  
  

• O Mundo, o mundo: da alegoria da globalização à revelação do comum

  Author(s):

  Marcelo R. S. Ribeiro (see profile)

  Date:

  2013

  Group(s):

  Film Studies

  Subject(s):

  China, Twentieth century, Twenty-first century, Motion pictures--Philosophy, Globalization

  Item Type:

  Article

  Tag(s):

  allegory, Chinese cinema, Jia Zhangke, World cinema, China, modern (post-1911), Film studies, Film theory

  
  

• Cosmopoéticas da descolonização e do comum: inversão do olhar, retorno às origens e formas de relação com a terra nos cinemas africanos

  Author(s):

  Marcelo R. S. Ribeiro (see profile)

  Date:

  2017

  Group(s):

  Cultural Studies, Film Studies, Postcolonial Studies

  Subject(s):

  Imperialism, Motion pictures--Political aspects, Motion pictures, History, Motion pictures--Philosophy, Postcolonialism

  Item Type:

  Article

  Tag(s):

  African film, commons, cosmopoetics, cosmopolitics, decolonization, Colonialism, Film and politics, Film history, Film theory

  
  

• (Community) Video Art: DCTV’s Expanded Documentary Practice

  Author(s):

  Joel Anderson (see profile)

  Date:

  2017

  Group(s):

  Film Studies

  Subject(s):

  Motion pictures--Philosophy, Mass media--Study and teaching

  Item Type:

  Article

  Tag(s):

  Cinema, Film studies, Film theory, Media studies

  
  

• Acercamientos feministas al cine español y latinoamericano: la mujer como producto y productora de imágenes

  Author(s):

  Kathryn Anne Everly (see profile)

  Date:

  2016

  Subject(s):

  Feminist films, Motion pictures--Philosophy, Spanish language

  Item Type:

  Article

  Tag(s):

  Spanish film, feminist film theory, Film theory

  
  

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