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• Modernism (Syllabus)

  Author(s):

  James Gifford (see profile)

  Date:

  2019

  Group(s):

  American Literature, CLCS 20th- and 21st-Century, Late-Nineteenth- and Early-Twentieth-Century English Literature, LLC 20th- and 21st-Century English and Anglophone, Theory and Modernism

  Subject(s):

  Modernist literature, Modernism, Modernist studies, American modernism, British modernism

  Item Type:

  Syllabus

  Tag(s):

  modernist, Modernist fiction, Modernist Poetry

  
  

• Modernism (Study Guide)

  Author(s):

  James Gifford (see profile)

  Date:

  2019

  Group(s):

  American Literature, CLCS 20th- and 21st-Century, Late-Nineteenth- and Early-Twentieth-Century English Literature, LLC 20th- and 21st-Century English and Anglophone, Theory and Modernism

  Subject(s):

  Modern American literature, Modern American poetry, Modernism, Modernist literature, Modernist studies

  Item Type:

  Book

  Tag(s):

  Modernist fiction, Modernist Poetry, film modernism

  
  

• Antinomian Remedies: Rehabilitative Futurism, Towards a Better Life , and Kenneth Burke's Modernist Equipment for Living

  Author(s):

  jesse_miller (see profile)

  Date:

  2019

  Group(s):

  LLC 20th- and 21st-Century American, TC Disability Studies, TC Medical Humanities and Health Studies, TC Psychology, Psychoanalysis, and Literature, Theory and Modernism

  Subject(s):

  Modernism, American modernism, Disability studies, American literature, Kenneth Burke

  Item Type:

  Article

  Tag(s):

  Djuna Barnes, Towards a Better Life, Counter-Statement, Nightwood, rehabilitative futurism

  
  

• The Logic of Sensation and Logique de la sensation as Models for Experimental Writing on Images

  Author(s):

  James Elkins (see profile)

  Date:

  2017

  Group(s):

  Philosophy, TC Philosophy and Literature, TC Translation Studies, Theory and Modernism, TM Literary and Cultural Theory

  Subject(s):

  Art history, French literature, Literary criticism, Literary theory, Visual studies

  Item Type:

  Article

  Tag(s):

  affect theory, Expressionism, Gilles Deleuze, painting, sensation

  
  

• The "Finnegans Wake of Russia," And Its Translation Problems: On Sasha Sokolov's "Between Dog and Wolf"

  Author(s):

  James Elkins (see profile)

  Date:

  2017

  Group(s):

  Theory and Modernism, TM Literary and Cultural Theory

  Subject(s):

  Modern literature, Russian literature, Russian studies

  Item Type:

  Article

  Tag(s):

  Avant-garde, contemporary fiction, James Joyce, postmodernism, Sasha Sokolov

  
  

• Why Write Average Books? On Julian Barnes's "The Sense of an Ending"

  Author(s):

  James Elkins (see profile)

  Date:

  2017

  Group(s):

  Theory and Modernism, TM Literary and Cultural Theory

  Subject(s):

  English literature

  Item Type:

  Article

  Tag(s):

  contemporary fiction, Literary criticism, Postmodern fiction, Julian Barnes

  
  

• The Prehistory of Constrained Writing: Thoughts on Michel Butor's "Degrees, A Novel"

  Author(s):

  James Elkins (see profile)

  Date:

  2017

  Group(s):

  Literary Translation, TC Philosophy and Literature, Theory and Modernism

  Subject(s):

  French literature, OuLiPo

  Item Type:

  Article

  Tag(s):

  Constrained writing, Experimental writing, Michel Butor

  
  

• A Relation Between Theory and the Machinic Imagination: Notes on Christine Brooke-Rose's "Life, End of"

  Author(s):

  James Elkins (see profile)

  Date:

  2017

  Group(s):

  Philosophy, TC Philosophy and Literature, Theory and Modernism

  Subject(s):

  English literature, Postmodernism

  Item Type:

  Article

  Tag(s):

  autobiography, Memoirs, Memoir

  
  

• Representing a Ruined Mind in Fiction; and a Note on How Google Ruins Reading: On Markson's "Reader's Block"

  Author(s):

  James Elkins (see profile)

  Date:

  2017

  Group(s):

  TC Philosophy and Literature, Theory and Modernism, TM Language Theory

  Subject(s):

  American literature, Postmodernism

  Item Type:

  Article

  Tag(s):

  David Markson, Metafiction

  
  

• Images in Andre Breton's "Nadja"

  Author(s):

  James Elkins (see profile)

  Date:

  2017

  Group(s):

  TC Translation Studies, Theory and Modernism, TM Literary and Cultural Theory

  Subject(s):

  French literature, French studies, Modern literature

  Item Type:

  Essay

  Tag(s):

  Andre Breton, Surrealism

  
  

• What is a Rant in Literature: Notes on Gaddis's Agape Agape

  Author(s):

  James Elkins (see profile)

  Date:

  2017

  Group(s):

  TC Philosophy and Literature, Theory and Modernism

  Subject(s):

  American literature

  Item Type:

  Article

  Tag(s):

  Maximalist fiction, William Gaddis, Postwar fiction

  
  

• On the Limits of Wit and of Plotting in Maximalist Novels: Notes on Sergio De la Pava, Naked Singularity

  Author(s):

  James Elkins (see profile)

  Date:

  2017

  Group(s):

  American Literature, Theory and Modernism, TM Literary and Cultural Theory

  Subject(s):

  American literature

  Item Type:

  Article

  Tag(s):

  contemporary fiction, contemporary literature, Sergio De la Pava, Maximalimalist fiction

  
  

• What Does it Mean to Claim a Novel is a Single Sentence? Notes on Mathias Enard, Zone

  Author(s):

  James Elkins (see profile)

  Date:

  2017

  Group(s):

  Literary Translation, RCWS History and Theory of Composition, TC Philosophy and Literature, Theory and Modernism

  Subject(s):

  French literature, French studies, Postmodernism, Translation studies

  Item Type:

  Article

  Tag(s):

  rhetorical analysis, Mathias Enard, French fiction, Contemporary novel, Rhetoric

  
  

• What is the Genuinely Strange in Literature? Notes on Flann O’Brien, The Third Policeman

  Author(s):

  James Elkins (see profile)

  Date:

  2017

  Group(s):

  Theory and Modernism, TM Literary and Cultural Theory

  Subject(s):

  European literature, Irish literature, Irish studies, Modern literature

  Item Type:

  Article

  Tag(s):

  Flann O'Brien, Irish Literature

  
  

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