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MLA Deposits
Cartridge Music in the Quarantine: Presence, Absence, Contingency Setups and (De-)territorialised Performances
Author(s):
Valério Fiel da Costa
,
Marcello Messina
(see profile)
,
Marco Scarassatti
Date:
2020
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Contemporary music
,
Sound art
,
Music composition
,
Music performance
,
Video arts
,
Collaboration
Item Type:
Article
Tag(s):
John Cage
,
experimental music
,
covid-19
,
quarantine
Editorial: Ubiquitous Music Making in COVID-19 Times
Author(s):
Leandro Costalonga
,
Damián Keller
,
Marcello Messina
(see profile)
Date:
2020
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Computers and music
,
Contemporary music
,
Cultural studies
,
Music composition
Item Type:
Article
Bespoke Music Theory: A Modular Core Curriculum Designed for Audio Engineers, Classical Violinists, and Everyone in Between
Author(s):
Megan Lavengood
(see profile)
Date:
2020
Group(s):
Open Music Theory — Instructor Community
,
Society for Music Theory (SMT)
,
Society for Music Theory – Jazz Interest Group
,
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Pedagogy
,
Music theory
Item Type:
Article
Tag(s):
modular curricula
,
music theory pedagogy
“The Performer’s Experience: Positional Listening and Positional Analysis,” in G. Borio, G. Gioriani, A. Cecchi, and M. Lutzu, eds. Investigating Music Performance: Theoretical Models and Intersections (Routledge, 2020), 56-68.
Author(s):
John Covach
(see profile)
Date:
2020
Group(s):
American Musicological Society
,
Society for Music Theory (SMT)
,
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Popular Music Studies
,
Music theory
,
Music history
Item Type:
Book chapter
"Popular Music in the Theory Classroom," in The Routledge Companion to Music Theory Pedagogy, edited by Leigh VanHandel (Routledge, 2020), pp. 331-339.
Author(s):
John Covach
(see profile)
Date:
2020
Group(s):
American Musicological Society
,
Society for Music Theory (SMT)
,
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Popular Music Studies
,
Music theory
,
Music history
Item Type:
Book chapter
“Jimmy Miller, the Rolling Stones, and Beggars Banquet,” in “They Call My Name Disturbance”: Beggars Banquet and the Rolling Stones’ Rock and Roll Revolution, edited by Russell Reising (Routledge, 2020), pp. 19-25.
Author(s):
John Covach
(see profile)
Date:
2020
Group(s):
American Musicological Society
,
Society for Music Theory (SMT)
,
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Popular Music Studies
,
Music history
,
Music theory
Item Type:
Book chapter
The Frame and The Swerve: Music Video's Relationship to Dance
Author(s):
Brad Osborn
(see profile)
Date:
2020
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music analysis
,
Music theory
,
Popular Music Studies
,
Dance
Item Type:
Article
Tag(s):
Lucretius
,
music video
Content and Correlational Analysis of a Corpus of MTV-Promoted Music Videos Aired Between 1990 and 1999
Author(s):
Brad Osborn
(see profile)
,
Emily Rossin
,
Kevin Weingarten
Date:
2020
Group(s):
Society for Music Theory (SMT)
,
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music analysis
,
Cinematography
,
Video (history and studio)
,
Statistics
Item Type:
Article
Tag(s):
music video
,
1990s
,
correlation
Risers, Drops, and a Fourteen-Foot Cube: A Transmedia Analysis of Emil Nava, Calvin Harris, and Rihanna's "This is What You Came For"
Author(s):
Brad Osborn
(see profile)
Date:
2020
Group(s):
Society for Music Theory (SMT)
,
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music theory
,
Cinematography
Item Type:
Book chapter
Tag(s):
musical form
,
Rihanna
,
Calvin Harris
,
Emil Nava
,
music video
Timbre, Genre, and Polystylism in Sonic the Hedgehog 3
Author(s):
Megan Lavengood
(see profile)
Date:
2019
Group(s):
American Musicological Society
,
Game Studies
,
Society for Music Theory (SMT)
,
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Video games
,
Music theory
,
Popular Music Studies
,
Musicology
,
Ludomusicology
Item Type:
Book chapter
Tag(s):
sega
,
synthesizers
,
sound chips
,
new wave
,
michael jackson
Review of Edward Lippman, A History of Western Musical Aesthetics and John Rahn, ed., Perspectives on Musical Aesthetics, Music Theory Spectrum 17/2 (1995): 275-82.
Author(s):
John Covach
(see profile)
Date:
1995
Group(s):
American Musicological Society
,
Society for Music Theory (SMT)
,
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Aesthetics
,
Music history
,
Musicology
,
Music theory
,
Philosophy and the arts
Item Type:
Book review
Review of Alastair Borthwick, Music Theory and Analysis: The Limitations of Logic, MLA Notes (June 1996): 1192-94.
Author(s):
John Covach
(see profile)
Date:
1996
Group(s):
American Musicological Society
,
Society for Music Theory (SMT)
,
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music analysis
,
Musicology
,
Music theory
,
Philosophy and the arts
Item Type:
Book review
Review of Allen Forte, The American Popular Ballad of the Golden Era, 1924-1950, College Music Symposium 36 (1996): 168-72.
Author(s):
John Covach
(see profile)
Date:
1996
Group(s):
American Musicological Society
,
Society for Music Theory (SMT)
,
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music analysis
,
Music history
,
Musicology
,
Music theory
,
Popular Music Studies
Item Type:
Review
Triple review of Edward Macan, Rockin’ the Classics: Progressive Rock and the Counterculture; Paul Stump, The Music’s All That Matters: A History of Progressive Rock; and Bill Martin, Listening to the Future: The Time of Progressive Rock, 1968-78, MLA Notes (September 1998).
Author(s):
John Covach
(see profile)
Date:
1998
Group(s):
American Musicological Society
,
Society for Music Theory (SMT)
,
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music history
,
Musicology
,
Popular Music Studies
Item Type:
Review
Review of Robert Freeman, The Crisis of Classical Music: Lessons from a Life in the Education of Musicians, Music Theory Online 21/2 (June 2015).
Author(s):
John Covach
(see profile)
Date:
2015
Group(s):
American Musicological Society
,
Society for Music Theory (SMT)
,
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music education
,
Music history
,
Musicology
,
Music theory
Item Type:
Review
"(Per)Form in(g) Rock: A Response"
Author(s):
Mark Spicer
(see profile)
Date:
2011
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music theory
,
Popular Music Studies
Item Type:
Article
"Fragile, Emergent, and Absent Tonics in Pop and Rock Songs."
Author(s):
Mark Spicer
(see profile)
Date:
2017
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
African-American popular music
,
Music theory
,
Popular Music Studies
Item Type:
Article
"Introduction: The Rock (Academic) Circus"
Author(s):
Mark Spicer
(see profile)
Date:
2011
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music theory
,
Popular Music Studies
Item Type:
Book chapter
"The Electric Light Orchestra and the Anxiety of the Beatles' Influence."
Author(s):
Mark Spicer
(see profile)
Date:
2018
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music theory
,
Popular Music Studies
Item Type:
Book chapter
"Strategic Intertextuality in Three of John Lennon's Late Beatles Songs."
Author(s):
Mark Spicer
(see profile)
Date:
2009
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music theory
,
Popular Music Studies
Item Type:
Article
“George Harrison, Songwriter,” in M. Osteen, ed., Part of Everything: The Beatles’ White Album at Fifty (University of Michigan Press, 2019), 177-96.
Author(s):
John Covach
(see profile)
Date:
2019
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music analysis
,
Musicology
,
Music theory
,
Popular Music Studies
Item Type:
Book chapter
“Afterword,” in M. Osteen, ed., Part of Everything: The Beatles’ White Album at Fifty (University of Michigan Press, 2019), 263-69.
Author(s):
John Covach
(see profile)
Date:
2019
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Musicology
,
Popular Music Studies
Item Type:
Book chapter
"Analyzing Texture in Rock Music: Stratification, Coordination, Position, and Perspective," in Pop weiter denken: Neue Anstöße aus Jazz Studies, Philosophie, Musiktheorie und Geschichte, Beiträge zur Popularmusikforschung 44, ed. Ralf von Appen and André Doehring (Transcript Verlag, 2018), 53-72.
Author(s):
John Covach
(see profile)
Date:
2018
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music analysis
,
Musicology
,
Music theory
,
Popular Music Studies
Item Type:
Book chapter
“Yes, the Psychedelic-Symphonic Cover, and ‘Every Little Thing’,” in C. Scotto, K. Smith, and J. Brackett, The Routledge Companion to Popular Music Analysis: Expanding Approaches (Routledge, 2018), 277-90.
Author(s):
John Covach
(see profile)
Date:
2018
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Item Type:
Book chapter
“High Brow, Low Brow, Knot Now, Know How,” in C. Rodriguez, ed., Coming of Age: Teaching and Learning Music in Academia (Maize Books, 2017), 313-33.
Author(s):
John Covach
(see profile)
Date:
2017
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
American cultural studies
,
Music
,
Music education
,
Musicology
Item Type:
Book chapter
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