Register Log In

An online community for MLA members

MLA Commons
  • News Feed
  • Members
  • Groups and Forums
  • Sites and Blogs
  • CORE Repository
  • Help
  • MLA Online Publications
  • mla.org
  • HC Organizations
    • HC
    • ASEEES
    • AUPresses
    • MSU
    • SAH
  • Log in
Register Login
  • News Feed
  • Members
  • Groups and Forums
  • Sites and Blogs
  • CORE Repository
  • Help
  • MLA Online Publications
  • mla.org
  • HC Organizations
    • HC
    • ASEEES
    • AUPresses
    • MSU
    • SAH

CORE Search Results Start Search Over

  • All Deposits 0
  • MLA Deposits
  • Cartridge Music in the Quarantine: Presence, Absence, Contingency Setups and (De-)territorialised Performances

    Author(s):
    Valério Fiel da Costa, Marcello Messina (see profile) , Marco Scarassatti
    Date:
    2020
    Group(s):
    Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Contemporary music, Sound art, Music composition, Music performance, Video arts, Collaboration
    Item Type:
    Article
    Tag(s):
    John Cage, experimental music, covid-19, quarantine

  • Editorial: Ubiquitous Music Making in COVID-19 Times

    Author(s):
    Leandro Costalonga, Damián Keller, Marcello Messina (see profile)
    Date:
    2020
    Group(s):
    Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Computers and music, Contemporary music, Cultural studies, Music composition
    Item Type:
    Article

  • Bespoke Music Theory: A Modular Core Curriculum Designed for Audio Engineers, Classical Violinists, and Everyone in Between

    Author(s):
    Megan Lavengood (see profile)
    Date:
    2020
    Group(s):
    Open Music Theory — Instructor Community, Society for Music Theory (SMT), Society for Music Theory – Jazz Interest Group, Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Pedagogy, Music theory
    Item Type:
    Article
    Tag(s):
    modular curricula, music theory pedagogy

  • “The Performer’s Experience: Positional Listening and Positional Analysis,” in G. Borio, G. Gioriani, A. Cecchi, and M. Lutzu, eds. Investigating Music Performance: Theoretical Models and Intersections (Routledge, 2020), 56-68.

    Author(s):
    John Covach (see profile)
    Date:
    2020
    Group(s):
    American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Popular Music Studies, Music theory, Music history
    Item Type:
    Book chapter

  • "Popular Music in the Theory Classroom," in The Routledge Companion to Music Theory Pedagogy, edited by Leigh VanHandel (Routledge, 2020), pp. 331-339.

    Author(s):
    John Covach (see profile)
    Date:
    2020
    Group(s):
    American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Popular Music Studies, Music theory, Music history
    Item Type:
    Book chapter

  • “Jimmy Miller, the Rolling Stones, and Beggars Banquet,” in “They Call My Name Disturbance”: Beggars Banquet and the Rolling Stones’ Rock and Roll Revolution, edited by Russell Reising (Routledge, 2020), pp. 19-25.

    Author(s):
    John Covach (see profile)
    Date:
    2020
    Group(s):
    American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Popular Music Studies, Music history, Music theory
    Item Type:
    Book chapter

  • The Frame and The Swerve: Music Video's Relationship to Dance

    Author(s):
    Brad Osborn (see profile)
    Date:
    2020
    Group(s):
    Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Music analysis, Music theory, Popular Music Studies, Dance
    Item Type:
    Article
    Tag(s):
    Lucretius, music video

  • Content and Correlational Analysis of a Corpus of MTV-Promoted Music Videos Aired Between 1990 and 1999

    Author(s):
    Brad Osborn (see profile) , Emily Rossin, Kevin Weingarten
    Date:
    2020
    Group(s):
    Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Music analysis, Cinematography, Video (history and studio), Statistics
    Item Type:
    Article
    Tag(s):
    music video, 1990s, correlation

  • Risers, Drops, and a Fourteen-Foot Cube: A Transmedia Analysis of Emil Nava, Calvin Harris, and Rihanna's "This is What You Came For"

    Author(s):
    Brad Osborn (see profile)
    Date:
    2020
    Group(s):
    Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Music theory, Cinematography
    Item Type:
    Book chapter
    Tag(s):
    musical form, Rihanna, Calvin Harris, Emil Nava, music video

  • Timbre, Genre, and Polystylism in Sonic the Hedgehog 3

    Author(s):
    Megan Lavengood (see profile)
    Date:
    2019
    Group(s):
    American Musicological Society, Game Studies, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Video games, Music theory, Popular Music Studies, Musicology, Ludomusicology
    Item Type:
    Book chapter
    Tag(s):
    sega, synthesizers, sound chips, new wave, michael jackson

  • Review of Edward Lippman, A History of Western Musical Aesthetics and John Rahn, ed., Perspectives on Musical Aesthetics, Music Theory Spectrum 17/2 (1995): 275-82.

    Author(s):
    John Covach (see profile)
    Date:
    1995
    Group(s):
    American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Aesthetics, Music history, Musicology, Music theory, Philosophy and the arts
    Item Type:
    Book review

  • Review of Alastair Borthwick, Music Theory and Analysis: The Limitations of Logic, MLA Notes (June 1996): 1192-94.

    Author(s):
    John Covach (see profile)
    Date:
    1996
    Group(s):
    American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Music analysis, Musicology, Music theory, Philosophy and the arts
    Item Type:
    Book review

  • Review of Allen Forte, The American Popular Ballad of the Golden Era, 1924-1950, College Music Symposium 36 (1996): 168-72.

    Author(s):
    John Covach (see profile)
    Date:
    1996
    Group(s):
    American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Music analysis, Music history, Musicology, Music theory, Popular Music Studies
    Item Type:
    Review

  • Triple review of Edward Macan, Rockin’ the Classics: Progressive Rock and the Counterculture; Paul Stump, The Music’s All That Matters: A History of Progressive Rock; and Bill Martin, Listening to the Future: The Time of Progressive Rock, 1968-78, MLA Notes (September 1998).

    Author(s):
    John Covach (see profile)
    Date:
    1998
    Group(s):
    American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Music history, Musicology, Popular Music Studies
    Item Type:
    Review

  • Review of Robert Freeman, The Crisis of Classical Music: Lessons from a Life in the Education of Musicians, Music Theory Online 21/2 (June 2015).

    Author(s):
    John Covach (see profile)
    Date:
    2015
    Group(s):
    American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Music education, Music history, Musicology, Music theory
    Item Type:
    Review

  • "(Per)Form in(g) Rock: A Response"

    Author(s):
    Mark Spicer (see profile)
    Date:
    2011
    Group(s):
    Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Music theory, Popular Music Studies
    Item Type:
    Article

  • "Fragile, Emergent, and Absent Tonics in Pop and Rock Songs."

    Author(s):
    Mark Spicer (see profile)
    Date:
    2017
    Group(s):
    Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    African-American popular music, Music theory, Popular Music Studies
    Item Type:
    Article

  • "Introduction: The Rock (Academic) Circus"

    Author(s):
    Mark Spicer (see profile)
    Date:
    2011
    Group(s):
    Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Music theory, Popular Music Studies
    Item Type:
    Book chapter

  • "The Electric Light Orchestra and the Anxiety of the Beatles' Influence."

    Author(s):
    Mark Spicer (see profile)
    Date:
    2018
    Group(s):
    Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Music theory, Popular Music Studies
    Item Type:
    Book chapter

  • "Strategic Intertextuality in Three of John Lennon's Late Beatles Songs."

    Author(s):
    Mark Spicer (see profile)
    Date:
    2009
    Group(s):
    Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Music theory, Popular Music Studies
    Item Type:
    Article

  • “George Harrison, Songwriter,” in M. Osteen, ed., Part of Everything: The Beatles’ White Album at Fifty (University of Michigan Press, 2019), 177-96.

    Author(s):
    John Covach (see profile)
    Date:
    2019
    Group(s):
    Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Music analysis, Musicology, Music theory, Popular Music Studies
    Item Type:
    Book chapter

  • “Afterword,” in M. Osteen, ed., Part of Everything: The Beatles’ White Album at Fifty (University of Michigan Press, 2019), 263-69.

    Author(s):
    John Covach (see profile)
    Date:
    2019
    Group(s):
    Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Musicology, Popular Music Studies
    Item Type:
    Book chapter

  • "Analyzing Texture in Rock Music: Stratification, Coordination, Position, and Perspective," in Pop weiter denken: Neue Anstöße aus Jazz Studies, Philosophie, Musiktheorie und Geschichte, Beiträge zur Popularmusikforschung 44, ed. Ralf von Appen and André Doehring (Transcript Verlag, 2018), 53-72.

    Author(s):
    John Covach (see profile)
    Date:
    2018
    Group(s):
    Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Music analysis, Musicology, Music theory, Popular Music Studies
    Item Type:
    Book chapter

  • “Yes, the Psychedelic-Symphonic Cover, and ‘Every Little Thing’,” in C. Scotto, K. Smith, and J. Brackett, The Routledge Companion to Popular Music Analysis: Expanding Approaches (Routledge, 2018), 277-90.

    Author(s):
    John Covach (see profile)
    Date:
    2018
    Group(s):
    Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Item Type:
    Book chapter

  • “High Brow, Low Brow, Knot Now, Know How,” in C. Rodriguez, ed., Coming of Age: Teaching and Learning Music in Academia (Maize Books, 2017), 313-33.

    Author(s):
    John Covach (see profile)
    Date:
    2017
    Group(s):
    Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    American cultural studies, Music, Music education, Musicology
    Item Type:
    Book chapter

Viewing item 1 to 25 (of 41 items)
1 2 →

  • Author
    • Brad Osborn 3X
    • Damián Keller 1X
    • Emily Rossin 1X
    • John Covach 29X
    • Kevin Weingarten 1X
    • Leandro Costalonga 1X
    • Marcello Messina 2X
    • Marco Scarassatti 1X
    • Mark Spicer 5X
    • Megan Lavengood 2X
    • Valério Fiel da Costa 1X
    • more>>
  • Group
    • American Musicological Society 9X
    • Game Studies 1X
    • Open Music Theory — Instructor Community 1X
    • Society for Music Theory (SMT) 12X
    • Society for Music Theory – Jazz Interest Group 1X
    • Society for Music Theory – Popular Music Interest Group (SMT PMIG) 41X
    • more>>
  • Subject
    • Aesthetics 1X
    • African-American popular music 1X
    • American cultural history 1X
    • American cultural studies 2X
    • Cinematography 2X
    • Collaboration 1X
    • Computers and music 1X
    • Contemporary music 2X
    • Cultural studies 1X
    • Dance 1X
    • Ludomusicology 1X
    • Music 2X
    • Music analysis 19X
    • Music composition 2X
    • Music education 3X
    • Music history 7X
    • Music performance 1X
    • Music theory 32X
    • Musicology 19X
    • Online education 1X
    • Pedagogy 1X
    • Philosophy and the arts 2X
    • Popular Music Studies 31X
    • Sound art 1X
    • Statistics 1X
    • Video (history and studio) 1X
    • Video arts 1X
    • Video games 1X
    • more>>
  • Item Type
    • Article 15X
    • Book chapter 21X
    • Book review 2X
    • Review 3X
    • more>>
  • Date
    • 2020 9X
    • 2019 4X
    • 2018 3X
    • 2017 2X
    • 2016 1X
    • 2015 2X
    • 2013 1X
    • 2011 2X
    • 2010 1X
    • 2009 1X
    • 2007 1X
    • 2006 1X
    • 2005 1X
    • 2003 1X
    • 2000 1X
    • 1999 2X
    • 1998 1X
    • 1997 1X
    • 1996 2X
    • 1995 3X
    • 1990 1X
    • more>>
  • File Type
    • Mixed material 2X
    • Text 13X

Contact Us

Modern Language Association
85 Broad Street, suite 500
New York, NY 10004

On the Web: mla.org

E-mail: commons@mla.org

Phone: 646 576-5151

FAQ

How do I set e-mail notifications?
What is CORE?
What can the Commons do for my forum?
Why do unwanted characters appear in my post, comment, or page?
More FAQ

User Guides and Support

Getting Started

Groups on the Commons

Sites, Blogs, and WordPress

More MLA Commons Support
HUMANITIES COMMONS. BASED ON COMMONS IN A BOX.
TERMS OF SERVICE • PRIVACY POLICY • GUIDELINES FOR PARTICIPATION

@

Not recently active