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CORE Search Results Start Search Over

  • All Deposits 0
  • MLA Deposits
  • The Internet of Musical Stuff (IoMuSt): ubimus perspectives on artificial scarcity, virtual communities and (de)objectification

    Author(s):
    Marcello Messina (see profile)
    Date:
    2022
    Group(s):
    Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Music and technology
    Item Type:
    Article
    Tag(s):
    ubimus, NFTs, Internet of Musical Stuff, (de)objectification

  • Timbre, Rhythm, and Texture within Music Theory’s White Racial Frame

    Author(s):
    Megan Lavengood (see profile)
    Date:
    2021
    Group(s):
    Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Music theory, Musicology, Electronic dance music, Popular music
    Item Type:
    Book chapter
    Tag(s):
    Roland TR-909, analysis, percussion, drum machines, Jeff Mills, Popular Music Studies

  • AMS Preliminary Program

    Author(s):
    Melia Wong (see profile)
    Date:
    2021
    Group(s):
    Digital Art History, Global & Transnational Studies, MusicID Community, Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Ethnomusicology, Music, History, Musicology, Music theory
    Item Type:
    Conference poster
    Tag(s):
    Music history

  • The Bloomsbury Handbook of Popular Music Video Analysis. Edited by Lori A. Burns and Stan Hawkins. New York: Bloomsbury, 2019. 464 pp. ISBN 9781501342332.

    Author(s):
    Brad Osborn (see profile)
    Date:
    2021
    Group(s):
    Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Music, Musical analysis, Culture, Music theory, Musicology
    Item Type:
    Book review
    Tag(s):
    music video, Cultural musicology, Digital musicology, Film studies

  • Resistance Gazes in Recent Music Videos

    Author(s):
    Brad Osborn (see profile)
    Date:
    2021
    Group(s):
    Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Motion picture music, Culture--Study and teaching, Mass media--Study and teaching, Music theory, Popular music
    Item Type:
    Article
    Tag(s):
    music video, Beyoncé, Rihanna, Film music, Cultural studies, Media studies, Popular Music Studies

  • Cartridge Music in the Quarantine: Presence, Absence, Contingency Setups and (De-)territorialised Performances

    Author(s):
    Valério Fiel da Costa, Marcello Messina (see profile) , Marco Scarassatti
    Date:
    2020
    Group(s):
    Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Popular music, Sound art, Composition (Music), Music--Performance, Video art
    Item Type:
    Article
    Tag(s):
    John Cage, experimental music, covid-19, quarantine, Contemporary music, Music composition, Music performance, Video arts, Collaboration

  • Editorial: Ubiquitous Music Making in COVID-19 Times

    Author(s):
    Leandro Costalonga, Damián Keller, Marcello Messina (see profile)
    Date:
    2020
    Group(s):
    Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Computers, Music, Popular music, Culture--Study and teaching, Composition (Music)
    Item Type:
    Article
    Tag(s):
    Computers and music, Contemporary music, Cultural studies, Music composition

  • Bespoke Music Theory: A Modular Core Curriculum Designed for Audio Engineers, Classical Violinists, and Everyone in Between

    Author(s):
    Megan Lavengood (see profile)
    Date:
    2020
    Group(s):
    Open Music Theory — Instructor Community, Society for Music Theory (SMT), Society for Music Theory – Jazz Interest Group, Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Teaching, Music theory
    Item Type:
    Article
    Tag(s):
    modular curricula, music theory pedagogy, Pedagogy

  • “The Performer’s Experience: Positional Listening and Positional Analysis,” in G. Borio, G. Gioriani, A. Cecchi, and M. Lutzu, eds. Investigating Music Performance: Theoretical Models and Intersections (Routledge, 2020), 56-68.

    Author(s):
    John Covach (see profile)
    Date:
    2020
    Group(s):
    American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Popular music, Music theory, Music, History
    Item Type:
    Book chapter
    Tag(s):
    Popular Music Studies, Music history

  • "Popular Music in the Theory Classroom," in The Routledge Companion to Music Theory Pedagogy, edited by Leigh VanHandel (Routledge, 2020), pp. 331-339.

    Author(s):
    John Covach (see profile)
    Date:
    2020
    Group(s):
    American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Popular music, Music theory, Music, History
    Item Type:
    Book chapter
    Tag(s):
    Popular Music Studies, Music history

  • “Jimmy Miller, the Rolling Stones, and Beggars Banquet,” in “They Call My Name Disturbance”: Beggars Banquet and the Rolling Stones’ Rock and Roll Revolution, edited by Russell Reising (Routledge, 2020), pp. 19-25.

    Author(s):
    John Covach (see profile)
    Date:
    2020
    Group(s):
    American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Popular music, Music, History, Music theory
    Item Type:
    Book chapter
    Tag(s):
    Popular Music Studies, Music history

  • The Frame and The Swerve: Music Video's Relationship to Dance

    Author(s):
    Brad Osborn (see profile)
    Date:
    2020
    Group(s):
    Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Musical analysis, Music theory, Popular music, Dance
    Item Type:
    Article
    Tag(s):
    Lucretius, music video, Music analysis, Popular Music Studies

  • Content and Correlational Analysis of a Corpus of MTV-Promoted Music Videos Aired Between 1990 and 1999

    Author(s):
    Brad Osborn (see profile) , Emily Rossin, Kevin Weingarten
    Date:
    2020
    Group(s):
    Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Musical analysis, Cinematography, Statistics
    Item Type:
    Article
    Tag(s):
    music video, 1990s, correlation, Music analysis, Video (history and studio)

  • Risers, Drops, and a Fourteen-Foot Cube: A Transmedia Analysis of Emil Nava, Calvin Harris, and Rihanna's "This is What You Came For"

    Author(s):
    Brad Osborn (see profile)
    Date:
    2020
    Group(s):
    Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Music theory, Cinematography
    Item Type:
    Book chapter
    Tag(s):
    musical form, Rihanna, Calvin Harris, Emil Nava, music video

  • Timbre, Genre, and Polystylism in Sonic the Hedgehog 3

    Author(s):
    Megan Lavengood (see profile)
    Date:
    2019
    Group(s):
    American Musicological Society, Game Studies, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Video games, Music theory, Popular music, Musicology, Video game music, Research
    Item Type:
    Book chapter
    Tag(s):
    sega, synthesizers, sound chips, new wave, michael jackson, Popular Music Studies, Ludomusicology

  • Review of Edward Lippman, A History of Western Musical Aesthetics and John Rahn, ed., Perspectives on Musical Aesthetics, Music Theory Spectrum 17/2 (1995): 275-82.

    Author(s):
    John Covach (see profile)
    Date:
    1995
    Group(s):
    American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Aesthetics, Music, History, Musicology, Music theory, Art and philosophy
    Item Type:
    Book review
    Tag(s):
    Music history, Philosophy and the arts

  • Review of Alastair Borthwick, Music Theory and Analysis: The Limitations of Logic, MLA Notes (June 1996): 1192-94.

    Author(s):
    John Covach (see profile)
    Date:
    1996
    Group(s):
    American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Musical analysis, Musicology, Music theory, Art and philosophy
    Item Type:
    Book review
    Tag(s):
    Music analysis, Philosophy and the arts

  • Review of Allen Forte, The American Popular Ballad of the Golden Era, 1924-1950, College Music Symposium 36 (1996): 168-72.

    Author(s):
    John Covach (see profile)
    Date:
    1996
    Group(s):
    American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Musical analysis, Music, History, Musicology, Music theory, Popular music
    Item Type:
    Review
    Tag(s):
    Music analysis, Music history, Popular Music Studies

  • Triple review of Edward Macan, Rockin’ the Classics: Progressive Rock and the Counterculture; Paul Stump, The Music’s All That Matters: A History of Progressive Rock; and Bill Martin, Listening to the Future: The Time of Progressive Rock, 1968-78, MLA Notes (September 1998).

    Author(s):
    John Covach (see profile)
    Date:
    1998
    Group(s):
    American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Music, History, Musicology, Popular music
    Item Type:
    Review
    Tag(s):
    Music history, Popular Music Studies

  • Review of Robert Freeman, The Crisis of Classical Music: Lessons from a Life in the Education of Musicians, Music Theory Online 21/2 (June 2015).

    Author(s):
    John Covach (see profile)
    Date:
    2015
    Group(s):
    American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Music--Instruction and study, Music, History, Musicology, Music theory
    Item Type:
    Review
    Tag(s):
    Music education, Music history

  • "(Per)Form in(g) Rock: A Response"

    Author(s):
    Mark Spicer (see profile)
    Date:
    2011
    Group(s):
    Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Music theory, Popular music
    Item Type:
    Article
    Tag(s):
    Popular Music Studies

  • "Fragile, Emergent, and Absent Tonics in Pop and Rock Songs."

    Author(s):
    Mark Spicer (see profile)
    Date:
    2017
    Group(s):
    Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    African Americans--Music, Popular music, Music theory
    Item Type:
    Article
    Tag(s):
    African-American popular music, Popular Music Studies

  • "Introduction: The Rock (Academic) Circus"

    Author(s):
    Mark Spicer (see profile)
    Date:
    2011
    Group(s):
    Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Music theory, Popular music
    Item Type:
    Book chapter
    Tag(s):
    Popular Music Studies

  • "The Electric Light Orchestra and the Anxiety of the Beatles' Influence."

    Author(s):
    Mark Spicer (see profile)
    Date:
    2018
    Group(s):
    Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Music theory, Popular music
    Item Type:
    Book chapter
    Tag(s):
    Popular Music Studies

  • "Strategic Intertextuality in Three of John Lennon's Late Beatles Songs."

    Author(s):
    Mark Spicer (see profile)
    Date:
    2009
    Group(s):
    Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Music theory, Popular music
    Item Type:
    Article
    Tag(s):
    Popular Music Studies

Viewing item 1 to 25 (of 46 items)
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  • Author
    • Brad Osborn 5X
    • Damián Keller 1X
    • Emily Rossin 1X
    • John Covach 29X
    • Kevin Weingarten 1X
    • Leandro Costalonga 1X
    • Marcello Messina 3X
    • Marco Scarassatti 1X
    • Mark Spicer 5X
    • Megan Lavengood 3X
    • Melia Wong 1X
    • Valério Fiel da Costa 1X
    • more>>
  • Group
    • American Musicological Society 9X
    • Digital Art History 1X
    • Game Studies 1X
    • Global & Transnational Studies 1X
    • MusicID Community 1X
    • Open Music Theory — Instructor Community 1X
    • Society for Music Theory (SMT) 15X
    • Society for Music Theory – Jazz Interest Group 1X
    • Society for Music Theory – Popular Music Interest Group (SMT PMIG) 46X
    • more>>
  • Subject
    • Mass media--Study and teaching 1X
    • Motion picture music 1X
    • Music 12X
    • Music--Instruction and study 3X
    • Music--Performance 1X
    • Music and technology 1X
    • Music theory 36X
    • Musical analysis 20X
    • Musicology 22X
    • Popular music 35X
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    • Statistics 1X
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    • Video art 1X
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    • United States 2X
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    • African Americans--Music 1X
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    • Cinematography 2X
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  • File Type
    • Mixed material 2X
    • Text 17X

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