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MLA Deposits
Timbre, Rhythm, and Texture within Music Theory’s White Racial Frame
Author(s):
Megan Lavengood
(see profile)
Date:
2021
Group(s):
Society for Music Theory (SMT)
,
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music theory
,
Musicology
,
Electronic dance music
,
Popular music
Item Type:
Book chapter
Tag(s):
Roland TR-909
,
analysis
,
percussion
,
drum machines
,
Jeff Mills
,
Popular Music Studies
AMS Preliminary Program
Author(s):
Melia Wong
(see profile)
Date:
2021
Group(s):
Digital Art History
,
Global & Transnational Studies
,
MusicID Community
,
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Ethnomusicology
,
Music
,
History
,
Musicology
,
Music theory
Item Type:
Conference poster
Tag(s):
Music history
The Bloomsbury Handbook of Popular Music Video Analysis. Edited by Lori A. Burns and Stan Hawkins. New York: Bloomsbury, 2019. 464 pp. ISBN 9781501342332.
Author(s):
Brad Osborn
(see profile)
Date:
2021
Group(s):
Society for Music Theory (SMT)
,
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music
,
Musical analysis
,
Culture
,
Music theory
,
Musicology
Item Type:
Book review
Tag(s):
music video
,
Cultural musicology
,
Digital musicology
,
Film studies
Resistance Gazes in Recent Music Videos
Author(s):
Brad Osborn
(see profile)
Date:
2021
Group(s):
Society for Music Theory (SMT)
,
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Motion picture music
,
Culture--Study and teaching
,
Mass media--Study and teaching
,
Music theory
,
Popular music
Item Type:
Article
Tag(s):
music video
,
Beyoncé
,
Rihanna
,
Film music
,
Cultural studies
,
Media studies
,
Popular Music Studies
Cartridge Music in the Quarantine: Presence, Absence, Contingency Setups and (De-)territorialised Performances
Author(s):
Valério Fiel da Costa
,
Marcello Messina
(see profile)
,
Marco Scarassatti
Date:
2020
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Popular music
,
Sound art
,
Composition (Music)
,
Music--Performance
,
Video art
Item Type:
Article
Tag(s):
John Cage
,
experimental music
,
covid-19
,
quarantine
,
Contemporary music
,
Music composition
,
Music performance
,
Video arts
,
Collaboration
Editorial: Ubiquitous Music Making in COVID-19 Times
Author(s):
Leandro Costalonga
,
Damián Keller
,
Marcello Messina
(see profile)
Date:
2020
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Computers
,
Music
,
Popular music
,
Culture--Study and teaching
,
Composition (Music)
Item Type:
Article
Tag(s):
Computers and music
,
Contemporary music
,
Cultural studies
,
Music composition
Bespoke Music Theory: A Modular Core Curriculum Designed for Audio Engineers, Classical Violinists, and Everyone in Between
Author(s):
Megan Lavengood
(see profile)
Date:
2020
Group(s):
Open Music Theory — Instructor Community
,
Society for Music Theory (SMT)
,
Society for Music Theory – Jazz Interest Group
,
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Teaching
,
Music theory
Item Type:
Article
Tag(s):
modular curricula
,
music theory pedagogy
,
Pedagogy
“The Performer’s Experience: Positional Listening and Positional Analysis,” in G. Borio, G. Gioriani, A. Cecchi, and M. Lutzu, eds. Investigating Music Performance: Theoretical Models and Intersections (Routledge, 2020), 56-68.
Author(s):
John Covach
(see profile)
Date:
2020
Group(s):
American Musicological Society
,
Society for Music Theory (SMT)
,
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Popular music
,
Music theory
,
Music
,
History
Item Type:
Book chapter
Tag(s):
Popular Music Studies
,
Music history
"Popular Music in the Theory Classroom," in The Routledge Companion to Music Theory Pedagogy, edited by Leigh VanHandel (Routledge, 2020), pp. 331-339.
Author(s):
John Covach
(see profile)
Date:
2020
Group(s):
American Musicological Society
,
Society for Music Theory (SMT)
,
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Popular music
,
Music theory
,
Music
,
History
Item Type:
Book chapter
Tag(s):
Popular Music Studies
,
Music history
“Jimmy Miller, the Rolling Stones, and Beggars Banquet,” in “They Call My Name Disturbance”: Beggars Banquet and the Rolling Stones’ Rock and Roll Revolution, edited by Russell Reising (Routledge, 2020), pp. 19-25.
Author(s):
John Covach
(see profile)
Date:
2020
Group(s):
American Musicological Society
,
Society for Music Theory (SMT)
,
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Popular music
,
Music
,
History
,
Music theory
Item Type:
Book chapter
Tag(s):
Popular Music Studies
,
Music history
The Frame and The Swerve: Music Video's Relationship to Dance
Author(s):
Brad Osborn
(see profile)
Date:
2020
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Musical analysis
,
Music theory
,
Popular music
,
Dance
Item Type:
Article
Tag(s):
Lucretius
,
music video
,
Music analysis
,
Popular Music Studies
Content and Correlational Analysis of a Corpus of MTV-Promoted Music Videos Aired Between 1990 and 1999
Author(s):
Brad Osborn
(see profile)
,
Emily Rossin
,
Kevin Weingarten
Date:
2020
Group(s):
Society for Music Theory (SMT)
,
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Musical analysis
,
Cinematography
,
Statistics
Item Type:
Article
Tag(s):
music video
,
1990s
,
correlation
,
Music analysis
,
Video (history and studio)
Risers, Drops, and a Fourteen-Foot Cube: A Transmedia Analysis of Emil Nava, Calvin Harris, and Rihanna's "This is What You Came For"
Author(s):
Brad Osborn
(see profile)
Date:
2020
Group(s):
Society for Music Theory (SMT)
,
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music theory
,
Cinematography
Item Type:
Book chapter
Tag(s):
musical form
,
Rihanna
,
Calvin Harris
,
Emil Nava
,
music video
Timbre, Genre, and Polystylism in Sonic the Hedgehog 3
Author(s):
Megan Lavengood
(see profile)
Date:
2019
Group(s):
American Musicological Society
,
Game Studies
,
Society for Music Theory (SMT)
,
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Video games
,
Music theory
,
Popular music
,
Musicology
,
Video game music
,
Research
Item Type:
Book chapter
Tag(s):
sega
,
synthesizers
,
sound chips
,
new wave
,
michael jackson
,
Popular Music Studies
,
Ludomusicology
Review of Edward Lippman, A History of Western Musical Aesthetics and John Rahn, ed., Perspectives on Musical Aesthetics, Music Theory Spectrum 17/2 (1995): 275-82.
Author(s):
John Covach
(see profile)
Date:
1995
Group(s):
American Musicological Society
,
Society for Music Theory (SMT)
,
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Aesthetics
,
Music
,
History
,
Musicology
,
Music theory
,
Art and philosophy
Item Type:
Book review
Tag(s):
Music history
,
Philosophy and the arts
Review of Alastair Borthwick, Music Theory and Analysis: The Limitations of Logic, MLA Notes (June 1996): 1192-94.
Author(s):
John Covach
(see profile)
Date:
1996
Group(s):
American Musicological Society
,
Society for Music Theory (SMT)
,
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Musical analysis
,
Musicology
,
Music theory
,
Art and philosophy
Item Type:
Book review
Tag(s):
Music analysis
,
Philosophy and the arts
Review of Allen Forte, The American Popular Ballad of the Golden Era, 1924-1950, College Music Symposium 36 (1996): 168-72.
Author(s):
John Covach
(see profile)
Date:
1996
Group(s):
American Musicological Society
,
Society for Music Theory (SMT)
,
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Musical analysis
,
Music
,
History
,
Musicology
,
Music theory
,
Popular music
Item Type:
Review
Tag(s):
Music analysis
,
Music history
,
Popular Music Studies
Triple review of Edward Macan, Rockin’ the Classics: Progressive Rock and the Counterculture; Paul Stump, The Music’s All That Matters: A History of Progressive Rock; and Bill Martin, Listening to the Future: The Time of Progressive Rock, 1968-78, MLA Notes (September 1998).
Author(s):
John Covach
(see profile)
Date:
1998
Group(s):
American Musicological Society
,
Society for Music Theory (SMT)
,
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music
,
History
,
Musicology
,
Popular music
Item Type:
Review
Tag(s):
Music history
,
Popular Music Studies
Review of Robert Freeman, The Crisis of Classical Music: Lessons from a Life in the Education of Musicians, Music Theory Online 21/2 (June 2015).
Author(s):
John Covach
(see profile)
Date:
2015
Group(s):
American Musicological Society
,
Society for Music Theory (SMT)
,
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music--Instruction and study
,
Music
,
History
,
Musicology
,
Music theory
Item Type:
Review
Tag(s):
Music education
,
Music history
"(Per)Form in(g) Rock: A Response"
Author(s):
Mark Spicer
(see profile)
Date:
2011
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music theory
,
Popular music
Item Type:
Article
Tag(s):
Popular Music Studies
"Fragile, Emergent, and Absent Tonics in Pop and Rock Songs."
Author(s):
Mark Spicer
(see profile)
Date:
2017
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
African Americans--Music
,
Popular music
,
Music theory
Item Type:
Article
Tag(s):
African-American popular music
,
Popular Music Studies
"Introduction: The Rock (Academic) Circus"
Author(s):
Mark Spicer
(see profile)
Date:
2011
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music theory
,
Popular music
Item Type:
Book chapter
Tag(s):
Popular Music Studies
"The Electric Light Orchestra and the Anxiety of the Beatles' Influence."
Author(s):
Mark Spicer
(see profile)
Date:
2018
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music theory
,
Popular music
Item Type:
Book chapter
Tag(s):
Popular Music Studies
"Strategic Intertextuality in Three of John Lennon's Late Beatles Songs."
Author(s):
Mark Spicer
(see profile)
Date:
2009
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music theory
,
Popular music
Item Type:
Article
Tag(s):
Popular Music Studies
“George Harrison, Songwriter,” in M. Osteen, ed., Part of Everything: The Beatles’ White Album at Fifty (University of Michigan Press, 2019), 177-96.
Author(s):
John Covach
(see profile)
Date:
2019
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Musical analysis
,
Musicology
,
Music theory
,
Popular music
Item Type:
Book chapter
Tag(s):
Music analysis
,
Popular Music Studies
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