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CORE Search Results Start Search Over

  • All Deposits 0
  • MLA Deposits
  • "'Reggatta de Blanc': Analyzing Style in the Music of the Police."

    Author(s):
    Mark Spicer (see profile)
    Date:
    2010
    Group(s):
    Society for Music Theory – Popular Music Interest Group
    Subject(s):
    Music theory, Popular music
    Item Type:
    Book chapter
    Tag(s):
    Popular Music Studies

  • "Large-Scale Strategy and Compositiional Design in the Early Music of Genesis."

    Author(s):
    Mark Spicer (see profile)
    Date:
    2008
    Group(s):
    Society for Music Theory – Popular Music Interest Group
    Subject(s):
    Popular music
    Item Type:
    Book chapter
    Tag(s):
    Popular Music Studies

  • "(Ac)cumulative Form in Pop-Rock Music."

    Author(s):
    Mark Spicer (see profile)
    Date:
    2004
    Group(s):
    Society for Music Theory – Popular Music Interest Group
    Subject(s):
    Music theory, Popular music
    Item Type:
    Article
    Tag(s):
    Popular Music Studies

  • Beyond Verse and Chorus: Experimental Song Forms in Post-Millennial Rock Music

    Author(s):
    Brad Osborn (see profile)
    Date:
    2019
    Group(s):
    Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group
    Subject(s):
    Popular music
    Item Type:
    Dissertation
    Tag(s):
    Popular Music Studies

  • Musical Style Affects the Strength of Harmonic Expectancy.

    Author(s):
    Bryn Hughes (see profile) , Dominique T. Vuvan
    Date:
    2019
    Group(s):
    Society for Music Theory – Popular Music Interest Group
    Subject(s):
    Music, Cognition, Popular music
    Item Type:
    Article
    Tag(s):
    rock harmony, Music cognition, Popular Music Studies

  • Deceptive love and denied endings: tropes in the music of Billy Joel

    Author(s):
    Sean Atkinson (see profile)
    Date:
    2018
    Group(s):
    Society for Music Theory – Popular Music Interest Group
    Subject(s):
    Music theory, Popular music
    Item Type:
    Article
    Tag(s):
    Billy Joel, Topics, Deceptive Motion, Popular Music Studies

  • Analyzing the Parameters of Flow in Rap Music

    Author(s):
    Robert Komaniecki (see profile)
    Date:
    2019
    Group(s):
    Society for Music Theory – Popular Music Interest Group
    Subject(s):
    Hip-hop, Popular music
    Item Type:
    Dissertation
    Tag(s):
    Hip-hop studies, Popular Music Studies

  • Narrative Transformation and Music in Mediatized Moral Space in Charlie Brooker's Bandersnatch

    Author(s):
    Sara Bowden (see profile)
    Date:
    2019
    Group(s):
    Society for Music Theory – Popular Music Interest Group
    Subject(s):
    Interactive multimedia, Video game music, Research
    Item Type:
    Thesis
    Tag(s):
    interactive media, Ludomusicology

  • What Makes It Sound ’80s?

    Author(s):
    Megan Lavengood (see profile)
    Date:
    2019
    Group(s):
    American Musicological Society, Society for Music Theory, Society for Music Theory – Popular Music Interest Group
    Subject(s):
    Music theory, Popular music, Musicology, Musical instruments, Electronic dance music
    Item Type:
    Article
    Tag(s):
    synthesizers, yamaha dx7, timbre, 1980s, spectrograms, Popular Music Studies, Organology

  • Music Theory and the Epistemology of the Internet; or, Analyzing Music Under the New Thinkpiece Regime

    Author(s):
    William O'Hara (see profile)
    Date:
    2018
    Group(s):
    Society for Music Theory, Society for Music Theory – Popular Music Interest Group
    Subject(s):
    Music theory, Musical analysis, Popular music, Mass media--Study and teaching
    Item Type:
    Article
    Tag(s):
    Music analysis, Popular Music Studies, Media studies, Internet/web-based media

  • Review of Kevin Holm-Hudson: Music Theory Remixed

    Author(s):
    Brad Osborn (see profile)
    Date:
    2019
    Group(s):
    Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group
    Subject(s):
    Teaching, Music theory, Textbooks
    Item Type:
    Review
    Tag(s):
    Pedagogy

  • HEARING HEIMA: ECOLOGICAL AND ECOCRITICAL APPROACHES TO MEANING IN THREE ICELANDIC MUSIC VIDEOS

    Author(s):
    Brad Osborn (see profile)
    Date:
    2013
    Group(s):
    Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group
    Subject(s):
    Music theory
    Item Type:
    Book chapter
    Tag(s):
    iceland, music video, Popular music, rock harmony, björk

  • BEATS THAT COMMUTE: ALGEBRAIC AND KINESTHETIC MODELS FOR MATH-ROCK GROOVES

    Author(s):
    Brad Osborn (see profile)
    Date:
    2010
    Group(s):
    Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group
    Subject(s):
    Music theory
    Item Type:
    Article
    Tag(s):
    rhythm and meter, Rhythm, meter, math rock, radiohead

  • Becoming-Music, Becoming-Intimate, Becoming-Imperceptible

    Author(s):
    Brad Osborn (see profile)
    Date:
    2012
    Group(s):
    Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group
    Subject(s):
    Music theory, Deleuze, Gilles, 1925-1995, Musicology
    Item Type:
    Article
    Tag(s):
    Gilles Deleuze, sigur ros, rock music, Deleuze

  • Understanding Through-Composition in Post-Rock, Math-Metal, and other Post-Millennial Rock Genres

    Author(s):
    Brad Osborn (see profile)
    Date:
    2011
    Group(s):
    Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group
    Subject(s):
    Music theory
    Item Type:
    Article
    Tag(s):
    form, rock music, radiohead, art rock, post-rock

  • Kid Algebra: Radiohead's Euclidean and Maximally Even Rhythms

    Author(s):
    Brad Osborn (see profile)
    Date:
    2014
    Group(s):
    Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group
    Subject(s):
    Music theory
    Item Type:
    Article
    Tag(s):
    maximally even, Rhythm, rhythm and meter, Meter, radiohead

  • Subverting the Verse–Chorus Paradigm: Terminally Climactic Forms in Recent Rock Music

    Author(s):
    Brad Osborn (see profile)
    Date:
    2013
    Group(s):
    Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group
    Subject(s):
    Music theory
    Item Type:
    Article
    Tag(s):
    form, rock music, radiohead

  • ROCK HARMONY RECONSIDERED: TONAL, MODAL AND CONTRAPUNTAL VOICE-LEADING SYSTEMS IN RADIOHEAD

    Author(s):
    Brad Osborn (see profile)
    Date:
    2017
    Group(s):
    Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group
    Subject(s):
    Music theory
    Item Type:
    Article
    Tag(s):
    harmony and voice-leading, rock harmony, Popular music, radiohead

  • Review of Christopher Doll Hearing Harmony: Toward a Tonal Theory for the Rock Era

    Author(s):
    Brad Osborn (see profile)
    Date:
    2018
    Group(s):
    Society for Music Theory – Popular Music Interest Group
    Subject(s):
    Music theory
    Item Type:
    Book review
    Tag(s):
    chords, harmony and voice-leading, rock harmony, rock music, schema theory

  • A New Approach to the Analysis of Timbre

    Author(s):
    Megan Lavengood (see profile)
    Date:
    2017
    Group(s):
    Society for Music Theory – Popular Music Interest Group
    Subject(s):
    Musicology, Music--Technological innovations, Music theory, Popular music
    Item Type:
    Dissertation
    Tag(s):
    1980s, fm synthesis, synthesizers, timbre, yamaha dx7, Music technology, Popular Music Studies

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