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• Innovating Shakespeare: The Politics of Technological Partnership in the Royal Shakespeare Company’s The Tempest (2016)

  Author(s):

  Amy Borsuk (see profile)

  Date:

  2019

  Group(s):

  Digital Humanists, Performance Studies, Shakespeare

  Subject(s):

  Digital culture, Shakespearean institutions, Shakespeare performance

  Item Type:

  Article

  Tag(s):

  digital economy, motion capture, Royal Shakespeare Company

  
  

• Race: Political Correctness vs. Scholarship in the Humanities

  Author(s):

  Michael L. Hays (see profile)

  Date:

  2018

  Group(s):

  Public Humanities, Renaissance / Early Modern Studies, Shakespeare

  Subject(s):

  Shakespeare, Critical race studies

  Item Type:

  Other

  Tag(s):

  Political criticism

  
  

• Some Maladies of Early Modern Race Study in Shakespeare

  Author(s):

  Michael L. Hays (see profile)

  Date:

  2016

  Group(s):

  Renaissance / Early Modern Studies, Shakespeare

  Subject(s):

  Shakespeare, Critical race studies

  Item Type:

  Other

  Tag(s):

  Othello

  
  

• The English Profession-Tendentious Reflections of a Retired Independent Scholar.

  Author(s):

  Michael L. Hays (see profile)

  Date:

  2017

  Group(s):

  Public Humanities, Shakespeare

  Subject(s):

  Shakespeare, Humanities PhD, Literary criticism

  Item Type:

  Other

  Tag(s):

  humanities

  
  

• The Dehumanizing of the Humanities and a Remedy

  Author(s):

  Michael L. Hays (see profile)

  Date:

  2015

  Group(s):

  Public Humanities, Shakespeare

  Subject(s):

  Shakespeare, Literary criticism

  Item Type:

  Other

  Tag(s):

  Political criticism, humanities

  
  

• Answer the Question, Question Authority, and Read Inclusively

  Author(s):

  Michael L. Hays (see profile)

  Date:

  2014

  Group(s):

  Renaissance / Early Modern Studies, Shakespeare

  Subject(s):

  Shakespeare, Literary criticism

  Item Type:

  Conference paper

  Tag(s):

  Macbeth, Othello, King Lear

  
  

• The Shakespeare Authorship Question: E Pluribus Unum

  Author(s):

  Michael L. Hays (see profile)

  Date:

  2018

  Group(s):

  Shakespeare

  Subject(s):

  Shakespeare

  Item Type:

  Other

  Tag(s):

  Shakespeare authorship, Greene's Groatsworth

  
  

• Diana Price’s Shakespeare’s Unorthodox Biography: The Epitome of Anti-Stratfordian Scholarship

  Author(s):

  Michael L. Hays (see profile)

  Date:

  2017

  Group(s):

  Shakespeare

  Subject(s):

  Shakespeare, Authorship attribution

  Item Type:

  Other

  Tag(s):

  Shakespeare's biography, Shakespeare authorship, Greene's Groatsworth

  
  

• Shakespeare's "Sonnet 73" as a Poetic Emblem

  Author(s):

  Michael L. Hays (see profile)

  Date:

  2018

  Group(s):

  Renaissance / Early Modern Studies, Shakespeare

  Subject(s):

  Shakespeare

  Item Type:

  Other

  Tag(s):

  Shakespeare sonnets, Sonnet 73, sic transit gloria mundi

  
  

• “‘Othello Is Not about Race’”

  Author(s):

  Michael L. Hays (see profile)

  Date:

  2018

  Group(s):

  Medieval English Literature, Renaissance / Early Modern Studies, Shakespeare

  Subject(s):

  Shakespeare, Critical race studies, Race

  Item Type:

  Other

  Tag(s):

  Othello

  
  

• Romancing the Sources: Framing Tales in Hamlet and King Lear

  Author(s):

  Michael L. Hays (see profile)

  Date:

  2017

  Group(s):

  Renaissance / Early Modern Studies, Shakespeare, Shakespearean Dramatic Genres

  Subject(s):

  Shakespeare, Genre theory

  Item Type:

  Other

  Tag(s):

  Hamlet, King Lear, Romance, chivalric romance

  
  

• Emending Othello; Explaining Othello: A Critique of Contemporary Principles of and Practices in Editing Shakespeare and a Historical-Literary Interpretation of Othello’s Jealousy

  Author(s):

  Michael L. Hays (see profile)

  Date:

  2005

  Group(s):

  Renaissance / Early Modern Studies, Shakespeare, Textual Scholarship

  Subject(s):

  Shakespeare, Textual criticism, Literary criticism

  Item Type:

  Other

  Tag(s):

  Othello, editing Shakespeare, Courtly love

  
  

• A Sense of the Ending: Does Malcolm Earn It?

  Author(s):

  Michael L. Hays (see profile)

  Date:

  2011

  Group(s):

  Renaissance / Early Modern Studies, Shakespeare

  Subject(s):

  Shakespeare, Literary criticism

  Item Type:

  Conference paper

  Tag(s):

  Macbeth

  
  

• Saving His Source: Shakespeare’s Use of Holinshed in Macbeth, IV, iii

  Author(s):

  Michael L. Hays (see profile)

  Date:

  2006

  Group(s):

  Renaissance / Early Modern Studies, Shakespeare

  Subject(s):

  Shakespeare

  Item Type:

  Conference paper

  Tag(s):

  Macbeth, Holinshed, exile and return

  
  

• Sources, Scholarship, and Sense: Shakespeare’s Use of Holinshed in Macbeth

  Author(s):

  Michael L. Hays (see profile)

  Date:

  2003

  Group(s):

  Renaissance / Early Modern Studies, Shakespeare

  Subject(s):

  Shakespeare

  Item Type:

  Conference paper

  Tag(s):

  Macbeth, exile and return, Holinshed, Bellona's Bridegroom

  
  

• Who Wooed Desdemona? The Crux at Othello III, iii, 94

  Author(s):

  Michael L. Hays (see profile)

  Date:

  2017

  Group(s):

  Medieval English Literature, Renaissance / Early Modern Studies, Shakespeare, Textual Scholarship

  Subject(s):

  Shakespeare

  Item Type:

  Article

  Tag(s):

  Othello, intermediary, Courtly love

  
  

• What Kind of Play Is Troilus and Cressida?

  Author(s):

  Michael L. Hays (see profile)

  Date:

  2013

  Group(s):

  Medieval English Literature, Renaissance / Early Modern Studies, Shakespeare, Shakespearean Dramatic Genres

  Subject(s):

  Shakespeare, Genre studies

  Item Type:

  Article

  Tag(s):

  chivalric romance, chivalric satire, Troilus and Cressida

  
  

• 0. Preliminaries, in Shakespearean Tragedy as Chivalric Romance, 2nd ed

  Author(s):

  Michael L. Hays (see profile)

  Date:

  2014

  Group(s):

  Medieval English Literature, Renaissance / Early Modern Studies, Shakespeare, Shakespearean Dramatic Genres

  Subject(s):

  Genre theory, Literary criticism, Literary history, Shakespeare

  Item Type:

  Book chapter

  Tag(s):

  New Historicism, presentism

  
  

• 1. Introduction, in Shakespearean Tragedy as Chivalric Romance, 2nd ed

  Author(s):

  Michael L. Hays (see profile)

  Date:

  2014

  Group(s):

  Renaissance / Early Modern Studies, Shakespeare, Shakespearean Dramatic Genres

  Subject(s):

  Genre theory, Literary history, Literary theory, Shakespeare

  Item Type:

  Book chapter

  Tag(s):

  romantic idealism

  
  

• 2. The Survival of English Chivalric Romances, in Shakespearean Tragedy as Chivalric Romance, 2nd ed

  Author(s):

  Michael L. Hays (see profile)

  Date:

  2014

  Group(s):

  Medieval English Literature, Renaissance / Early Modern Studies, Shakespeare, Shakespearean Dramatic Genres

  Subject(s):

  Analytical bibliography, Elizabethan literature, Literary history, Medieval manuscripts, Print culture, Shakespeare

  Item Type:

  Book chapter

  
  

• 3. The Significance of English Chivalric Romance, in Shakespearean Tragedy as Chivalric Romance, 2nd ed

  Author(s):

  Michael L. Hays (see profile)

  Date:

  2014

  Group(s):

  Renaissance / Early Modern Studies, Shakespeare, Shakespearean Dramatic Genres

  Subject(s):

  Chivalry, Shakespeare

  Item Type:

  Book chapter

  Tag(s):

  Courtly love, exile and return, Intermediaries, Single Combat

  
  

• 4. Macbeth: Loyal Stewards and Royal Succession, in Shakespearean Tragedy as Chivalric Romance, 2nd ed

  Author(s):

  Michael L. Hays (see profile)

  Date:

  2014

  Group(s):

  Renaissance / Early Modern Studies, Shakespeare, Shakespearean Dramatic Genres

  Subject(s):

  Shakespeare

  Item Type:

  Book chapter

  Tag(s):

  exile and return, false steward, Single Combat

  
  

• 5. Hamlet: Courtly Revenge and Chivalric Succession, in Shakespearean Tragedy as Chivalric Romance, 2nd ed

  Author(s):

  Michael L. Hays (see profile)

  Date:

  2014

  Group(s):

  Renaissance / Early Modern Studies, Shakespeare, Shakespearean Dramatic Genres

  Subject(s):

  Chivalry, Shakespeare

  Item Type:

  Book chapter

  Tag(s):

  exile and return, Single Combat

  
  

• 6. Othello: Courtly Love and Chivalric Justice, in Shakespearean Tragedy as Chivalric Romance, 2nd ed

  Author(s):

  Michael L. Hays (see profile)

  Date:

  2014

  Group(s):

  Renaissance / Early Modern Studies, Shakespeare, Shakespearean Dramatic Genres

  Subject(s):

  Chivalry, Shakespeare

  Item Type:

  Book chapter

  Tag(s):

  Courtly love, intermediary, picaro

  
  

• 7. King Lear: Courtly Romance and Chivalric Restoration, in Shakespearean Tragedy as Chivalric Romance, 2nd ed

  Author(s):

  Michael L. Hays (see profile)

  Date:

  2014

  Group(s):

  Renaissance / Early Modern Studies, Shakespeare, Shakespearean Dramatic Genres

  Subject(s):

  Chivalry, Shakespeare

  Item Type:

  Book chapter

  Tag(s):

  Courtly love, exile and return, Fair Unknown, Single Combat

  
  

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