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MLA Deposits
Verso una teoria delle pratiche prefigurative
Author(s):
Valeria Graziano
(see profile)
Date:
2021
Group(s):
Anarchism
,
Cultural Studies
,
Performance Studies
Item Type:
Book chapter
When Care Needs Piracy: The Case for Disobedience in Struggles Against Imperial Property Regimes
Author(s):
Valeria Graziano
(see profile)
,
Marcell Mars
,
Tomislav Medak
Date:
2021
Group(s):
Cultural Studies
,
Feminist Humanities
,
Performance Studies
Subject(s):
Ethics of care
,
Piracy
Item Type:
Article
Sacrifice vs. Sustenance: Food as a Burial Good in Late Pre-Imperial and Early Imperial Chinese Tombs and Its Relation [to] Funerary Rites
Author(s):
Armin Selbitschka
(see profile)
Date:
2018
Group(s):
Anthropology
,
Archaeology
,
Chinese history, culture and language
,
Chinese Religions
,
Performance Studies
Subject(s):
Food studies
,
Food history
,
Archaeology
,
Archaeology of religions
,
Chinese archaeology
,
Food
,
History
,
Ritual
Item Type:
Abstract
Tag(s):
food archaeology
,
Chinese Philosophy
Walking at Midnight: Women and Danger on Delhi’s Streets
Author(s):
Swati Arora
(see profile)
Date:
2019
Group(s):
Feminist Humanities
,
GeoHumanities
,
Performance Studies
,
Postcolonial Studies
,
Urban Studies
Subject(s):
Urban studies
,
Gender studies
,
South Asia
,
Postcolonialism
,
Feminist geography
Item Type:
Article
Tag(s):
walking
,
public space
,
urban space
Walk in India and South Africa: notes towards a decolonial and transnational feminist politics
Author(s):
Swati Arora
(see profile)
Date:
2020
Group(s):
Feminist Humanities
,
GeoHumanities
,
Performance Studies
,
Postcolonial Studies
,
Urban Studies
Subject(s):
Urban studies
,
Human geography
,
Performance and politics
,
Feminist geography
,
Space and place
Item Type:
Article
Tag(s):
walking
,
delhi
,
south africa
,
urban commons
Networked audience participation: the futurity of post-Brexit democracy in One Day, Maybe and Operation Black Antler
Author(s):
Joseph Dunne-Howrie
(see profile)
Date:
2021
Group(s):
CityLIS
,
Digital Humanists
,
Library & Information Science
,
Performance Studies
Subject(s):
Theatre and politics
,
Digital culture
,
Politics of digital surveillance
,
Democratic theory
Item Type:
Article
Tag(s):
theatre
,
Brexit
,
infosphere
Anne Teresa De Keersmaeker’s Violin Phase and the Experience of Time, or Why Does Process Music Work?
Author(s):
Mariusz Kozak
(see profile)
Date:
2021
Group(s):
American Musicological Society
,
Performance Studies
,
SMT Dance and Movement Interest Group
,
Society for Music Theory (SMT)
Subject(s):
Music theory
,
Dance and technology
,
Phenomenology
,
Temporality
,
Musicology
Item Type:
Article
Tag(s):
minimalism
Can We Buy Virtue? Implications from State University Funding On Musical Instrument Performance Teacher Mandate
Author(s):
Robin Rolfhamre
(see profile)
Date:
2021
Group(s):
Education and Pedagogy
,
Performance Studies
Subject(s):
Higher education
,
Music education
,
Music performance
,
Ethics
,
Rhetoric
,
Teaching and learning
Item Type:
Book chapter
Tag(s):
musical instrument
,
mandate
Re-performing Design: using dramaturgy to uncover graphic designers’ perceptions of stakeholders
Author(s):
Yaron Meron
(see profile)
Date:
2020
Group(s):
Performance Studies
Subject(s):
Design (graphic)
,
Design thinking
,
Ethnography
,
Performativity
,
Dramaturgy
,
Performance
,
Performance studies
,
Methodology
Item Type:
Article
Tag(s):
design research
,
creative practice
Música, humor y crítica social en el performance Buena Risa Social Club (León de Los Aldama, 2018) de Alejandro García Villalón “Virulo”
Author(s):
Hugo Barreiro
,
Pablo Suárez
(see profile)
Date:
2019
Group(s):
Ethnomusicology
,
Paper Music
,
Performance Studies
Subject(s):
Ethnomusicology
,
Humor studies
,
Performance
Item Type:
Article
Algunas consideraciones analíticas sobre el performance musical
Author(s):
Pablo Suárez
(see profile)
Date:
2018
Group(s):
Ethnomusicology
,
Performance Studies
Subject(s):
Music analysis
,
Performance studies
Item Type:
Article
El Génesis Según Virulo (2001) de Alejandro García Villalón como performance humorístico de intertextualidad literaria-musical
Author(s):
Hugo Barreiro
,
Pablo Suárez
(see profile)
Date:
2018
Group(s):
Ethnomusicology
,
Paper Music
,
Performance Studies
Subject(s):
Humor studies
,
Intertextuality
,
Music
,
Performance
Item Type:
Article
The popular lute: an investigation of the function and performance of music in France between 1650 and 1700
Author(s):
Robin Rolfhamre
(see profile)
Date:
2014
Group(s):
Music History/Musicology Pedagogy Resource Hub
,
Performance Studies
,
Renaissance / Early Modern Studies
Subject(s):
Popular Music Studies
,
Early Modern
,
Early modern France
,
17th-century music
,
Music performance
,
Cultural studies
,
Performance studies
Item Type:
Dissertation
Tag(s):
popular music
,
Seventeenth-century
,
lute
Recreation at stake
Author(s):
Valeria Graziano
(see profile)
Date:
2019
Group(s):
Anarchism
,
Cultural Studies
,
Feminist Humanities
,
Festivals, Rituals, Public Spectacles, and Popular Culture
,
Performance Studies
Subject(s):
Cultural politics
,
Popular culture
,
Performance studies
,
Organization theory
,
Culture and capitalism
Item Type:
Book chapter
Tag(s):
recreation
,
creative industries
,
Audre Lorde
,
playground
,
antiwork politics
Escuchar lo justo
Author(s):
Edwin Culp
(see profile)
Date:
2016
Group(s):
Performance Studies
Subject(s):
Performance studies
,
Representation
Item Type:
Book chapter
Tag(s):
interdisciplinary ethics
Crisis Acting in The Destroyed Room
Author(s):
Joseph Dunne
(see profile)
Date:
2019
Group(s):
CityLIS
,
Digital Humanists
,
Library & Information Science
,
Performance Studies
Subject(s):
Social media
,
Sociology of terrorism
,
Internet
Item Type:
Article
Tag(s):
#citylis
,
#theatre
,
#terrorism
,
#conspiracytheory
Who Killed B. B. Homemaker? Normative and Critical Whiteness in Beyoncé’s Music Videos
Author(s):
Willamae Boling
(see profile)
Date:
2015
Group(s):
Performance Studies
Subject(s):
Critical race studies
,
Performance studies
,
Popular culture studies
Item Type:
Thesis
Tag(s):
Beyoncé
,
critical whiteness studies
Enacting Musical Time: The Bodily Experience of New Music
Author(s):
Mariusz Kozak
(see profile)
Date:
2020
Group(s):
American Musicological Society
,
Music and Sound
,
Performance Studies
,
SMT Dance and Movement Interest Group
,
Society for Music Theory
Subject(s):
Music theory
,
Musicology
,
Embodied cognition
,
Phenomenology
Item Type:
Book
The Role of Self-esteem and Optimism in Job Satisfaction among Teachers of Private Universities in Bangladesh
Author(s):
Mozumdar Arifa Ahmed
Editor(s):
Alim Al Ayub Ahmed
(see profile)
Date:
2012
Group(s):
Archives
,
Asian Business Review
,
Open Educational Resources
,
Performance Studies
Item Type:
Article
Be a Little Careful: Women, Violence and Performance in India
Author(s):
Swati Arora
(see profile)
Date:
2019
Group(s):
Feminist Humanities
,
Gender Studies
,
Performance Studies
,
Women in the Arts
Subject(s):
Feminist critique
,
Performance and politics
,
South Asia
,
Space and place
,
Theater history
Item Type:
Article
Tag(s):
delhi
,
Theatre Studies
,
Violence against women
Trans-Participation in the Infosphere
Author(s):
Joseph Dunne
(see profile)
Date:
2019
Group(s):
CityLIS
,
Digital Humanists
,
Library & Information Science
,
Performance Studies
Subject(s):
Theatre and history
,
Theatre and politics
,
Library and information science
,
Digital culture
Item Type:
Conference paper
Tag(s):
infosphere
,
Immersive Theatre
,
Audience Participation
CfP (Deadline June 16th 2019) Cologne Summer School of Interdisciplinary Anthropology IV “Beyond Humanism: Cyborgs – Animals – Data Swarms”
Author(s):
Thiemo Breyer
,
Christoph Lange
(see profile)
,
Lars Reuke
,
Johannes Schick
,
Mario Schmidt
Date:
2019
Group(s):
a.r.t.e.s. Research Lab
,
Anthropology
,
Feminist Humanities
,
Performance Studies
Subject(s):
Posthumanism
,
Transhumanism
,
Anthropology
,
History and philosophy of science and technology
,
STS
,
Animals
,
Subjectivity
Item Type:
Other
Tag(s):
cybernetics
,
cyborgs
,
Human-nonhuman assemblage
,
Human-Animal Studies
Innovating Shakespeare: The Politics of Technological Partnership in the Royal Shakespeare Company’s The Tempest (2016)
Author(s):
Amy Borsuk
(see profile)
Date:
2019
Group(s):
Digital Humanists
,
Performance Studies
,
Shakespeare
Subject(s):
Digital culture
,
Shakespearean institutions
,
Shakespeare performance
Item Type:
Article
Tag(s):
digital economy
,
motion capture
,
Royal Shakespeare Company
Interspecies Performance. The Composition of the Arabian Show Horse as Living Sculpture
Author(s):
Christoph Lange
(see profile)
Date:
2018
Group(s):
Anthropology
,
Performance Studies
Subject(s):
Ethnography
,
Social anthropology
,
Human-animal relationships
,
Middle East
,
Performance
Item Type:
Book chapter
Hamilton
's Ghosts
Author(s):
pmgentry
(see profile)
Date:
2017
Group(s):
American Musicological Society
,
Performance Studies
Subject(s):
Music
,
Musical theatre
,
Historiography
Item Type:
Article
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