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• Anne Teresa De Keersmaeker’s Violin Phase and the Experience of Time, or Why Does Process Music Work?

  Author(s):

  Mariusz Kozak (see profile)

  Date:

  2021

  Group(s):

  American Musicological Society, Performance Studies, SMT Dance and Movement Interest Group, Society for Music Theory (SMT)

  Subject(s):

  Music theory, Dance and technology, Phenomenology, Temporality, Musicology

  Item Type:

  Article

  Tag(s):

  minimalism

  
  

• Can We Buy Virtue? Implications from State University Funding On Musical Instrument Performance Teacher Mandate

  Author(s):

  Robin Rolfhamre (see profile)

  Date:

  2021

  Group(s):

  Education and Pedagogy, Performance Studies

  Subject(s):

  Higher education, Music education, Music performance, Ethics, Rhetoric, Teaching and learning

  Item Type:

  Book chapter

  Tag(s):

  musical instrument, mandate

  
  

• Re-performing Design: using dramaturgy to uncover graphic designers’ perceptions of stakeholders

  Author(s):

  Yaron Meron (see profile)

  Date:

  2020

  Group(s):

  Performance Studies

  Subject(s):

  Design (graphic), Design thinking, Ethnography, Performativity, Dramaturgy, Performance, Performance studies, Methodology

  Item Type:

  Article

  Tag(s):

  design research, creative practice

  
  

• Música, humor y crítica social en el performance Buena Risa Social Club (León de Los Aldama, 2018) de Alejandro García Villalón “Virulo”

  Author(s):

  Hugo Barreiro, Pablo Suárez (see profile)

  Date:

  2019

  Group(s):

  Ethnomusicology, Paper Music, Performance Studies

  Subject(s):

  Ethnomusicology, Humor studies, Performance

  Item Type:

  Article

  
  

• Algunas consideraciones analíticas sobre el performance musical

  Author(s):

  Pablo Suárez (see profile)

  Date:

  2018

  Group(s):

  Ethnomusicology, Performance Studies

  Subject(s):

  Music analysis, Performance studies

  Item Type:

  Article

  
  

• El Génesis Según Virulo (2001) de Alejandro García Villalón como performance humorístico de intertextualidad literaria-musical

  Author(s):

  Hugo Barreiro, Pablo Suárez (see profile)

  Date:

  2018

  Group(s):

  Ethnomusicology, Paper Music, Performance Studies

  Subject(s):

  Humor studies, Intertextuality, Music, Performance

  Item Type:

  Article

  
  

• The popular lute: an investigation of the function and performance of music in France between 1650 and 1700

  Author(s):

  Robin Rolfhamre (see profile)

  Date:

  2014

  Group(s):

  Music History/Musicology Pedagogy Resource Hub, Performance Studies, Renaissance / Early Modern Studies

  Subject(s):

  Popular Music Studies, Early Modern, Early modern France, 17th-century music, Music performance, Cultural studies, Performance studies

  Item Type:

  Dissertation

  Tag(s):

  popular music, Seventeenth-century, lute

  
  

• Recreation at stake

  Author(s):

  Valeria Graziano (see profile)

  Date:

  2019

  Group(s):

  Anarchism, Cultural Studies, Feminist Humanities, Festivals, Rituals, Public Spectacles, and Popular Culture, Performance Studies

  Subject(s):

  Cultural politics, Popular culture, Performance studies, Organization theory, Culture and capitalism

  Item Type:

  Book chapter

  Tag(s):

  recreation, creative industries, Audre Lorde, playground, antiwork politics

  
  

• Escuchar lo justo

  Author(s):

  Edwin Culp (see profile)

  Date:

  2016

  Group(s):

  Performance Studies

  Subject(s):

  Performance studies, Representation

  Item Type:

  Book chapter

  Tag(s):

  interdisciplinary ethics

  
  

• Crisis Acting in The Destroyed Room

  Author(s):

  Joseph Dunne (see profile)

  Date:

  2019

  Group(s):

  CityLIS, Digital Humanists, Library & Information Science, Performance Studies

  Subject(s):

  Social media, Sociology of terrorism, Internet

  Item Type:

  Article

  Tag(s):

  #citylis, #theatre, #terrorism, #conspiracytheory

  
  

• Who Killed B. B. Homemaker? Normative and Critical Whiteness in Beyoncé’s Music Videos

  Author(s):

  Willamae Boling (see profile)

  Date:

  2015

  Group(s):

  Performance Studies

  Subject(s):

  Critical race studies, Performance studies, Popular culture studies

  Item Type:

  Thesis

  Tag(s):

  Beyoncé, critical whiteness studies

  
  

• Enacting Musical Time: The Bodily Experience of New Music

  Author(s):

  Mariusz Kozak (see profile)

  Date:

  2020

  Group(s):

  American Musicological Society, Music and Sound, Performance Studies, SMT Dance and Movement Interest Group, Society for Music Theory

  Subject(s):

  Music theory, Musicology, Embodied cognition, Phenomenology

  Item Type:

  Book

  
  

• The Role of Self-esteem and Optimism in Job Satisfaction among Teachers of Private Universities in Bangladesh

  Author(s):

  Mozumdar Arifa Ahmed

  Editor(s):

  Alim Al Ayub Ahmed (see profile)

  Date:

  2012

  Group(s):

  Archives, Asian Business Review, Open Educational Resources, Performance Studies

  Item Type:

  Article

  
  

• Be a Little Careful: Women, Violence and Performance in India

  Author(s):

  Swati Arora (see profile)

  Date:

  2019

  Group(s):

  Feminist Humanities, Gender Studies, Performance Studies, Women in the Arts

  Subject(s):

  Feminist critique, Performance and politics, South Asia, Space and place, Theater history

  Item Type:

  Article

  Tag(s):

  delhi, Theatre Studies, Violence against women

  
  

• Trans-Participation in the Infosphere

  Author(s):

  Joseph Dunne (see profile)

  Date:

  2019

  Group(s):

  CityLIS, Digital Humanists, Library & Information Science, Performance Studies

  Subject(s):

  Theatre and history, Theatre and politics, Library and information science, Digital culture

  Item Type:

  Conference paper

  Tag(s):

  infosphere, Immersive Theatre, Audience Participation

  
  

• CfP (Deadline June 16th 2019) Cologne Summer School of Interdisciplinary Anthropology IV “Beyond Humanism: Cyborgs – Animals – Data Swarms”

  Author(s):

  Thiemo Breyer, Christoph Lange (see profile) , Lars Reuke, Johannes Schick, Mario Schmidt

  Date:

  2019

  Group(s):

  a.r.t.e.s. Research Lab, Anthropology, Feminist Humanities, Performance Studies

  Subject(s):

  Posthumanism, Transhumanism, Anthropology, History and philosophy of science and technology, STS, Animals, Subjectivity

  Item Type:

  Other

  Tag(s):

  cybernetics, cyborgs, Human-nonhuman assemblage, Human-Animal Studies

  
  

• Innovating Shakespeare: The Politics of Technological Partnership in the Royal Shakespeare Company’s The Tempest (2016)

  Author(s):

  Amy Borsuk (see profile)

  Date:

  2019

  Group(s):

  Digital Humanists, Performance Studies, Shakespeare

  Subject(s):

  Digital culture, Shakespearean institutions, Shakespeare performance

  Item Type:

  Article

  Tag(s):

  digital economy, motion capture, Royal Shakespeare Company

  
  

• Interspecies Performance. The Composition of the Arabian Show Horse as Living Sculpture

  Author(s):

  Christoph Lange (see profile)

  Date:

  2018

  Group(s):

  Anthropology, Performance Studies

  Subject(s):

  Ethnography, Social anthropology, Human-animal relationships, Middle East, Performance

  Item Type:

  Book chapter

  
  

• Hamilton's Ghosts

  Author(s):

  pmgentry (see profile)

  Date:

  2017

  Group(s):

  American Musicological Society, Performance Studies

  Subject(s):

  Music, Musical theatre, Historiography

  Item Type:

  Article

  
  

• Data Generation and Multi-Modal Analysis for Recorded Operatic Performance

  Author(s):

  Joshua Neumann (see profile)

  Date:

  2016

  Group(s):

  American Musicological Society, Digital Humanists, Digital Pedagogy, Performance Studies

  Subject(s):

  Archival studies, Data visualization, Digital archives

  Item Type:

  Conference proceeding

  Tag(s):

  Audio analysis, Data generation

  
  

• Phenomena, Poiēsis, and Performance Profiling: Temporal-Textual Emphasis and Creative Process Analysis in Turandot at the Metropolitan Opera

  Author(s):

  Joshua Neumann (see profile)

  Date:

  2018

  Group(s):

  American Musicological Society, Digital Humanists, Digital Pedagogy, Performance Studies

  Subject(s):

  Data visualization, History and philosophy of science and technology, Opera, Performance practice

  Item Type:

  Article

  Tag(s):

  Creative process, Data analysis

  
  

• "Hoy comamos y bebamos": bebida, comida y celebración en las églogas de Antruejo de Juan del Encina

  Author(s):

  Sara Sánchez-Hernández (see profile)

  Date:

  2015

  Group(s):

  Performance Studies, Renaissance / Early Modern Studies

  Subject(s):

  16th-century Spanish literature, Golden Age Spanish Literature, Golden Age theater, Performance

  Item Type:

  Book chapter

  Tag(s):

  carnival theatre, Juan del Encina, teatro carnavalesco

  
  

• De aldeas, villas y palacios. Los espacios dramáticos en el teatro de Juan del Encina

  Author(s):

  Sara Sánchez-Hernández (see profile)

  Date:

  2015

  Group(s):

  Performance Studies, Renaissance / Early Modern Studies

  Subject(s):

  16th-century Spanish literature, Golden Age Spanish Literature, Golden Age theater, Performance

  Item Type:

  Book chapter

  Tag(s):

  dramatic space, espacio dramático, Juan del Encina

  
  

• Una égloga “fecha al itálico modo”: la puesta en escena de Cristino y Febea

  Author(s):

  Sara Sánchez-Hernández (see profile)

  Date:

  2015

  Group(s):

  Performance Studies, Renaissance / Early Modern Studies

  Subject(s):

  16th-century Spanish literature, Golden Age Spanish Literature, Golden Age theater, Performance

  Item Type:

  Book chapter

  Tag(s):

  didascalias, Juan del Encina, Theatricality, égloga de Cristino y Febea

  
  

• "A las manos he la porra": violencia escénica en el Auto del repelón de Juan del Encina

  Author(s):

  Sara Sánchez-Hernández (see profile)

  Date:

  2016

  Group(s):

  Performance Studies, Renaissance / Early Modern Studies

  Subject(s):

  16th-century Spanish literature, Golden Age Spanish Literature, Golden Age theater, Performance

  Item Type:

  Book chapter

  Tag(s):

  Auto del repelón, Juan del Encina, scenic violence

  
  

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