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• Epilogue, Chinese Shakespeares: Two Centuries of Cultural Exchange (Columbia University Press, 2009, 2011, 2015). Modern Language Association Aldo and Jeanne Scaglione Prize for Comparative Literary Studies

  Author(s):

  Alexa Alice Joubin (see profile)

  Date:

  2011

  Group(s):

  GS Drama and Performance, LLC East Asian, LLC Modern and Contemporary Chinese, LLC Shakespeare, MS Screen Arts and Culture

  Subject(s):

  Shakespeare, Adaptation, Sinophone literature, Globalization, Film, Global Shakespeare, Translation

  Item Type:

  Book chapter

  Tag(s):

  Hong Kong, Richard III, Hamlet

  
  

• Prologue, Chinese Shakespeares: Two Centuries of Cultural Exchange (Columbia University Press, 2009, 2011, 2015). Modern Language Association Aldo and Jeanne Scaglione Prize for Comparative Literary Studies

  Author(s):

  Alexa Alice Joubin (see profile)

  Date:

  2011

  Group(s):

  GS Drama and Performance, LLC East Asian, LLC Modern and Contemporary Chinese, LLC Shakespeare, MS Screen Arts and Culture

  Subject(s):

  Global Shakespeare, Adaptation, Intercultural performance, Translation, Sinophone literature, Chinese studies, Shakespeare, Film, Appropriation

  Item Type:

  Book chapter

  Tag(s):

  theatre

  
  

• Preface, The Shakespearean International Yearbook Volume 18

  Author(s):

  Tom Bishop, Alexa Alice Joubin (see profile)

  Date:

  2021

  Group(s):

  GS Drama and Performance, LLC Shakespeare, MS Screen Arts and Culture, The Renaissance Society of America

  Subject(s):

  Global Shakespeare, Soviet film, Translation, Adaptation, Censorship, Globalization, Shakespeare, Film studies

  Item Type:

  Book chapter

  Tag(s):

  intercultural theatre

  
  

• May 2020 Bibliography for Cognitive Literary Studies

  Author(s):

  Lisa Zunshine (see profile)

  Date:

  2020

  Group(s):

  GS Prose Fiction, MS Screen Arts and Culture, TC Cognitive and Affect Studies, TM Literary and Cultural Theory, TM Literary Criticism

  Subject(s):

  Cultural studies, Literature, Literary theory, Literature and psychology, Media studies, Cognitive science, Critical theory, Drama

  Item Type:

  Bibliography

  Tag(s):

  cognition

  
  

• Hearing the Crackles in the Background: Listening and Female Intimacy in 'Portrait of a Lady on Fire'

  Author(s):

  Albertine Fox (see profile)

  Date:

  2020

  Group(s):

  French Literature & Cultural Studies, MS Screen Arts and Culture, MS Sound, MS Visual Culture

  Subject(s):

  French cinema, French studies, Gender politics, Sound design, Film and politics, Cinema

  Item Type:

  Blog Post

  Tag(s):

  female director, female gaze, listening, film industry

  
  

• The end but not the end: twist, revolt, survive

  Author(s):

  Albertine Fox (see profile)

  Date:

  2019

  Group(s):

  French Literature & Cultural Studies, MS Screen Arts and Culture

  Subject(s):

  Queer and feminist performance, French cinema, Francophone film, French and Francophone women writers

  Item Type:

  Conference paper

  
  

• RECording the End time in Twenty-First-Century Spanish Film

  Author(s):

  Elizabeth Scarlett (see profile)

  Date:

  2019

  Group(s):

  Cinemas of Spain & Latin America, MS Screen Arts and Culture, TC Religion and Literature

  Subject(s):

  Apocalypticism, Spanish cinema, 21st-century Spanish culture, Horror cinema, Horror films, Film

  Item Type:

  Article

  Tag(s):

  apocalypse, 21st-Century visual culture

  
  

• "Can the Biopic Subjects Speak? Disembodied Voices in The King's Speech and The Theory of Everything." A Companion to the Biopic, ed. Deborah Cartmell and Ashley D. Polasek (Chichester, UK: Wiley-Blackwell, 2020), 269-282

  Author(s):

  Alexa Alice Joubin (see profile)

  Date:

  2020

  Group(s):

  GS Drama and Performance, LLC Shakespeare, MS Screen Arts and Culture

  Subject(s):

  Disability studies, Biopolitics, Adaptation, Film studies, Shakespeare, Gender studies

  Item Type:

  Book chapter

  Tag(s):

  affect theory, Cultural appropriation

  
  

• "Others within: Ethics in the age of global Shakespeare." Routledge Handbook of Shakespeare and Global Appropriation, ed. Christy Desmet, Sujata Iyengar, and Miriam Jacobson (London: Routledge, 2020), pp. 25-36

  Author(s):

  Alexa Alice Joubin (see profile)

  Date:

  2020

  Group(s):

  GS Drama and Performance, LLC Modern and Contemporary Chinese, LLC Shakespeare, MS Screen Arts and Culture

  Subject(s):

  Appropriation, Film studies, Intercultural performance, Shakespeare, Globalization, Global Shakespeare, Film

  Item Type:

  Book chapter

  Tag(s):

  theatre

  
  

• "Performing Commemoration: The Cultural Politics of Locating Tang Xianzu and Shakespeare." Asian Theatre Journal 36.2 (Fall 2019): 275-280

  Author(s):

  Alexa Alice Joubin (see profile)

  Date:

  2019

  Group(s):

  GS Drama and Performance, LLC East Asian, LLC Modern and Contemporary Chinese, LLC Shakespeare, MS Screen Arts and Culture

  Subject(s):

  Shakespeare, Chinese studies, Adaptation, Memory, Globalization

  Item Type:

  Article

  Tag(s):

  Tang Xianzu, commemoration, Sino-british relations

  
  

• Introduction: "What Is Creative Making As Creative Writing?"

  Author(s):

  Kathi Inman Berens (see profile)

  Date:

  2019

  Group(s):

  Computer Studies in Language and Literature, MS Screen Arts and Culture, RCWS Creative Writing, RCWS Writing Pedagogies, TC Digital Humanities

  Subject(s):

  Creative writing, Creative writing pedagogy, Electronic literature, Critical code studies, Participatory Culture, Media studies, Translation, Fandom

  Item Type:

  Online publication

  Tag(s):

  digital composition, digital literary studies

  
  

• "King Lear on the small screen and its pedagogical implications," in Shakespeare on Screen: King Lear, ed. Victoria Bladen, Sarah Hatchuel, and Nathalie Vienne-Guerrin (Cambridge: Cambridge University Press, 2019).

  Author(s):

  Alexa Alice Joubin (see profile)

  Date:

  2019

  Group(s):

  GS Drama and Performance, LLC East Asian, LLC Modern and Contemporary Chinese, LLC Shakespeare, MS Screen Arts and Culture

  Subject(s):

  Digital humanities, Global Shakespeare, Intercultural performance, Adaptation, Pedagogy, Ecocriticism

  Item Type:

  Book chapter

  Tag(s):

  King Lear, digital archive, Beijing opera, Peter Brook

  
  

• "Ophelia Unbound in Asian Performances." Actes des congrès de la Société française Shakespeare 37 (2019): 1-12

  Author(s):

  Alexa Alice Joubin (see profile)

  Date:

  2019

  Group(s):

  LLC Shakespeare, MS Screen Arts and Culture

  Subject(s):

  Global Shakespeare, Feminism, Adaptation, Film studies, Gender and queer studies, Bollywood, Appropriation

  Item Type:

  Article

  Tag(s):

  Ophelia, Shakespeare in performance, queer cinema

  
  

• Including E-Literature in Mainstream Cultural Critique: The Case of Graphic Art by Khaled Al Jabri

  Author(s):

  Doris Hambuch (see profile)

  Date:

  2018

  Group(s):

  MS Screen Arts and Culture, MS Visual Culture, TC Popular Culture

  Subject(s):

  Cartoons, Electronic literature, Media arts

  Item Type:

  Article

  
  

• What Would Jack Bauer Do? Negotiating Trauma, Vengeance and Justice in the Cultural Forum of Post-9/11 TV Drama, from 24 to Battlestar Galactica and Person of Interest

  Author(s):

  Tobias Steiner (see profile)

  Date:

  2019

  Group(s):

  MS Screen Arts and Culture, MS Visual Culture, Speculative and Science Fiction, Television Studies

  Subject(s):

  Trauma, Social justice, Television, Television studies, United States of America

  Item Type:

  Article

  Tag(s):

  cultural forum, post-9/11

  
  

• TV Studies for all? On Open Access and Publishing in TV and Media Studies

  Author(s):

  Tobias Steiner (see profile)

  Date:

  2019

  Group(s):

  Advocating for the Humanities, MS Screen Arts and Culture, MS Visual Culture, TC Digital Humanities, Television Studies

  Subject(s):

  Open access, Television studies, Academic publishing, Media studies, Scholarly communication, Publishing

  Item Type:

  Blog Post

  Tag(s):

  scholcomm, openaccess, openscholarship

  
  

• Race

  Author(s):

  Alexa Alice Joubin (see profile)

  Date:

  2019

  Group(s):

  East Asian Languages and Literatures after 1900, Interdisciplinary Approaches to Culture and Society, LLC 16th-Century English, LLC Shakespeare, MS Screen Arts and Culture

  Subject(s):

  Critical race studies, Gender theory, Film studies, Postcolonialism, Shakespeare, Social justice, Global Shakespeare

  Item Type:

  Book

  Tag(s):

  race and gender, East Asian cultures, whiteness

  
  

• Review: Recomposing the Past: Representations of Early Music on Stage and Screen

  Author(s):

  Kendra Leonard (see profile)

  Date:

  2018

  Group(s):

  American Musicological Society, MS Opera and Musical Performance, MS Screen Arts and Culture, Music Library Association, Society for Music Theory

  Subject(s):

  Musicology, Film music, Music theory

  Item Type:

  Review

  
  

• Performing Spiritualism in the Silent Cinema

  Author(s):

  Kendra Leonard (see profile)

  Date:

  2018

  Group(s):

  American Musicological Society, Film Studies, MS Screen Arts and Culture, Music Library Association

  Subject(s):

  Musicology, Film music, Film history, Music, Religion

  Item Type:

  Article

  
  

• Local and Global Myths in Shakespearean Performance

  Author(s):

  Alexa Joubin (see profile)

  Date:

  2018

  Group(s):

  Global Shakespeares, GS Drama and Performance, LLC Shakespeare, MS Screen Arts and Culture, TC Translation Studies

  Subject(s):

  Shakespeare, Global Shakespeare, Intercultural performance, Film, Postcolonial culture, Globalization, Film studies, Translation studies

  Item Type:

  Book

  Tag(s):

  Theatre Studies

  
  

• Coming of Age in Troubled Times: Son of Babylon and Theeb

  Author(s):

  Hania Nashef (see profile)

  Date:

  2018

  Group(s):

  LLC Arabic, MS Screen Arts and Culture, Postcolonial Studies, TC Memory Studies, TC Popular Culture

  Subject(s):

  Arabic culture, Film, Film and history, Film and politics, Postcolonial culture

  Item Type:

  Article

  Tag(s):

  Theeb, Abu-Nuwar, Mohammed al-Daradji, Iraqi cinema, Jordan cinema

  
  

• Wearable Interfaces, Networked Bodies, and Feminist Interfaces

  Author(s):

  Kim Knight (see profile)

  Date:

  2018

  Group(s):

  Computer Studies in Language and Literature, Interdisciplinary Approaches to Culture and Society, MS Screen Arts and Culture, TC Popular Culture, TC Women’s and Gender Studies

  Subject(s):

  21st-century media studies, Critical making, Digital humanities, Embodiment, Feminisms, Public humanities, Teaching

  Item Type:

  Book chapter

  Tag(s):

  cyborgs, interfaces, wearables

  
  

• Musical Mimesis in Orphans of the Storm

  Author(s):

  Kendra Leonard (see profile)

  Date:

  2018

  Group(s):

  American Musicological Society, MS Screen Arts and Culture

  Subject(s):

  Musicology, 20th-century film, American cultural studies, Film music, Music theory, Film

  Item Type:

  Article

  
  

• The Pleasures of Polyglossia in Emirati Cinema: Focus on From A to B and Abdullah

  Author(s):

  Doris Hambuch (see profile)

  Date:

  2016

  Group(s):

  MS Screen Arts and Culture, MS Visual Culture

  Subject(s):

  Film and society, Film criticism, world cinema, Polyphony, Film, Film studies

  Item Type:

  Article

  Tag(s):

  film discourse, Arab cinema, polyglossia

  
  

• Subversion of Nostalgia as a Strategy of Engagement in Alternate History TV: 11.22.63 and The Man in the High Castle

  Author(s):

  Tobias Steiner (see profile)

  Date:

  2018

  Group(s):

  Digital Humanists, MS Screen Arts and Culture, MS Visual Culture, Speculative and Science Fiction, Television Studies

  Subject(s):

  Television, Television studies

  Item Type:

  Blog Post

  Tag(s):

  man in the high castle, 11.22.63, alternate history, nostalgia

  
  

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