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• "Can the Biopic Subjects Speak? Disembodied Voices in The King's Speech and The Theory of Everything." A Companion to the Biopic, ed. Deborah Cartmell and Ashley D. Polasek (Chichester, UK: Wiley-Blackwell, 2020), 269-282

  Author(s):

  Alexa Alice Joubin (see profile)

  Date:

  2020

  Group(s):

  GS Drama and Performance, LLC Shakespeare, MS Screen Arts and Culture

  Subject(s):

  Disability studies, Biopolitics, Adaptation, Film studies, Shakespeare, Gender studies

  Item Type:

  Book chapter

  Tag(s):

  affect theory, Cultural appropriation

  
  

• "Others within: Ethics in the age of global Shakespeare." Routledge Handbook of Shakespeare and Global Appropriation, ed. Christy Desmet, Sujata Iyengar, and Miriam Jacobson (London: Routledge, 2020), pp. 25-36

  Author(s):

  Alexa Alice Joubin (see profile)

  Date:

  2020

  Group(s):

  GS Drama and Performance, LLC Modern and Contemporary Chinese, LLC Shakespeare, MS Screen Arts and Culture

  Subject(s):

  Appropriation, Film studies, Intercultural performance, Shakespeare, Globalization, Global Shakespeare, Film

  Item Type:

  Book chapter

  Tag(s):

  theatre

  
  

• "Performing Commemoration: The Cultural Politics of Locating Tang Xianzu and Shakespeare." Asian Theatre Journal 36.2 (Fall 2019): 275-280

  Author(s):

  Alexa Alice Joubin (see profile)

  Date:

  2019

  Group(s):

  GS Drama and Performance, LLC East Asian, LLC Modern and Contemporary Chinese, LLC Shakespeare, MS Screen Arts and Culture

  Subject(s):

  Shakespeare, Chinese studies, Adaptation, Memory, Globalization

  Item Type:

  Article

  Tag(s):

  Tang Xianzu, commemoration, Sino-british relations

  
  

• "King Lear on the small screen and its pedagogical implications," in Shakespeare on Screen: King Lear, ed. Victoria Bladen, Sarah Hatchuel, and Nathalie Vienne-Guerrin (Cambridge: Cambridge University Press, 2019).

  Author(s):

  Alexa Alice Joubin (see profile)

  Date:

  2019

  Group(s):

  GS Drama and Performance, LLC East Asian, LLC Modern and Contemporary Chinese, LLC Shakespeare, MS Screen Arts and Culture

  Subject(s):

  Digital humanities, Global Shakespeare, Intercultural performance, Adaptation, Pedagogy, Ecocriticism

  Item Type:

  Book chapter

  Tag(s):

  King Lear, digital archive, Beijing opera, Peter Brook

  
  

• ‘Bardwashing’ Shakespeare: Food Justice, Enclosure, and the Poaching Poet

  Author(s):

  Kevin A. Quarmby (see profile)

  Date:

  2015

  Group(s):

  LLC Shakespeare

  Subject(s):

  Shakespeare and early modern drama, History of Shakespearean criticism, Shakespeare

  Item Type:

  Article

  Tag(s):

  Shakespeare's biography, William Shakespeare

  
  

• Moon-Crossed: a play in play with All's Well That Ends Well

  Author(s):

  Kendra Leonard (see profile)

  Date:

  2019

  Group(s):

  Global Shakespeares, LLC Shakespeare

  Subject(s):

  Adaptation, Shakespeare in adaptation, Drama, Theater

  Item Type:

  Fictional work

  Tag(s):

  parody

  
  

• Shakespeare's Anti-Balcony Scene

  Author(s):

  Sujata Iyengar (see profile)

  Date:

  2019

  Group(s):

  CLCS Renaissance and Early Modern, LLC Shakespeare

  Subject(s):

  Shakespeare in adaptation, Literature and film, Theatre history, Folklore, Troubadours

  Item Type:

  Article

  Tag(s):

  Romeo and Juliet, Balcony scenes, Blondel, Rapunzel, Stage directions

  
  

• Intermediated Bodies and Bodies of Media: Screen Othellos

  Author(s):

  Sujata Iyengar (see profile)

  Editor(s):

  Michael Neill, David Schalkwyk

  Date:

  2016

  Group(s):

  CLCS Renaissance and Early Modern, LLC Shakespeare

  Subject(s):

  Shakespeare in adaptation, Film, Livecasting, Shakespeare performance, Shakespeare and social media, Intermediality

  Item Type:

  Book chapter

  Tag(s):

  Othello, Shakestream, Vlog, Shakespeare on film

  
  

• Focus on "Henry V": Navigating Digital Text, Performance, and Historical Resources

  Author(s):

  Hayden Benson, Charlène Current, Nora Galland, Philip Gilreath, Julia Koslowsky, Mikaela LaFave, Florence March, Janice Valls-Russell, Daniel Yabut

  Editor(s):

  Sujata Iyengar (see profile) , Nathalie Vienne-Guerrin

  Date:

  2019

  Group(s):

  CLCS Renaissance and Early Modern, LLC Shakespeare, RCWS Writing Pedagogies, TC Digital Humanities, TM Book History, Print Cultures, Lexicography

  Subject(s):

  Shakespeare, Open educational resources, Open-access publishing, Language arts teacher education, Digital publishing

  Item Type:

  Online publication

  Tag(s):

  Henry V, scalar, OER, Digital Textbook, Open-access scholarship

  
  

• Shakespeare and the post-millennial cancer novel

  Author(s):

  Sujata Iyengar (see profile)

  Editor(s):

  Andrew James Hartley

  Date:

  2017

  Group(s):

  CLCS Renaissance and Early Modern, LLC Shakespeare, TM Book History, Print Cultures, Lexicography

  Subject(s):

  Shakespeare, Contemporary fiction, Medical humanities, Postmodernism, 21st-century American genre fiction, Print culture, YA fiction

  Item Type:

  Book chapter

  Tag(s):

  The Novel, chick lit, thriller

  
  

• The Humanities Quadrant: How Humanists, Scientists, and Industrialists Are All Doing The Same Thing (and why we need better assessment tools for all of it)

  Author(s):

  Sujata Iyengar (see profile)

  Date:

  2014

  Group(s):

  CLCS Renaissance and Early Modern, LLC Shakespeare

  Subject(s):

  Assessment, Service learning, Sustainability, Shakespeare, Arts-based research

  Item Type:

  Conference paper

  Tag(s):

  upcycling, ophelia, the senses, Pasteur's quadrant, humanities assessment

  
  

• Upcycling Shakespeare: Crafting Cultural Capital

  Author(s):

  Sujata Iyengar (see profile)

  Editor(s):

  Daniel Fischlin

  Date:

  2014

  Group(s):

  LLC Shakespeare, TM Book History, Print Cultures, Lexicography

  Subject(s):

  Sustainability, Craft, Precarity, Creativity, Artist's books, Intermediality

  Item Type:

  Book chapter

  Tag(s):

  Ophelia, Upcycling, Jewelry, Book Arts

  
  

• Woman-Crafted Shakespeares: Appropriation, Intermediality, and Womanist Aesthetics

  Author(s):

  Sujata Iyengar (see profile)

  Date:

  2016

  Group(s):

  CLCS Renaissance and Early Modern, LLC Shakespeare

  Subject(s):

  Shakespeare, Feminism, Intermediality, Appropriation, Citizenship

  Item Type:

  Book chapter

  Tag(s):

  Maya Angelou, Claudia Rankine, Phyllis Wheatley, Othello, Womanism

  
  

• Hamlet (RSC, 2016) and representations of diasporic blackness

  Author(s):

  Lesley Feracho, Sujata Iyengar (see profile)

  Date:

  2019

  Group(s):

  CLCS Renaissance and Early Modern, LLC Shakespeare

  Subject(s):

  Performance studies, Theories of race and ethnicity, African diaspora, Shakespeare, Afrofuturism

  Item Type:

  Article

  Tag(s):

  Hamlet, RSC, Basquiat, postcoloniality, transnationalism

  
  

• If Ophelia were Macro, not Micro

  Author(s):

  Sujata Iyengar (see profile)

  Date:

  2011

  Group(s):

  LLC Shakespeare

  Subject(s):

  Shakespeare, Popular culture, Art history

  Item Type:

  Article

  Tag(s):

  Ophelia, Hamlet, Shakespeare in Art, Shakespeare and fiction, Shakespeare in popular culture

  
  

• Introduction: Shakespeare's Discourse of Disability

  Author(s):

  Sujata Iyengar (see profile)

  Date:

  2015

  Group(s):

  CLCS Renaissance and Early Modern, LLC Shakespeare

  Subject(s):

  Shakespeare, Disability studies, Medieval and early modern medicine, History of Emotions, Gender and medicine

  Item Type:

  Book chapter

  Tag(s):

  Health Studies, Happiness Studies, Sonnet 66

  
  

• Shakespeare's Embodied Ontology of Gender, Air and Health

  Author(s):

  Sujata Iyengar (see profile)

  Date:

  2015

  Group(s):

  CLCS Renaissance and Early Modern, LLC Shakespeare

  Subject(s):

  Critical disability studies, Early modern British literature, Shakespeare, Ecocriticism, Medieval and early modern medicine

  Item Type:

  Book chapter

  Tag(s):

  Midsummer Night's Dream, Macbeth, Antony and Cleopatra, Cymbeline, humoral theory

  
  

• Appropriation and Design of an Online Shakespeare Journal

  Author(s):

  Christy Desmet, Sujata Iyengar (see profile)

  Date:

  2006

  Group(s):

  LLC Shakespeare, TC Digital Humanities

  Subject(s):

  Shakespeare in adaptation, Digital scholarly editing, Digital publishing, Digital humanities, XML

  Item Type:

  Book chapter

  
  

• Renaissance Landscapes

  Author(s):

  Hugh M. Richmond (see profile)

  Date:

  2019

  Group(s):

  CLCS Renaissance and Early Modern, LLC 17th-Century English, LLC Shakespeare

  Subject(s):

  Landscape, English Renaissance literature, Shakespeare, Milton, 16th-century French literature, Comparative literature, Renaissance

  Item Type:

  Bibliography

  Tag(s):

  literary ecology, Historical Psychology

  
  

• "Ophelia Unbound in Asian Performances." Actes des congrès de la Société française Shakespeare 37 (2019): 1-12

  Author(s):

  Alexa Alice Joubin (see profile)

  Date:

  2019

  Group(s):

  LLC Shakespeare, MS Screen Arts and Culture

  Subject(s):

  Global Shakespeare, Feminism, Adaptation, Film studies, Gender and queer studies, Bollywood, Appropriation

  Item Type:

  Article

  Tag(s):

  Ophelia, Shakespeare in performance, queer cinema

  
  

• The Shakespeare Theatre Company ’s Oresteia

  Author(s):

  Kendra Leonard (see profile)

  Date:

  2019

  Group(s):

  Global Shakespeares, LLC Shakespeare

  Subject(s):

  Drama, Greek and Roman drama, Theater, Adaptation

  Item Type:

  Review

  
  

• ‘“Come unbutton here”: McKellen’s King Lear as Dramatic Censorship of the Flesh’

  Author(s):

  Kevin A. Quarmby (see profile)

  Date:

  2013

  Group(s):

  LLC Shakespeare

  Subject(s):

  Shakespeare, Shakespeare performance, Global Shakespeare

  Item Type:

  Conference proceeding

  Tag(s):

  Shakespeare in performance, Royal Shakespeare Company

  
  

• “Wear your eyes thus”: Toward a Cognitive Ecology of VR Shakespeare

  Author(s):

  Michael Ullyot (see profile)

  Date:

  2018

  Group(s):

  CLCS Renaissance and Early Modern, EMDC: The Early Modern Digital Collaboratory, Global Shakespeares, LLC Shakespeare

  Subject(s):

  Cognitive theory, Shakespeare in adaptation, Shakespeare performance, Virtual reality

  Item Type:

  Conference paper

  Tag(s):

  interfaces, orson welles

  
  

• Gertrude/Ophelia: Feminist Intermediality, Ekphrasis, and Tenderness in _Hamlet_

  Author(s):

  Sujata Iyengar (see profile)

  Date:

  2017

  Group(s):

  CLCS Renaissance and Early Modern, LLC Shakespeare

  Subject(s):

  Shakespeare, Shakespeare in adaptation, Feminist art history, Textual editing, Art history

  Item Type:

  Book chapter

  
  

• Race

  Author(s):

  Alexa Alice Joubin (see profile)

  Date:

  2019

  Group(s):

  East Asian Languages and Literatures after 1900, Interdisciplinary Approaches to Culture and Society, LLC 16th-Century English, LLC Shakespeare, MS Screen Arts and Culture

  Subject(s):

  Critical race studies, Gender theory, Film studies, Postcolonialism, Shakespeare, Social justice, Global Shakespeare

  Item Type:

  Book

  Tag(s):

  race and gender, East Asian cultures, whiteness

  
  

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