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• The Body in the Library: Review of Richard Wagner Sämtliche Werke, in _The Wagner Journal_ 11/3 (Nov., 2017), guest ed. Tash Siddiqui, 86-92.

  Author(s):

  Jeremy Coleman (see profile)

  Date:

  2017

  Group(s):

  International Musicological Society (IMS), Music History/Musicology Pedagogy Resource Hub

  Subject(s):

  Musicology, Editing, Opera, German theatre

  Item Type:

  Review

  
  

• Review of: Eva Rieger, _Richard Wagner’s Women_, trans. Chris Walton (Boydell Press, 2011); and Laurence Dreyfus, _Wagner and the Erotic Impulse_ (Harvard University Press, 2010), in Current Musicology, No. 93 (Fall. 2013), 125-36.

  Author(s):

  Jeremy Coleman (see profile)

  Date:

  2013

  Group(s):

  International Musicological Society (IMS)

  Subject(s):

  Musicology, Feminism, Sexuality, Gender, Opera

  Item Type:

  Review

  
  

• ‘In ein fernes Land’: The Politics of Translation in Wagner’s Arrangement of Gluck’s Iphigénie en Aulide

  Author(s):

  Jeremy Coleman (see profile)

  Date:

  2019

  Group(s):

  Global & Transnational Studies, International Musicological Society (IMS), Music History/Musicology Pedagogy Resource Hub, Society for Music Theory (SMT)

  Subject(s):

  Historical musicology, Musicology, National identity, Opera, Translation

  Item Type:

  Article

  
  

• Két variáció a Don Giovanni-mítoszra. Faustizálás versus(?) érzéki zsenialitás: Hoffmann és Kierkegaard Mozart-értelmezései

  Author(s):

  Miklos Mezosi (see profile)

  Date:

  2019

  Group(s):

  American Musicological Society, International Musicological Society (IMS)

  Subject(s):

  Comparative 18th-century and 19th-century literature

  Item Type:

  Conference proceeding

  Tag(s):

  Literature and music, E. T. A. Hoffmann, W. A. Mozart, Don Giovanni/Don Juan

  
  

• Как сделан Подъячий Мусоргского? An Opera Emerging from Gogol's Sleeve—“Musical Synecdoche” in the making

  Author(s):

  Miklos Mezosi (see profile)

  Date:

  2009

  Group(s):

  American Musicological Society, International Musicological Society (IMS), Literary theory

  Subject(s):

  19th-century Russian literature, Russian musical history, Opera, Metaphor, Poetics

  Item Type:

  Article

  Tag(s):

  Opera semiotics, synecdoche, Gogolian mask

  
  

• How was Musorgsky's Scribe Made? An Opera Emerging from Gogol's Sleeve – Musical Synecdoche in the Making

  Author(s):

  Miklos Mezosi (see profile)

  Date:

  2009

  Group(s):

  American Musicological Society, International Musicological Society (IMS), Literary theory

  Subject(s):

  19th-century Russian literature, Opera, Russian musical history, Comparative literature

  Item Type:

  Article

  Tag(s):

  Gogol, Musorgsky, Mandelstam, Dante Alighieri, Opera semiotics

  
  

• Két variáció a Don Giovanni-mítoszra Faustizálás versus(?) érzéki zsenialitás: Hoffmann és Kierkegaard Mozart- értelmezései

  Author(s):

  Miklos Mezosi (see profile)

  Date:

  2019

  Group(s):

  American Musicological Society, International Musicological Society (IMS)

  Subject(s):

  Comparative 18th-century and 19th-century literature

  Item Type:

  Conference proceeding

  Tag(s):

  Literature and music, W. A. Mozart, E. T. A. Hoffmann

  
  

• Két variáció a Don Giovanni-mítoszra: Faustizálás vs. érzéki zsenialitás. Hoffmann és Kierkegaard Mozart-értelmezései

  Author(s):

  Miklos Mezosi (see profile)

  Date:

  2019

  Group(s):

  American Musicological Society, Ethnomusicology, International Musicological Society (IMS)

  Subject(s):

  Comparative cultural studies, History of opera, Opera staging

  Item Type:

  Book chapter

  Tag(s):

  Opera semiotics, E. Th. A. Hoffmann, S. Kierkegaard, W. A. M. Mozart, Literature and opera

  
  

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