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• Seven Sisters; The Contribution of Timbre in Resolving Inconsistencies and Filling Voids in the Attribution of Consonance to Tonal Structures.

  Author(s):

  Joel Edelman (see profile)

  Date:

  2023

  Group(s):

  American Musicological Society, International Musicological Society (IMS), Music and Sound, Society for Music Theory (SMT)

  Subject(s):

  Consonance (Music), Dissonance (Music), Tone color (Music), Spectrum analysis, Beats (Acoustics)

  Item Type:

  Abstract

  
  

• Influencia y recepción de la obra musicológica de Constantin Floros [Influence and reception of the musicological output of Constantin Floros]

  Author(s):

  Paulino Capdepon (see profile)

  Date:

  2020

  Group(s):

  Digital Humanists, International Musicological Society (IMS), Public Humanities, Society for Music Theory (SMT), Society for Music Theory—Autographs & Archival Documents Interest Group

  Subject(s):

  Musicology, Floros, Constantin, Research, Music theory

  Item Type:

  Book chapter

  Tag(s):

  music, Theory, Reception

  
  

• Música y músicos en la Colegiata de Santa María la Mayor de Talavera de la Reina (1800-1851),

  Author(s):

  Paulino Capdepon (see profile)

  Date:

  2022

  Group(s):

  International Musicological Society (IMS), Public Humanities, Religious Studies, Society for Music Theory (SMT), Society for Music Theory—Autographs & Archival Documents Interest Group

  Subject(s):

  Musicology, History, Contemporary Christian music, Chapels, Spain--Talavera de la Reina

  Item Type:

  Book

  Tag(s):

  music, religion, Religion and Culture

  
  

• La teoría musical española en la época de Tomás Vicente Tosca [The Spanish musical theory at the time of Tomás Vicente Tosca]

  Author(s):

  Paulino Capdepon (see profile)

  Date:

  2022

  Group(s):

  Digital Humanists, International Musicological Society (IMS), Public Humanities, Society for Music Theory (SMT), Society for Music Theory—Autographs & Archival Documents Interest Group

  Subject(s):

  Musicology, Music theory

  Item Type:

  Book chapter

  Tag(s):

  music, theory

  
  

• La Real Capilla de Madrid durante el magisterio del compositor italiano Francisco Corselli (1705-1778) [The Madrid Royal Chapel at the time of Italian composer Francesco Corselli (1705-1778)]

  Author(s):

  Paulino Capdepon (see profile)

  Date:

  2021

  Group(s):

  Arts and Humanities Funding, Digital Humanists, International Musicological Society (IMS), Society for Music Theory (SMT), Society for Music Theory—Autographs & Archival Documents Interest Group

  Subject(s):

  Musicology, History, Chapels, Sacred music, Dramatic music

  Item Type:

  Book chapter

  Tag(s):

  music, history, opera, religion

  
  

• La Orquesta Sinfónica de Madrid y los actos conmemorativos del Centenario de Beethoven de Ludwig van Beethoven (1927) [The Madrid Symphony Orchestra and the Ludwig van Beethoven's Centenary Celebrations (1927)]

  Author(s):

  Paulino Capdepon (see profile)

  Date:

  2021

  Group(s):

  Arts and Humanities Funding, Digital Humanists, Gender Studies, International Musicological Society (IMS), Public Humanities

  Subject(s):

  Musicology, History

  Item Type:

  Book chapter

  Tag(s):

  music, orchestra, Symphony, Beethoven, Spain, reception

  
  

• Die Rezeption der Opern Mozarts in der 1. Hälfte des 19. Jahrhunderts und die Rolle des spanischen Sängers und Komponisten Manuel García (1775-1832)

  Author(s):

  Paulino Capdepon (see profile)

  Date:

  2011

  Group(s):

  International Musicological Society (IMS), Musical Theater Interest Group – Society for Music Theory (SMT MTIG), Society for Music Theory (SMT)

  Subject(s):

  Operas, Theater, Music, Mozart, Wolfgang Amadeus, 1756-1791, García, Manuel, 1775-1832

  Item Type:

  Article

  Tag(s):

  Composer, musical composition, musical culture, Singer, theatre

  
  

• Beethovens und Mozarts verschollene Oboenkonzert-Manuskripte: Eine gemeinsame 'heiße Spur' in Augsburg

  Author(s):

  Susanne Wosnitzka (see profile)

  Date:

  2022

  Group(s):

  American Musicological Society, Ethnomusicology, Historiography, International Musicological Society (IMS)

  Subject(s):

  Beethoven, Ludwig van, 1770-1827, Mozart, Wolfgang Amadeus, 1756-1791, Haydn, Joseph, 1732-1809, Oboe music, Germany--Augsburg, Newspapers, Riddles, Musicology--Research, Music and history, Austria--Vienna

  Item Type:

  Essay

  Tag(s):

  #Augsburg, #classicalmusic, #Haydn, #herstory, #Historical, #Mozart, #newfinds, Beethoven, history, Manuscripts

  
  

• Beethoven's and Mozart's Lost Oboe Concerto Manuscripts: A New Lead in Augsburg

  Author(s):

  Susanne Wosnitzka (see profile)

  Date:

  2022

  Group(s):

  American Musicological Society, Ethnomusicology, Historiography, International Musicological Society (IMS)

  Subject(s):

  Beethoven, Ludwig van, 1770-1827, Mozart, Wolfgang Amadeus, 1756-1791, Haydn, Joseph, 1732-1809, Oboe music, Germany--Augsburg, Newspapers, Riddles, Musicology--Research, Music and history, Austria--Vienna

  Item Type:

  Essay

  Tag(s):

  #Augsburg, #classicalmusic, #Haydn, #herstory, #Historical, #Mozart, #newfinds, Beethoven, history, Manuscripts

  
  

• 'Antennas Have Long Since Invaded Our Brains.’ Listening to the ‘Other Music’ in Friedrich Kittler.

  Author(s):

  Melle Jan Kromhout (see profile)

  Date:

  2015

  Group(s):

  International Musicological Society (IMS), Music and Sound, Open Music

  Subject(s):

  Musicology, Kittler, Friedrich A., Sound, Listening, Noise

  Item Type:

  Book chapter

  
  

• Voice Based Affinity; A Recipe for Auditory Cheesecake

  Author(s):

  Joel Edelman (see profile)

  Date:

  2022

  Group(s):

  American Musicological Society, International Musicological Society (IMS), Music and Sound, Society for Music Theory (SMT)

  Subject(s):

  Music, Music theory, Consonance (Music)

  Item Type:

  Book chapter

  Tag(s):

  consonance, dissonance, harmonicity, beats

  
  

• Overtone Invariants are the Framework for Musical Consonance; An Illustrated Overview

  Author(s):

  Joel Edelman (see profile)

  Date:

  2022

  Group(s):

  American Musicological Society, International Musicological Society (IMS), Music and Sound, Society for Music Theory (SMT)

  Subject(s):

  Music, Cognition, Music theory

  Item Type:

  Article

  Tag(s):

  consonance, dissonance, harmonic, overtone, Music cognition, Prosody, theory

  
  

• The Body in the Library: Review of Richard Wagner Sämtliche Werke, in _The Wagner Journal_ 11/3 (Nov., 2017), guest ed. Tash Siddiqui, 86-92.

  Author(s):

  Jeremy Coleman (see profile)

  Date:

  2017

  Group(s):

  International Musicological Society (IMS), Music History/Musicology Pedagogy Resource Hub

  Subject(s):

  Musicology, Editing, Opera, Theater, German drama

  Item Type:

  Review

  Tag(s):

  German theatre

  
  

• Review of: Eva Rieger, _Richard Wagner’s Women_, trans. Chris Walton (Boydell Press, 2011); and Laurence Dreyfus, _Wagner and the Erotic Impulse_ (Harvard University Press, 2010), in Current Musicology, No. 93 (Fall. 2013), 125-36.

  Author(s):

  Jeremy Coleman (see profile)

  Date:

  2013

  Group(s):

  International Musicological Society (IMS)

  Subject(s):

  Musicology, Feminism, Sex, Opera

  Item Type:

  Review

  Tag(s):

  Sexuality, Gender

  
  

• ‘In ein fernes Land’: The Politics of Translation in Wagner’s Arrangement of Gluck’s Iphigénie en Aulide

  Author(s):

  Jeremy Coleman (see profile)

  Date:

  2019

  Group(s):

  Global & Transnational Studies, International Musicological Society (IMS), Music History/Musicology Pedagogy Resource Hub, Society for Music Theory (SMT)

  Subject(s):

  Musicology, History, National characteristics, Nationalism, Opera, Translating and interpreting

  Item Type:

  Article

  Tag(s):

  Historical musicology, National identity, Translation

  
  

• Két variáció a Don Giovanni-mítoszra. Faustizálás versus(?) érzéki zsenialitás: Hoffmann és Kierkegaard Mozart-értelmezései

  Author(s):

  Miklos Mezosi (see profile)

  Date:

  2019

  Group(s):

  American Musicological Society, International Musicological Society (IMS)

  Subject(s):

  Comparative literature, Eighteenth century, Nineteenth century

  Item Type:

  Conference proceeding

  Tag(s):

  Literature and music, E. T. A. Hoffmann, W. A. Mozart, Don Giovanni/Don Juan, Comparative 18th-century and 19th-century literature

  
  

• Как сделан Подъячий Мусоргского? An Opera Emerging from Gogol's Sleeve—“Musical Synecdoche” in the making

  Author(s):

  Miklos Mezosi (see profile)

  Date:

  2009

  Group(s):

  American Musicological Society, International Musicological Society (IMS), Literary theory

  Subject(s):

  Russian literature, Nineteenth century, Russia (Federation), Music, History, Opera, Metaphor, Poetics

  Item Type:

  Article

  Tag(s):

  Opera semiotics, synecdoche, Gogolian mask, 19th-century Russian literature, Russian musical history

  
  

• How was Musorgsky's Scribe Made? An Opera Emerging from Gogol's Sleeve – Musical Synecdoche in the Making

  Author(s):

  Miklos Mezosi (see profile)

  Date:

  2009

  Group(s):

  American Musicological Society, International Musicological Society (IMS), Literary theory

  Subject(s):

  Russian literature, Nineteenth century, Opera, Russia (Federation), Music, History, Comparative literature

  Item Type:

  Article

  Tag(s):

  Gogol, Musorgsky, Mandelstam, Dante Alighieri, Opera semiotics, 19th-century Russian literature, Russian musical history

  
  

• Két variáció a Don Giovanni-mítoszra Faustizálás versus(?) érzéki zsenialitás: Hoffmann és Kierkegaard Mozart- értelmezései

  Author(s):

  Miklos Mezosi (see profile)

  Date:

  2019

  Group(s):

  American Musicological Society, International Musicological Society (IMS)

  Subject(s):

  Comparative literature, Eighteenth century, Nineteenth century

  Item Type:

  Conference proceeding

  Tag(s):

  Literature and music, W. A. Mozart, E. T. A. Hoffmann, Comparative 18th-century and 19th-century literature

  
  

• Két variáció a Don Giovanni-mítoszra: Faustizálás vs. érzéki zsenialitás. Hoffmann és Kierkegaard Mozart-értelmezései

  Author(s):

  Miklos Mezosi (see profile)

  Date:

  2019

  Group(s):

  American Musicological Society, Ethnomusicology, International Musicological Society (IMS)

  Subject(s):

  Cross-cultural studies, Opera, History, Opera--Stage-setting and scenery

  Item Type:

  Book chapter

  Tag(s):

  Opera semiotics, E. Th. A. Hoffmann, S. Kierkegaard, W. A. M. Mozart, Literature and opera, Comparative cultural studies, History of opera, Opera staging

  
  

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