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• "Others within: Ethics in the age of global Shakespeare." Routledge Handbook of Shakespeare and Global Appropriation, ed. Christy Desmet, Sujata Iyengar, and Miriam Jacobson (London: Routledge, 2020), pp. 25-36

  Author(s):

  Alexa Alice Joubin (see profile)

  Date:

  2020

  Group(s):

  GS Drama and Performance, LLC Modern and Contemporary Chinese, LLC Shakespeare, MS Screen Arts and Culture

  Subject(s):

  Appropriation, Film studies, Intercultural performance, Shakespeare, Globalization, Global Shakespeare, Film

  Item Type:

  Book chapter

  Tag(s):

  theatre

  
  

• "'Nothing is Left to Tell' Beckettian Despair and Hope in the Arab World"

  Author(s):

  Hania A.M. Nashef (see profile)

  Date:

  2019

  Group(s):

  Critical Studies in World Literature, GS Drama and Performance, LLC Arabic, TM Literary Criticism

  Subject(s):

  Samuel Beckett, Arab world

  Item Type:

  Article

  Tag(s):

  Waiting for Godot, theater of the absurd

  
  

• "Performing Commemoration: The Cultural Politics of Locating Tang Xianzu and Shakespeare." Asian Theatre Journal 36.2 (Fall 2019): 275-280

  Author(s):

  Alexa Alice Joubin (see profile)

  Date:

  2019

  Group(s):

  GS Drama and Performance, LLC East Asian, LLC Modern and Contemporary Chinese, LLC Shakespeare, MS Screen Arts and Culture

  Subject(s):

  Shakespeare, Chinese studies, Adaptation, Memory, Globalization

  Item Type:

  Article

  Tag(s):

  Tang Xianzu, commemoration, Sino-british relations

  
  

• "King Lear on the small screen and its pedagogical implications," in Shakespeare on Screen: King Lear, ed. Victoria Bladen, Sarah Hatchuel, and Nathalie Vienne-Guerrin (Cambridge: Cambridge University Press, 2019).

  Author(s):

  Alexa Alice Joubin (see profile)

  Date:

  2019

  Group(s):

  GS Drama and Performance, LLC East Asian, LLC Modern and Contemporary Chinese, LLC Shakespeare, MS Screen Arts and Culture

  Subject(s):

  Digital humanities, Global Shakespeare, Intercultural performance, Adaptation, Pedagogy, Ecocriticism

  Item Type:

  Book chapter

  Tag(s):

  King Lear, digital archive, Beijing opera, Peter Brook

  
  

• Romeo and Juliet by the Oregon Shakespeare Festival

  Author(s):

  Elizabeth E. Tavares (see profile)

  Date:

  2019

  Group(s):

  CLCS Renaissance and Early Modern, Early Modern Theater, GS Drama and Performance

  Subject(s):

  Shakespeare, Shakespeare performance

  Item Type:

  Review

  
  

• On the Verge of Fame: The Free People of Color and the French Theatre of Antebellum New Orleans

  Author(s):

  Juliane Braun (see profile)

  Date:

  2012

  Group(s):

  GS Drama and Performance, LLC 19th-Century American, LLC 19th-Century French, LLC Early American, LLC Literatures of the United States in Languages Other Than English

  Subject(s):

  Louisiana, French Creole, African American culture

  Item Type:

  Book chapter

  
  

• The Drama of History in Francophone New Orleans

  Author(s):

  Juliane Braun (see profile)

  Date:

  2015

  Group(s):

  GS Drama and Performance, LLC 19th-Century American, LLC Early American

  Subject(s):

  Louisiana, Multiethnic literature, French Creole, Theatre and history

  Item Type:

  Article

  
  

• Introduction to Creole Drama: Theatre and Society in Antebellum New Orleans

  Author(s):

  Juliane Braun (see profile)

  Date:

  2019

  Group(s):

  Global & Transnational Studies, GS Drama and Performance, LLC 19th-Century American, LLC Early American

  Subject(s):

  Transnational Americas, Theater and society, Multiethnic literature, French Creole, Louisiana

  Item Type:

  Book chapter

  
  

• Lupe's Story: Lupe Gallardo Marshall @ the Memorial Day Massacre (Republic Steel) 1937

  Author(s):

  Gloria Lee McMillan (see profile)

  Date:

  2019

  Group(s):

  GS Drama and Performance, RCWS Creative Writing, Rust Belt Literature, TC History and Literature, Urban Cultural Studies

  Subject(s):

  Industrial sociology, Sociology of immigration, Sociology of work, History of labor rhetoric, Rhetorics of political protest, Rhetoric

  Item Type:

  Report

  Tag(s):

  Historial Materialism, urban, conflicting identities, Labor Studies

  
  

• Syllabus for Melodrama, with assignments, Spring 2019

  Author(s):

  Renata Kobetts Miller (see profile)

  Date:

  2019

  Group(s):

  GS Drama and Performance, LLC Victorian and Early-20th-Century English

  Subject(s):

  Victorian literature, Victorian studies, British drama, Teaching of literature, Undergraduate research

  Item Type:

  Syllabus

  Tag(s):

  Melodrama, Victorian Theater, Victorian Theatre, Scaffolded Research, Capstone Seminar

  
  

• Theorizing and Resisting the Violence of Stop-and-Frisk-style Profiling

  Author(s):

  Jesse A. Goldberg (see profile)

  Date:

  2015

  Group(s):

  GS Drama and Performance, Interdisciplinary Approaches to Culture and Society, LLC 20th- and 21st-Century American, TC Law and the Humanities, TC Race and Ethnicity Studies

  Subject(s):

  Policing, Violence, Critical race and ethnic studies, Performance studies, American studies

  Item Type:

  Article

  
  

• Two-Act In-Progress Play: Nobody goes to Gary

  Author(s):

  Gloria Lee McMillan (see profile)

  Date:

  2018

  Group(s):

  Ecocriticism, Economics & Literature, GS Drama and Performance, RCWS Creative Writing, Urban Cultural Studies

  Subject(s):

  Playwriting, Urban creativity, Industrial sociology, Satire, Drama

  Item Type:

  Other

  Tag(s):

  tragi-comedy, Economics of Culture

  
  

• On the Unruly Power of Pain in Middle English Drama

  Author(s):

  Susan M. Nakley (see profile)

  Date:

  2015

  Group(s):

  CLCS Medieval, GS Drama and Performance, LLC Middle English, TC Philosophy and Literature, TC Postcolonial Studies

  Subject(s):

  Middle English, Drama, Postcolonial theatre, Medieval drama, Literature and medicine, Pain, Performance

  Item Type:

  Article

  Tag(s):

  empire, patriarchy

  
  

• Local and Global Myths in Shakespearean Performance

  Author(s):

  Alexa Joubin (see profile)

  Date:

  2018

  Group(s):

  Global Shakespeares, GS Drama and Performance, LLC Shakespeare, MS Screen Arts and Culture, TC Translation Studies

  Subject(s):

  Shakespeare, Global Shakespeare, Intercultural performance, Film, Postcolonial culture, Globalization, Film studies, Translation studies

  Item Type:

  Book

  Tag(s):

  Theatre Studies

  
  

• Preface, The Shakespearean International Yearbook 17: Shakespeare and Value, Edited by Tom Bishop, Alexa Alice Joubin, Simon Haines (New York: Routledge, 2018)

  Author(s):

  Alexa Joubin (see profile)

  Date:

  2018

  Group(s):

  Global Shakespeares, GS Drama and Performance, LLC Shakespeare, Postcolonial Digital Humanities, TC Translation Studies

  Subject(s):

  Shakespeare, Global English, Ethics, Digital humanities, Postcolonial culture, Globalization, Performance studies, Cultural materialism

  Item Type:

  Book chapter

  
  

• "'To unpath'd waters, undream'd shores': Shakespeare in the World." The Score : An Insider's Guide to the Performing Arts (New York: Lincoln Center, June 28, 2018)

  Author(s):

  Alexa Joubin (see profile)

  Date:

  2018

  Group(s):

  Global Shakespeares, GS Drama and Performance, LLC East Asian, LLC Shakespeare, TC Translation Studies

  Subject(s):

  Shakespeare, Adaptation, Japanese studies, Performance studies, Globalization, Translation studies, Intercultural performance, Aesthetics

  Item Type:

  Article

  
  

• Dirt and Trash in Romeo and Juliet (Social Stratification)

  Author(s):

  Gloria Lee McMillan (see profile)

  Date:

  2018

  Group(s):

  Economics & Literature, GS Drama and Performance, Rust Belt Literature, TC Anthropology and Literature, TM Literary Criticism

  Subject(s):

  Shakespeare, Anthropological approaches to literature, Drama, Conflict resolution, Sociology of literature, Psychoanalysis, Social anthropology, Cultural theory

  Item Type:

  Blog Post

  Tag(s):

  exclusion

  
  

• "Shakespeare Theatre Company' s Macbeth and the Limits of Multiculturalism." Early Modern Culture 13 (2018): 240-246

  Author(s):

  Alexa Joubin (see profile)

  Date:

  2018

  Group(s):

  CLCS 20th- and 21st-Century, Global Shakespeares, GS Drama and Performance, Interdisciplinary Approaches to Culture and Society, LLC Shakespeare

  Subject(s):

  Shakespeare, Race critical theory, Performance and politics, Global Shakespeare, Adaptation, Multiculturalism, Critical race studies

  Item Type:

  Article

  Tag(s):

  Africanism, political theatre

  
  

• Hubert’s Encounters with the Succession in Shakespeare’s King John

  Author(s):

  Marcia T. Eppich-Harris (see profile)

  Date:

  2018

  Group(s):

  CLCS Renaissance and Early Modern, GS Drama and Performance, LLC 16th-Century English, LLC Shakespeare, TM The Teaching of Literature

  Subject(s):

  Shakespeare, Theatre and history, Theatre and politics, Early modern British literature, Renaissance drama, Early modern drama

  Item Type:

  Article

  Tag(s):

  King John, Shakespeare in performance

  
  

• Julius Caesar: Tyrannicide Made Unpopular

  Author(s):

  Murat Öğütcü (see profile)

  Date:

  2017

  Group(s):

  CLCS Renaissance and Early Modern, GS Drama and Performance, LLC Shakespeare

  Subject(s):

  Shakespeare and early modern drama, Early modern English culture, Early modern political thought, Shakespeare

  Item Type:

  Article

  Tag(s):

  julius caesar, tyranny, Earl of Essex

  
  

• Humanist Reading and Interpretation in Early Elizabethan Morality Drama

  Author(s):

  Kent Cartwright (see profile)

  Date:

  2012

  Group(s):

  CLCS Renaissance and Early Modern, GS Drama and Performance

  Subject(s):

  Elizabethan drama, Humanism, Reading

  Item Type:

  Article

  Tag(s):

  morality drama, sixteenth century

  
  

• "Global Shakespeare Criticism beyond the Nation State." Chapter 25 of The Oxford Handbook of Shakespeare and Performance, ed. James C. Bulman (Oxford: Oxford University Press, 2017), pp. 423-440

  Author(s):

  Alexa Alice Joubin (see profile)

  Date:

  2017

  Group(s):

  Global Shakespeares, GS Drama and Performance, LLC East Asian, LLC Shakespeare, TC Translation Studies

  Subject(s):

  Shakespeare, Global Shakespeare, Postcolonialism, Comparative drama, Film, Critical theory

  Item Type:

  Book chapter

  Tag(s):

  Shakespeare in performance, intercultural theatre

  
  

• FROM EYEWITNESS NARRATIVES TO RETELLINGS AND LITERARY ADAPTATIONS: THE RUSSIAN TIME OF TROUBLES IN EARLY MODERN EUROPE

  Author(s):

  George Prokhorov (see profile)

  Date:

  2017

  Group(s):

  CLCS European Regions, CLCS Renaissance and Early Modern, GS Drama and Performance, LLC Russian and Eurasian, TC History and Literature

  Subject(s):

  Theatre and politics, Renaissance in Spain, Russian history, Travel narratives, Adaptation

  Item Type:

  Article

  Tag(s):

  Early modern drama, adaptation, Travel Writing, Russia, lope de vega

  
  

• “He Only Talks”: Arruntius and the Formation of Interpretive Communities in Ben Jonson's Sejanus

  Author(s):

  Penelope Geng (see profile)

  Date:

  2011

  Group(s):

  CLCS Renaissance and Early Modern, GS Drama and Performance, TC Law and the Humanities, TM Book History, Print Cultures, Lexicography

  Subject(s):

  Renaissance drama, Stoicism

  Item Type:

  Article

  
  

• Masculinity and National Identity on the Early American Stage

  Author(s):

  Sarah E. Chinn (see profile)

  Date:

  2012

  Group(s):

  GS Drama and Performance, LLC Early American, Performance Studies, TC Sexuality Studies, TC Women’s and Gender Studies

  Subject(s):

  American drama, Early American literature, Masculinity

  Item Type:

  Article

  Tag(s):

  early american drama, gender, masculinity

  
  

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