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• Landscapes of Disappearance

  Author(s):

  Edwin Culp (see profile)

  Date:

  2020

  Group(s):

  Film-Philosophy, Film Studies, Latin America and the Caribbean

  Subject(s):

  Landscape art, Film theory, Violence

  Item Type:

  Article

  
  

• El discreto (y cómico) encanto de la sobremesa

  Author(s):

  Edwin Culp (see profile)

  Date:

  2015

  Group(s):

  Film-Philosophy, Film Studies

  Subject(s):

  Comedy (genre), Film studies, Aesthetics

  Item Type:

  Book chapter

  
  

• The Ethics of Appropriation: ‘Misusing’ the Found Document in Suitcase of Love and Shame and A Film Unfinished

  Author(s):

  Jaimie Baron (see profile)

  Date:

  2015

  Group(s):

  Documentary Studies, Film-Philosophy, Film Studies

  Subject(s):

  Found footage, Archives, Ethics, Appropriation

  Item Type:

  Book chapter

  
  

• (In)appropriation: Productions of Laughter in Contemporary Experimental Found Footage Films

  Author(s):

  Jaimie Baron (see profile)

  Date:

  2014

  Group(s):

  Documentary Studies, Film-Philosophy, Film Studies

  Subject(s):

  Found footage, Appropriation

  Item Type:

  Book chapter

  Tag(s):

  experimental video, remix, humor

  
  

• Subverted Intentions and the Potential for “Found” Collectivity in Natalie Bookchin’s Mass Ornament

  Author(s):

  Jaimie Baron (see profile)

  Date:

  2011

  Group(s):

  Documentary Studies, Film-Philosophy, Film Studies

  Subject(s):

  Found footage, Appropriation

  Item Type:

  Article

  Tag(s):

  Natalie Bookchin, Siegrfried Kracauer, archival footage, experimental film, video art

  
  

• The historical relationship of musical form and the moving image in the current context of the digitisation of media

  Author(s):

  John Davey (see profile)

  Date:

  2017

  Group(s):

  Film-Philosophy, Film Studies, Music and Sound, Networked Art, Science and Technology Studies (STS)

  Subject(s):

  Film, Intermedia, Media studies, Multimedia, Music, Music and Society, Poetics

  Item Type:

  Thesis

  Tag(s):

  audiovisual, Digital Technology, Media convergence

  
  

• “Kino Kino Kino Kino Kino: Guy Maddin’s Cinema of Artifice”

  Author(s):

  Sérgio Dias Branco (see profile)

  Date:

  2015

  Group(s):

  Cultural Studies, Film-Philosophy, Film Studies

  Subject(s):

  Film, Memory

  Item Type:

  Article

  
  

• Cinema: Journal of Philosophy and the Moving Image, no. 4, “Philosophy of Religion”

  Editor(s):

  Sérgio Dias Branco (see profile)

  Date:

  2013

  Group(s):

  Cultural Studies, Film-Philosophy, Film Studies, Religious Studies

  Subject(s):

  Film, Philosophy of religion, Aesthetics

  Item Type:

  Other

  
  

• Cinema: Journal of Philosophy and the Moving Image, no. 8, “Marx’s Philosophy”

  Editor(s):

  Sérgio Dias Branco (see profile) , Michael Wayne

  Date:

  2016

  Group(s):

  Cultural Studies, Film-Philosophy

  Subject(s):

  Film, Karl Marx, Philosophy

  Item Type:

  Other

  
  

• “The Mosaic-Screen: Exploration and Definition”

  Author(s):

  Sérgio Dias Branco (see profile)

  Date:

  2008

  Group(s):

  Cultural Studies, Film-Philosophy, Film Studies

  Subject(s):

  Film studies, Film criticism, Aesthetics, Philosophy

  Item Type:

  Article

  
  

• “Kino Kino Kino Kino Kino: el cine de artificio de Guy Maddin”

  Author(s):

  Sérgio Dias Branco (see profile)

  Date:

  2017

  Group(s):

  Cultural Studies, Film-Philosophy, Film Studies

  Subject(s):

  Film criticism, Authorship studies, Canadian studies

  Item Type:

  Article

  
  

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