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• Cosmopolíticas e cosmopoéticas do contato

  Author(s):

  Marcelo R. S. Ribeiro (see profile)

  Date:

  2018

  Group(s):

  Arqueologia do sensível, Cultural Studies, Film Studies, Postcolonial Studies

  Subject(s):

  Film studies, Film and history, Indigenous peoples

  Item Type:

  Article

  Tag(s):

  documentário, história, contato

  
  

• O macaco com a câmera na mão: montagem anarquívica e devir-animal em Leo Pyrata

  Author(s):

  Marcelo R. S. Ribeiro (see profile)

  Date:

  2019

  Group(s):

  Arqueologia do sensível, Film Studies

  Subject(s):

  Film studies

  Item Type:

  Article

  Tag(s):

  cinema brasileiro contemporâneo, experimental, videoarte, montagem anarquívica, Leo Pyrata

  
  

• Landscapes of Disappearance

  Author(s):

  Edwin Culp (see profile)

  Date:

  2020

  Group(s):

  Film-Philosophy, Film Studies, Latin America and the Caribbean

  Subject(s):

  Landscape art, Film theory, Violence

  Item Type:

  Article

  
  

• Reviews of Lord of the Rings (Return of the King), Passion of Christ and Schindlers List

  Author(s):

  Steven Aoun (see profile)

  Date:

  2005

  Group(s):

  Advocating for the Humanities, Connected Academics, Cultural Studies, Film Studies, Literary theory

  Subject(s):

  Film and history, Cultural studies, Holocaust

  Item Type:

  Article

  Tag(s):

  Spielberg, Tolkien, Religion and Culture

  
  

• In the Company of Wolves: Wolves, Werewolves, and Wild Children, ed. Sam George & Bill Hughes – Book Launch and Film Screening, 29 February 2020, Odyssey Cinema, St Albans, UK

  Editor(s):

  Sam George, Bill Hughes (see profile)

  Date:

  2020

  Group(s):

  Film Studies, Gothicists, Horror, Speculative and Science Fiction, Television Studies

  Subject(s):

  Gothic literature, Fairy tales, Fantasy literature, Animal studies, Horror, Folklore

  Item Type:

  Other

  Tag(s):

  wolves, company of wolves, Werewolves, wild children

  
  

• El discreto (y cómico) encanto de la sobremesa

  Author(s):

  Edwin Culp (see profile)

  Date:

  2015

  Group(s):

  Film-Philosophy, Film Studies

  Subject(s):

  Comedy (genre), Film studies, Aesthetics

  Item Type:

  Book chapter

  
  

• Materialità e sensazione storiche del film

  Author(s):

  Bregt Lameris (see profile)

  Date:

  2005

  Group(s):

  Archives, Film Studies

  Subject(s):

  Materiality, Film, Historiography

  Item Type:

  Article

  Tag(s):

  historical sensation

  
  

• Directing Actors for Non-Directors: Creative Research Strategies for Fiction Films

  Author(s):

  Edwin Culp (see profile)

  Date:

  2019

  Group(s):

  Film Studies

  Subject(s):

  Arts-based research, Film production, Filmmaking, Acting, Fiction, Editing, Cinematography

  Item Type:

  Book chapter

  Tag(s):

  film directing, directing actors

  
  

• Kollision der Kader: Dziga Vertovs Filme, die Visualisierung ihrer Strukturen und die Digital Humanities

  Author(s):

  Adelheid Heftberger (see profile)

  Date:

  2016

  Group(s):

  Digital Humanists, Film Studies, Soviet and Russian history and culture

  Subject(s):

  Digital humanities research and methodology, Film studies, Soviet film, Data visualization

  Item Type:

  Book

  
  

• Music for the Kingdom of Shadows: Cinema Accompaniment in the Age of Spiritualism

  Author(s):

  Kendra Leonard (see profile)

  Date:

  2019

  Group(s):

  American Musicological Society, Film Studies

  Subject(s):

  Musicology, Film music, Film history, Religion

  Item Type:

  Book

  
  

• Space and the Affect of Horror in Pablo Larrain's Post Mortem

  Author(s):

  Rosa Tapia (see profile)

  Date:

  2019

  Group(s):

  Film Studies, Latin America and the Caribbean

  Subject(s):

  Latin American cinema, Horror cinema, Affect

  Item Type:

  Book chapter

  Tag(s):

  Chilean film, zombies

  
  

• Affective radicality: prisons, Palestine, and interactive documentary

  Author(s):

  Ryan Watson (see profile)

  Date:

  2017

  Group(s):

  Film Studies

  Subject(s):

  Activism, Affect, Documentary filmmaking, interactive media, Theories of affect

  Item Type:

  Article

  Tag(s):

  Interactive Documentary, Sharon Daniel, Zohar Kfir

  
  

• In the Wakes of Rodney King: Militant Evidence and Media Activism in the Age of Viral Black Death

  Author(s):

  Ryan Watson (see profile)

  Date:

  2019

  Group(s):

  Film Studies

  Subject(s):

  Black studies, Digital media, Documentary filmmaking, Media studies, Media theory

  Item Type:

  Article

  Tag(s):

  Media Activism, Militant Evidence, Police Brutality, Visible Evidence

  
  

• Women at the Pedals: Female Cinema Musicians during the Great War

  Author(s):

  Kendra Leonard (see profile)

  Date:

  2019

  Group(s):

  American Musicological Society, Film Studies

  Subject(s):

  Musicology, Film music

  Item Type:

  Book chapter

  
  

• Question Mark? Mass Murder, the Mass Media and Mental Health

  Author(s):

  Steven Aoun (see profile)

  Date:

  1997

  Group(s):

  Connected Academics, Cultural Studies, Film Studies, Public Humanities, Television Studies

  Subject(s):

  Mass media

  Item Type:

  Article

  Tag(s):

  mass murder

  
  

• EGL 194: Intro to Film (Fall 2019)

  Author(s):

  Caitlin Duffy (see profile)

  Date:

  2019

  Group(s):

  Film Studies, Gothicists, Horror, Humanities Commons Summer Camp

  Subject(s):

  Film, Horror, 21st-century American film, Genre, Film studies, Genre studies

  Item Type:

  Syllabus

  Tag(s):

  syllabus

  
  

• “Live or die, make your choice”: American Survival Game Horror

  Author(s):

  Caitlin Duffy (see profile)

  Date:

  2019

  Group(s):

  Film Studies, Gothicists, Horror, Neoliberal Fiction

  Subject(s):

  Horror cinema, 21st-century American film, Gothic, Neoliberalism, Games, Horror, Film

  Item Type:

  Conference paper

  Tag(s):

  american gothic, survival

  
  

• The Bourgeoisie Is Also a Class: Class as Character in Michelangelo Antonioni's "L'Avventura"

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2019

  Group(s):

  Film Studies

  Subject(s):

  Italian cinema, Film, Film and society, Film arts, Cinema, world cinema, Class

  Item Type:

  Article

  Tag(s):

  Michelangelo Antonioni, L'AVVENTURA, bourgeoise

  
  

• Italian Americans in the Hollywood Cinema: Filmmakers, Characters, Audiences Voices in Italian Americana 7.1 (Spring 1996): 65-77. Selected for reprinting in Voices in Italian Americana 26.1 (Spring 2015) as one of the most significant essays published in VIA

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2019

  Group(s):

  Film Studies

  Subject(s):

  Film, Film and society, Hollywood cinema, Ethnicity, Cinema

  Item Type:

  Article

  Tag(s):

  Italian Americans in film, Italian film, representations

  
  

• Japan through Others' Lenses: "Hiroshima Mon Amour" (1959) and "Lost in Translation" Japan Studies Review 11 (2007): 143-155. Also available on the Internet at http://asianstudies.fiu.edu

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2007

  Group(s):

  Film Studies

  Subject(s):

  Film, Film arts, Japan, Cinema, world cinema

  Item Type:

  Article

  Tag(s):

  Alain Resnais, Sophia Coppola, HIROSHIMA MON AMOUR, LOST IN TRANSLATION, Japanese cinema

  
  

• IDENTIFICATION OF A WOMAN

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2012

  Group(s):

  Film Studies

  Subject(s):

  Italian cinema, Film, Film arts, Cinema, world cinema

  Item Type:

  Review

  Tag(s):

  Michelangelo Antonioni, Italian film

  
  

• Mr. Jones Goes to Washington: Myth and Religion in "Raiders of the Lost Ark"

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2019

  Group(s):

  Film Studies

  Subject(s):

  Film, Film and politics, Cinema, Cinema history, Mythology

  Item Type:

  Article

  Tag(s):

  Steven Spielberg, Joseph Campbell, Monomyth, Raiders of the Lost Ark

  
  

• "'You're Telling Me You Didn't See": Hitchcock's "Rear Window" and Antonioni's "Blow-Up"

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2006

  Group(s):

  Film Studies

  Subject(s):

  Film, Film arts, Cinema, Cinema history, Adaptation, Intertextuality

  Item Type:

  Book chapter

  Tag(s):

  Michelangelo Antonioni, Alfred Hitchcock, film modernism

  
  

• The Mass Psychology of Fascist Cinema: "Triumph of the Will"

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  1998

  Group(s):

  Documentary Studies, Film Studies

  Subject(s):

  Film, Film and society, Film history, Cinema, Cinema history, Documentary, Propaganda

  Item Type:

  Book chapter

  Tag(s):

  Hitler, Leni Riefenstahl, Wilhelm Reich

  
  

• The Gospel According to Spielberg in "E.T.: The Extra-Terrestrial"

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2001

  Group(s):

  Film Studies

  Subject(s):

  Film, Film and politics, Cinema, Hollywood cinema

  Item Type:

  Article

  Tag(s):

  Steven Spielberg, E.T, christian iconography

  
  

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