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• Linked Open Data for Filmarchives - Organised by the LOD-Task Force of the FIAF Cataloging and Documentation Commission (CDC)

  Author(s):

  Adelheid Heftberger (see profile)

  Date:

  2018

  Group(s):

  Film Studies

  Subject(s):

  Metadata, Linked open data, Film

  Item Type:

  Report

  
  

• The Sublime Horror of the English Countryside

  Author(s):

  Derek Johnston (see profile)

  Date:

  2017

  Group(s):

  Cultural Studies, Film Studies, Horror, Television Studies

  Subject(s):

  Horror, Landscape, Identity

  Item Type:

  Conference paper

  Tag(s):

  Folk horror

  
  

• Image as Collective: A History of Optical Effects in Hollywood's Studio System

  Author(s):

  Birk Weiberg (see profile)

  Date:

  2016

  Group(s):

  Film Studies

  Subject(s):

  Film history, Film production, Actor-network theory, History of technology, Studio-era Hollywood

  Item Type:

  Dissertation

  Tag(s):

  optical effects, special effects

  
  

• Phantoms of the Archives slides

  Author(s):

  Kendra Leonard (see profile)

  Date:

  2019

  Group(s):

  American Musicological Society, Film Studies

  Subject(s):

  Musicology, Film history, Film music

  Item Type:

  Presentation

  
  

• Phantoms of the Archives: Music for the Early Cinematic Supernatural and Other Tales

  Author(s):

  Kendra Leonard (see profile)

  Date:

  2019

  Group(s):

  American Musicological Society, Film Studies

  Subject(s):

  Musicology, Film history, Film music

  Item Type:

  Presentation

  
  

• The Ethics of Appropriation: ‘Misusing’ the Found Document in Suitcase of Love and Shame and A Film Unfinished

  Author(s):

  Jaimie Baron (see profile)

  Date:

  2015

  Group(s):

  Documentary Studies, Film-Philosophy, Film Studies

  Subject(s):

  Found footage, Archives, Ethics, Appropriation

  Item Type:

  Book chapter

  
  

• (In)appropriation: Productions of Laughter in Contemporary Experimental Found Footage Films

  Author(s):

  Jaimie Baron (see profile)

  Date:

  2014

  Group(s):

  Documentary Studies, Film-Philosophy, Film Studies

  Subject(s):

  Found footage, Appropriation

  Item Type:

  Book chapter

  Tag(s):

  experimental video, remix, humor

  
  

• Subverted Intentions and the Potential for “Found” Collectivity in Natalie Bookchin’s Mass Ornament

  Author(s):

  Jaimie Baron (see profile)

  Date:

  2011

  Group(s):

  Documentary Studies, Film-Philosophy, Film Studies

  Subject(s):

  Found footage, Appropriation

  Item Type:

  Article

  Tag(s):

  Natalie Bookchin, Siegrfried Kracauer, archival footage, experimental film, video art

  
  

• "Mi Casa, Su Casa"

  Author(s):

  Patrick McEvoy-Halston (see profile)

  Date:

  2004

  Group(s):

  CLCS 20th- and 21st-Century, Film Studies, TC Cognitive and Affect Studies, TC Psychology, Psychoanalysis, and Literature, TM Literary Criticism

  Subject(s):

  Cinema, Psychological literary criticism, Masculinity studies

  Item Type:

  Essay

  Tag(s):

  quentin tarantino, pulp fiction

  
  

• Laura Rossi’s War Musics

  Author(s):

  Kendra Leonard (see profile)

  Date:

  2019

  Group(s):

  American Musicological Society, Film Studies, Society for Music Theory

  Subject(s):

  Musicology, Cultural musicology, Film music

  Item Type:

  Book chapter

  
  

• Maschinenbilder. Zur postsubjektiven Kamera

  Author(s):

  Birk Weiberg (see profile)

  Date:

  2014

  Group(s):

  Film Studies

  Subject(s):

  Film, Film studies, Aesthetics, Media arts

  Item Type:

  Book chapter

  Tag(s):

  camera, machine, subjective camera, pov

  
  

• Rural Returns: Journeys to the Past and the Pagan in Folk Horror

  Author(s):

  Derek Johnston (see profile)

  Date:

  2019

  Group(s):

  Cultural Studies, Film Studies, Horror, Television Studies

  Subject(s):

  Identity, Cultural identity, Horror, Film, Television

  Item Type:

  Conference paper

  Tag(s):

  Folk horror

  
  

• The historical relationship of musical form and the moving image in the current context of the digitisation of media

  Author(s):

  John Davey (see profile)

  Date:

  2017

  Group(s):

  Film-Philosophy, Film Studies, Music and Sound, Networked Art, Science and Technology Studies (STS)

  Subject(s):

  Film, Intermedia, Media studies, Multimedia, Music, Music and Society, Poetics

  Item Type:

  Thesis

  Tag(s):

  audiovisual, Digital Technology, Media convergence

  
  

• Cue Sheets, Musical Suggestions, and Performance Practices for Hollywood Films, 1908–1927

  Author(s):

  Kendra Leonard (see profile)

  Date:

  2018

  Group(s):

  American Musicological Society, Film Studies, Music Library Association, Society for Music Theory

  Subject(s):

  Musicology, Film history, Film music

  Item Type:

  Book chapter

  Tag(s):

  silent film

  
  

• Performing Spiritualism in the Silent Cinema

  Author(s):

  Kendra Leonard (see profile)

  Date:

  2018

  Group(s):

  American Musicological Society, Film Studies, MS Screen Arts and Culture, Music Library Association

  Subject(s):

  Musicology, Film music, Film history, Music, Religion

  Item Type:

  Article

  
  

• Film Museum Practice and Film Historiography

  Author(s):

  Bregt Lameris (see profile)

  Date:

  2017

  Group(s):

  Archives, Film Studies

  Subject(s):

  Archival studies, Film history, Historiography, Media studies, Restoration culture

  Item Type:

  Monograph

  
  

• Šestaja čast' kadra". Vosstanovlenie vertovskogo "Čelovek s kinoapparatom" / "The Sixth of the Frame". Vertov's "Man with a Movie Camera" restored.

  Author(s):

  Adelheid Heftberger (see profile)

  Date:

  2018

  Group(s):

  Archives, Film Studies, Soviet and Russian history and culture

  Subject(s):

  Film history, Restoration culture, Film arts, Archival materials, Archives

  Item Type:

  Article

  Tag(s):

  russian film, restoration

  
  

• ‘So shiny, so chrome’: images and ideology of humans, machines, and the Earth in George Miller’s Mad Max: Fury Road

  Author(s):

  mpesses (see profile)

  Date:

  2018

  Group(s):

  Cultural Studies, Film Studies, Philosophy

  Subject(s):

  Cultural studies, Anthropocene, Slavoj Zizek, Deleuze and Guattari, Mobility studies

  Item Type:

  Article

  
  

• Topsy-Turvy Victoriana: Locating Life and Death in Corpse Bride

  Author(s):

  Kendra Leonard (see profile)

  Date:

  2011

  Group(s):

  American Musicological Society, Film Studies, Society for Music Theory

  Subject(s):

  Music analysis, Film music, Gothic, Musicology

  Item Type:

  Article

  
  

• Based on a True Story: Tracking What is Queer about German Queer Documentary

  Author(s):

  Kyle Frackman (see profile)

  Date:

  2018

  Group(s):

  Film Studies, LGBTQ Studies, LLC 20th- and 21st-Century German, Queer German Studies

  Subject(s):

  East Germany, History of East Germany, Film, Queer and gender studies

  Item Type:

  Article

  Tag(s):

  queer cinema, documentary films

  
  

• The East German Film 'Coming Out' (1989) as Melancholic Reflection and Hopeful Projection

  Author(s):

  Kyle Frackman (see profile)

  Date:

  2018

  Group(s):

  Film Studies, German Literature and Culture, LLC 20th- and 21st-Century German, Queer German Studies

  Subject(s):

  East Germany, Queer/gay, Film

  Item Type:

  Article

  Tag(s):

  East German film, Gay and Lesbian, queer cinema

  
  

• Sex and Socialism in East German Cinema

  Author(s):

  Kyle Frackman (see profile) , Faye Stewart

  Date:

  2018

  Group(s):

  Film Studies, LGBTQ Studies, LLC 20th- and 21st-Century German, Queer German Studies

  Subject(s):

  East Germany, Film, Sexuality, Gender, German culture

  Item Type:

  Book chapter

  Tag(s):

  East German film

  
  

• Shame and Love: East German Homosexuality Goes to the Movies

  Author(s):

  Kyle Frackman (see profile)

  Date:

  2018

  Group(s):

  Film Studies, German Literature and Culture, LGBTQ Studies, LLC 20th- and 21st-Century German, TC Sexuality Studies

  Subject(s):

  East Germany, German history, Queer history, Film, Affect, Documentary

  Item Type:

  Book chapter

  Tag(s):

  German cinema

  
  

• Die Öffnung von Forschungsdaten in den Film- und Medienwissenschaften: praktische und urheberrechtliche Herausforderungen

  Author(s):

  Marion Goller, Adelheid Heftberger (see profile)

  Date:

  2018

  Group(s):

  Digital Humanists, Film Studies

  Subject(s):

  Research data management, Copyright, Film studies

  Item Type:

  Article

  Tag(s):

  Open access to research data

  
  

• No time like the past: Hearing nostalgia in The Twilight Zone

  Author(s):

  Reba Wissner (see profile)

  Date:

  2018

  Group(s):

  American Musicological Society, Film Studies, Television Studies

  Subject(s):

  Music, Television

  Item Type:

  Article

  
  

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