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• Question Mark? Mass Murder, the Mass Media and Mental Health

  Author(s):

  Steven Aoun (see profile)

  Date:

  1997

  Group(s):

  Connected Academics, Cultural Studies, Film Studies, Public Humanities, Television Studies

  Subject(s):

  Mass media

  Item Type:

  Article

  Tag(s):

  mass murder

  
  

• EGL 194: Intro to Film (Fall 2019)

  Author(s):

  Caitlin Duffy (see profile)

  Date:

  2019

  Group(s):

  Film Studies, Gothicists, Horror, Humanities Commons Summer Camp

  Subject(s):

  Film, Horror, 21st-century American film, Genre, Film studies, Genre studies

  Item Type:

  Syllabus

  Tag(s):

  syllabus

  
  

• “Live or die, make your choice”: American Survival Game Horror

  Author(s):

  Caitlin Duffy (see profile)

  Date:

  2019

  Group(s):

  Film Studies, Gothicists, Horror, Neoliberal Fiction

  Subject(s):

  Horror cinema, 21st-century American film, Gothic, Neoliberalism, Games, Horror, Film

  Item Type:

  Conference paper

  Tag(s):

  american gothic, survival

  
  

• The Bourgeoisie Is Also a Class: Class as Character in Michelangelo Antonioni's "L'Avventura"

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2019

  Group(s):

  Film Studies

  Subject(s):

  Italian cinema, Film, Film and society, Film arts, Cinema, world cinema, Class

  Item Type:

  Article

  Tag(s):

  Michelangelo Antonioni, L'AVVENTURA, bourgeoise

  
  

• Italian Americans in the Hollywood Cinema: Filmmakers, Characters, Audiences Voices in Italian Americana 7.1 (Spring 1996): 65-77. Selected for reprinting in Voices in Italian Americana 26.1 (Spring 2015) as one of the most significant essays published in VIA

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2019

  Group(s):

  Film Studies

  Subject(s):

  Film, Film and society, Hollywood cinema, Ethnicity, Cinema

  Item Type:

  Article

  Tag(s):

  Italian Americans in film, Italian film, representations

  
  

• Japan through Others' Lenses: "Hiroshima Mon Amour" (1959) and "Lost in Translation" Japan Studies Review 11 (2007): 143-155. Also available on the Internet at http://asianstudies.fiu.edu

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2007

  Group(s):

  Film Studies

  Subject(s):

  Film, Film arts, Japan, Cinema, world cinema

  Item Type:

  Article

  Tag(s):

  Alain Resnais, Sophia Coppola, HIROSHIMA MON AMOUR, LOST IN TRANSLATION, Japanese cinema

  
  

• IDENTIFICATION OF A WOMAN

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2012

  Group(s):

  Film Studies

  Subject(s):

  Italian cinema, Film, Film arts, Cinema, world cinema

  Item Type:

  Review

  Tag(s):

  Michelangelo Antonioni, Italian film

  
  

• Mr. Jones Goes to Washington: Myth and Religion in "Raiders of the Lost Ark"

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2019

  Group(s):

  Film Studies

  Subject(s):

  Film, Film and politics, Cinema, Cinema history, Mythology

  Item Type:

  Article

  Tag(s):

  Steven Spielberg, Joseph Campbell, Monomyth, Raiders of the Lost Ark

  
  

• "'You're Telling Me You Didn't See": Hitchcock's "Rear Window" and Antonioni's "Blow-Up"

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2006

  Group(s):

  Film Studies

  Subject(s):

  Film, Film arts, Cinema, Cinema history, Adaptation, Intertextuality

  Item Type:

  Book chapter

  Tag(s):

  Michelangelo Antonioni, Alfred Hitchcock, film modernism

  
  

• The Mass Psychology of Fascist Cinema: "Triumph of the Will"

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  1998

  Group(s):

  Documentary Studies, Film Studies

  Subject(s):

  Film, Film and society, Film history, Cinema, Cinema history, Documentary, Propaganda

  Item Type:

  Book chapter

  Tag(s):

  Hitler, Leni Riefenstahl, Wilhelm Reich

  
  

• The Gospel According to Spielberg in "E.T.: The Extra-Terrestrial"

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2001

  Group(s):

  Film Studies

  Subject(s):

  Film, Film and politics, Cinema, Hollywood cinema

  Item Type:

  Article

  Tag(s):

  Steven Spielberg, E.T, christian iconography

  
  

• Empire of the Gun: Steven Spielberg's SAVING PRIVATE RYAN and American Chauvinism

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2001

  Group(s):

  Film Studies

  Subject(s):

  Film, Film and history, Cinema, Hollywood cinema

  Item Type:

  Book chapter

  Tag(s):

  Steven Spielberg, SAVING PRIVATE RYAN, war movies

  
  

• "I'll See It When I Believe It": Rodney King and the Prison-House of Video

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  1996

  Group(s):

  Documentary Studies, Film Studies

  Subject(s):

  Documentary, Documentary filmmaking, Film, Phenomenology, Cinema

  Item Type:

  Book chapter

  Tag(s):

  documentary films, Race and film

  
  

• EROS and Civilization: Sexuality and the Contemporary International Art Cinema

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2008

  Group(s):

  Film Studies

  Subject(s):

  Film, Film arts, Sexuality, Cinema, world cinema

  Item Type:

  Article

  Tag(s):

  Transnational film

  
  

• EL TOPO and the Midnight Movie Craze

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2019

  Group(s):

  Film Studies

  Subject(s):

  Surrealism, Film arts, Cinema, world cinema

  Item Type:

  Article

  Tag(s):

  Alejandro Jodorowsky, Surrealist Cinema, EL TOPO

  
  

• Colonel North Goes to Washington: Observations on the Intertextual Re-Presentation of History

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  1989

  Group(s):

  Film Studies

  Subject(s):

  Film and politics, Television studies, Television, Documentary

  Item Type:

  Article

  Tag(s):

  Oliver North, Frank Capra, TV

  
  

• Narrate AND Describe?: Point of View and Narrative Voice in CITIZEN KANE's Thatcher Sequence

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  1986

  Group(s):

  Film Studies

  Subject(s):

  Film, Film theory, Cinema, Hollywood cinema, Cinema history, Film history, 20th-century film

  Item Type:

  Article

  Tag(s):

  american cinema, CITIZEN KANE, orson welles

  
  

• The Sounds of Silence: Minimalist Acting in BLOW-UP

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2019

  Group(s):

  Film Studies

  Subject(s):

  Film arts, Film history, Acting, Cinema history, Cinema, Modernism

  Item Type:

  Book chapter

  Tag(s):

  performamnce, film acting, film directing, minimalism

  
  

• BICYCLE THIEVES: A Re-reading

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2019

  Group(s):

  Film Studies

  Subject(s):

  Italian cinema, Cinema, Cinema history, Film and history, Film, Film history, world cinema

  Item Type:

  Article

  Tag(s):

  neorealism

  
  

• The Politics of Ambivalence: APOCALYPSE NOW as Pro-War and Anti-War Film

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2019

  Group(s):

  Film Studies

  Subject(s):

  Film, Film and history, Film and politics, 20th-century film, Cinema

  Item Type:

  Book chapter

  Tag(s):

  APOCALYPSE NOW, Cinema Art Criticism, american cinema, francis coppola

  
  

• The Architectonics of Alienation: Antonioni's Edifice Complex

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2019

  Group(s):

  Film Studies

  Subject(s):

  Film, Film criticism, Italian cinema, world cinema, Architecture, Film history, Cinema

  Item Type:

  Article

  Tag(s):

  film modernism

  
  

• ADAPTATION as Adaptation

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2019

  Group(s):

  Film Studies

  Subject(s):

  Film, Film arts, Film criticism, Cinema, Adaptation, 20th-century film, Screenwriting

  Item Type:

  Book chapter

  Tag(s):

  american cinema, film adaptation

  
  

• 1976: Movies and Cultural Contradictions

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2019

  Group(s):

  Film Studies

  Subject(s):

  Film and history, Film and politics, Film and society, Cinema, Hollywood cinema, Film history, 20th-century film

  Item Type:

  Book chapter

  Tag(s):

  american cinema, academy award

  
  

• The Maltese Phallcon: The Oedipal Trajectory of Classical Hollywood Cinema

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2019

  Group(s):

  Film Studies

  Subject(s):

  Film history, Film, Hollywood

  Item Type:

  Article

  Tag(s):

  film adaptation, american cinema

  
  

• ‘The Underlying Gesture’. Towards the Notion of Gesture in Jean d’Udine and Sergei Eisenstein

  Author(s):

  Irina Schulzki (see profile)

  Date:

  2019

  Group(s):

  Film Studies

  Subject(s):

  Film and history, Art, Global modernism across the arts, Intermediality

  Item Type:

  Book chapter

  Tag(s):

  gesture, synaesthesia, senses, montage

  
  

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