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MLA Deposits
Indiscretions of a Contemporary Artist: Reflections on Trevor Paglen's (ab)use of the JAFFE dataset
Author(s):
Michael Lyons
(see profile)
Date:
2021
Group(s):
Digital Art History
,
Digital Humanists
,
Linked Open Data
,
Science and Technology Studies (STS)
Subject(s):
Machine learning
,
Artificial intelligence
,
Data science
,
Theories of affect
,
Contemporary art
,
Computer vision
Item Type:
Article
Tag(s):
facial expression
,
informed consent
,
critique
,
datasets
Indiscretions of a Contemporary Artist: Reflections on Trevor Paglen's (ab)use of the JAFFE dataset
Author(s):
Michael Lyons
(see profile)
Date:
2021
Group(s):
Archives
,
Digital Art History
,
Digital Humanists
,
Science and Technology Studies (STS)
Subject(s):
Affect
,
Contemporary art
,
Machine learning
,
Computer vision
,
Ethics
,
Fair use
Item Type:
Essay
Tag(s):
dataset
,
visual psychology
,
affective computing
,
informed consent
Indiscretions of a Contemporary Artist: Reflections on Trevor Paglen's (ab)use of the JAFFE dataset
Author(s):
Michael Lyons
(see profile)
Date:
2021
Group(s):
Digital Art History
,
Digital Humanists
,
Linked Open Data
,
Science and Technology Studies (STS)
Subject(s):
Affect
,
Contemporary art
,
Critical data studies
,
Science and art
,
STS
,
Machine learning
Item Type:
Article
Tag(s):
facial expression
,
affective computing
,
dataset
,
Ethics of Emerging Technologies
AMS Preliminary Program
Author(s):
Melia Wong
(see profile)
Date:
2021
Group(s):
Digital Art History
,
Global & Transnational Studies
,
MusicID Community
,
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music
,
Music history
,
Musicology
,
Ethnomusicology
,
Music theory
Item Type:
Conference poster
“Excavating AI” Re-excavated: Debunking a Fallacious Account of the JAFFE Dataset
Author(s):
Michael Lyons
(see profile)
Date:
2021
Group(s):
Archives
,
Digital Art History
,
Digital Humanists
,
Linked Open Data
,
Science and Technology Studies (STS)
Subject(s):
Affect
,
Artificial intelligence
,
Critical data studies
,
Information ethics
,
Machine learning
Item Type:
Article
Tag(s):
facial expression
,
training sets
,
affective computing
,
dataset
A Critical Response to “The value of mass-digitised cultural heritage content in creative contexts” by Melissa Terras, et al, Published in "Big Data and Society"
Author(s):
Jasmine Burns
(see profile)
Date:
2021
Group(s):
Digital Art History
,
Library & Information Science
Subject(s):
Critical data studies
,
Open data
,
Digital libraries
,
Digital humanities
,
Appropriation
Item Type:
Review
Tag(s):
Commodification
Excavating 'Excavating AI': The Elephant in the Gallery
Author(s):
Michael Lyons
(see profile)
Date:
2021
Group(s):
Archives
,
Digital Art History
,
Digital Humanists
,
Linked Open Data
,
Science and Technology Studies (STS)
Subject(s):
Affect
,
Artificial intelligence
,
Critical data studies
,
Information ethics
,
Machine learning
,
Theories of affect
Item Type:
Article
Tag(s):
data ethics
,
dataset
,
digital ethics
A Digital Humanities Bibliography
Author(s):
John Taormina
(see profile)
Date:
2019
Group(s):
Digital Art History
,
Digital Humanists
Subject(s):
Bibliography
,
Digital humanities
,
Digital humanities research and methodology
,
Digital libraries
,
Digital pedagogy
,
Digital scholarship/history
Item Type:
Bibliography
Tag(s):
digital cultural heritage
,
digital humanities librarianship
,
digital humanities research
,
digital humanities teaching
Art Style, Art & Culture International Magazine, no. 6
Editor(s):
Christiane Wagner
(see profile)
Date:
2020
Group(s):
Architectural History and Theory
,
Cultural Studies
,
Digital Art History
,
Diversity in the Arts
,
History of Art
Subject(s):
Art history
,
Visual arts
,
Interdisciplinary cultural studies
,
Communications
,
Aesthetics
Item Type:
Online publication
Tag(s):
art and culture
,
aesthetics and politics
,
moving images
,
media
,
cinema and photography
Künstlerbiographien und historische Netzwerkforschung: Anwendungsbeispiele aus dem Bereich der digitalen Kunstgeschichte
Author(s):
Maximilian Kaiser
(see profile)
Date:
2020
Group(s):
Digital Art History
,
Digital Humanists
,
History of Art
Subject(s):
Artist biography
,
Social networks
,
19th-century art
,
20th-century art
Item Type:
Book chapter
Reassembling Elephants: A Multi-Spatiotemporal Visualization Method for History and Humanities Data
Author(s):
Florian Windhager
(see profile)
Date:
2020
Group(s):
Cultural Heritage
,
DH2020
,
Digital Art History
,
Digital Heritage
,
Museums
Subject(s):
Data visualization
Item Type:
Presentation
Tag(s):
cultural collections
,
information integration
,
multiple views
,
visualization
Modeling Performing Arts: On the Representations of Agency
Author(s):
Birk Weiberg
(see profile)
Date:
2020
Group(s):
Digital Art History
,
Digital Humanists
Subject(s):
Performing arts
,
Ontology
,
Agency
Item Type:
Article
Tag(s):
data modeling
,
CIDOC-CRM
Images as Research Data and the Role of the Information Professional
Author(s):
Jasmine Burns
(see profile)
Date:
2020
Group(s):
Digital Art History
,
Library & Information Science
Subject(s):
Library science
Item Type:
Article
Tag(s):
research data
,
image management
The Design History of Robert M. Pirsig’s Books
Author(s):
Christoph Bartneck
(see profile)
Date:
2019
Group(s):
Archives
,
Digital Art History
,
Digital Humanists
,
History of Illustration and Illustration Studies
,
Visual Arts Advocacy
Subject(s):
Book history
,
Design (graphic)
,
Design history
,
Visual art
Item Type:
Article
Tag(s):
book cover
,
metaphysics of quality
,
pirsig
Structure, Network, Discourse. Anatomy of an Artists Association
Author(s):
Maximilian Kaiser
(see profile)
Date:
2014
Group(s):
Digital Art History
,
Digital Humanists
,
History of Art
Subject(s):
Digital humanities
,
Avant-garde
Item Type:
Article
Tag(s):
historical network analyses
,
artist association
Museum Photo Archives and the History of the Art Market: A Digital Approach
Author(s):
Lukas Fuchsgruber
(see profile)
Date:
2019
Group(s):
Digital Art History
,
Digital Humanists
,
History of Art
Subject(s):
Art market
,
Museums
,
Archives
,
Forgery
,
Fakes/forgeries
Item Type:
Article
Tag(s):
Verband von Museums-Beamten zur Abwehr von Fälschungen und unlauterem Geschäftsgebahren
,
Association of Museum Officials for Defense against Fakes and Improper Business Practices
On the Crisis of Creation: A Short Comic
Author(s):
Kay Sohini
(see profile)
Date:
2019
Group(s):
Comics Scholarship/Comics Studies
,
Digital Art History
,
GS Comics and Graphic Narratives
Subject(s):
Comics
,
Art education
,
Digital humanities
,
Art
Item Type:
Visual art
Project: Building a Research Collection
Author(s):
Yelena Kalinsky
(see profile)
Date:
2019
Group(s):
Digital Art History
,
Digital Humanists
,
Education and Pedagogy
Subject(s):
Art history
,
Digital art history
,
Research methods
,
Pedagogy
Item Type:
Course material or learning objects
Tag(s):
assignment
,
digital project
To the Stars and Beyond: Perceptions on The Starry Night
Author(s):
Kay Sohini
(see profile)
Date:
2018
Group(s):
Comics Scholarship/Comics Studies
,
Digital Art History
,
Humanities Commons Summer Camp
,
Rhetoric and Composition
,
TC Ecocriticism and Environmental Humanities
Subject(s):
Visual arts
Item Type:
Essay
Tag(s):
Non-fiction
,
reflection
Artist migration through the biographer’s lens: A case study based on biographical data retrieved from the Austrian Biographical Dictionary
Author(s):
Maximilian Kaiser
(see profile)
,
Katalin Lejtovicz
,
Peter Alexander Rumpolt
,
Matthias Schlögl
Date:
2018
Group(s):
Digital Art History
,
Digital Humanists
Subject(s):
Art history
,
Digital humanities
,
Digital art history
,
Prosopography
,
19th-century art
Item Type:
Article
Tag(s):
biographical dictionary
,
spatial history of art
The Biographical Formula: Types and Dimensions of Biographical Networks
Author(s):
Ágoston Zénó Bernád
,
Maximilian Kaiser
(see profile)
Date:
2018
Group(s):
Digital Art History
,
Digital Humanists
Subject(s):
Biography Studies
,
Digital humanities
,
History of art
Item Type:
Conference proceeding
Tag(s):
biographical dictionary
,
biographical research
,
historical network research
,
source criticism
Was uns Biographien über Künstlernetzwerke sagen
Author(s):
Maximilian Kaiser
(see profile)
Date:
2017
Group(s):
Digital Art History
,
Digital Humanists
Subject(s):
Art history
,
Biography Studies
,
Digital art history
,
Digital humanities
Item Type:
Article
Tag(s):
artist biographies
,
historical network research
Experts and Auctioneers in Paris Art Auctions 1852-1862
Author(s):
Lukas Fuchsgruber
(see profile)
Date:
2017
Group(s):
Digital Art History
,
History of Art
,
Linked Open Data
,
Victorian Studies
Subject(s):
Art history
,
Digital art history
,
Art market
,
19th-century French studies
,
Network analysis
Item Type:
Online publication
Tag(s):
auction
,
Hôtel Drouot
,
Commissaire-Priseur
,
Expert
,
expertise
Sandrart.net - Eine Online-Edition eines Textes des 17. Jahrhunderts
Author(s):
Carsten Bluem
,
Anna Schreurs
,
Thorsten Wuebbena
(see profile)
Date:
2010
Group(s):
Digital Art History
,
History of Art
Subject(s):
Art history
Item Type:
Article
The Gardens of Lucca
Author(s):
Katrina Grant
(see profile)
Date:
2007
Group(s):
Digital Art History
Subject(s):
Garden history
,
Early modern Italy
,
Theater history
,
Art history
Item Type:
Article
Tag(s):
Lucca
,
Tuscany
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