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• Wenden, Slawen, Vandalen. Eine frühmittelalterliche pseudologische Gleichsetzung und ihre Nachwirkungen

  Author(s):

  Roland Steinacher (see profile)

  Date:

  2004

  Group(s):

  Classical Tradition

  Subject(s):

  Slavic studies

  Item Type:

  Book chapter

  
  

• Wiener Anmerkungen zu ethnischen Bezeichnungen als Kategorien der römischen und europäischen Geschichte

  Author(s):

  Roland Steinacher (see profile)

  Date:

  2010

  Group(s):

  Archaeology, Classical Tradition

  Subject(s):

  Roman Empire, Barbarians

  Item Type:

  Book chapter

  
  

• Rex Vandalorum – The Debates on Wends and Vandals in Swedish Humanism as an Indicator for Early Modern Patterns of Ethnic Perception

  Author(s):

  Stefan Donecker, Roland Steinacher (see profile)

  Date:

  2006

  Group(s):

  Classical Tradition, Early Medieval, Roman archaeology

  Subject(s):

  Scandinavian history

  Item Type:

  Book chapter

  
  

• The So-called Laterculus Regum Vandalorum et Alanorum: A Sixth-century African Addition to Prosper Tiro’s Chronicle?

  Author(s):

  Roland Steinacher (see profile)

  Date:

  2004

  Group(s):

  Ancient Greece & Rome, Classical Tradition, Greek and Roman Intellectual History, Late Antiquity, Roman Frontier Studies

  Subject(s):

  Romance literature, Latin literature, Latin patristics, Roman Empire

  Item Type:

  Book chapter

  
  

• Greek Tragedy, Agonistic Space, and Contemporary Performance

  Author(s):

  Stephe Harrop (see profile)

  Date:

  2018

  Group(s):

  Ancient Greece & Rome, Classical Tradition

  Subject(s):

  Theatre and history, Theatre and politics, Theatre and society, Dramatic literature, Greek and Roman drama, Greek tragedy, Space

  Item Type:

  Article

  Tag(s):

  chorus, agonism

  
  

• Unfixing Epic: Homeric Orality and Contemporary Performance

  Author(s):

  Stephe Harrop (see profile)

  Date:

  2018

  Group(s):

  Ancient Greece & Rome, Classical Tradition, Poetics and Poetry

  Subject(s):

  Classical reception, Theater and film, Performance, Homer, Epic poetry

  Item Type:

  Book chapter

  
  

• Democracy and the Vernacular Imagination in Vico’s Plebian Philology

  Author(s):

  Rebecca Ruth Gould (see profile)

  Date:

  2018

  Group(s):

  Classical Tradition, Historiography, History of Linguistics and Language Study, Legal history, Political Philosophy & Theory

  Subject(s):

  Political theory, Law, Rhetoric, Philosophy, Philology, Politics

  Item Type:

  Article

  Tag(s):

  imagination, democracy, Vico, class struggle

  
  

• “The Poetics from Athens to al-Andalus: Ibn Rushd’s Grounds for Comparison,” Modern Philology 112 (2014): 1-24.

  Author(s):

  Rebecca Ruth Gould (see profile)

  Date:

  2014

  Group(s):

  Classical Tradition, Graeco-Arabic Studies, Literary Translation, Medieval Studies, Poetics and Poetry

  Subject(s):

  Comparative literature, Reading, Translation, Aristotle, Arabic literature

  Item Type:

  Article

  
  

• "A Vessel Divinely Molded": Basil of Caesarea on the Human Body

  Author(s):

  Adam Rasmussen (see profile)

  Date:

  2017

  Group(s):

  Classical Tradition, Late Antiquity, Origen, Theology

  Subject(s):

  Ancient philosophy, Classics, Early Christianity, Late Antiquity, Theology

  Item Type:

  Conference paper

  Tag(s):

  Basil of Caesarea, Origen, Science and Religion

  
  

• Basil of Caesarea’s Uses of Origen in His Polemic against Astrology

  Author(s):

  Adam Rasmussen (see profile)

  Date:

  2015

  Group(s):

  Classical Tradition, Late Antiquity, Origen, Theology

  Subject(s):

  Ancient philosophy, Classics, Early Christianity, Late Antiquity, Theology

  Item Type:

  Article

  Tag(s):

  astrology, Basil of Caesarea, late antique literature, Origen, Science and Religion

  
  

• The Paper Cinema's Odyssey and The Factory, The Odyssey

  Author(s):

  Stephe Harrop (see profile)

  Date:

  2013

  Group(s):

  Ancient Greece & Rome, Classical Tradition

  Subject(s):

  Classical reception, Greek and Latin poetry, Performance, Performance practice, Theater

  Item Type:

  Article

  
  

• Physical Performance and the Languages of Translation

  Author(s):

  Stephe Harrop (see profile)

  Date:

  2010

  Group(s):

  Ancient Greece & Rome, Classical Tradition

  Subject(s):

  Adaptation, Choreography, Classical reception, Greek and Roman drama, Translation

  Item Type:

  Book chapter

  
  

• Poetic Language and Corporeality in Translations of Greek Tragedy

  Author(s):

  Stephe Harrop (see profile) , David Wiles

  Date:

  2008

  Group(s):

  Ancient Greece & Rome, Classical Tradition

  Subject(s):

  Choreography, Classical reception, Dance, Greek and Roman drama, Translation

  Item Type:

  Article

  
  

• Speech, Silence and Epic Performance: Alice Oswald's Memorial

  Author(s):

  Stephe Harrop (see profile)

  Date:

  2013

  Group(s):

  Ancient Greece & Rome, Classical Tradition

  Subject(s):

  Epic poetry, Greek and Latin poetry, Modern poetry, Performance

  Item Type:

  Article

  
  

• ‘Ercles' Vein’: Heracles as Bottom in Ted Hughes’ Alcestis

  Author(s):

  Stephe Harrop (see profile)

  Date:

  2014

  Group(s):

  Ancient Greece & Rome, Classical Tradition

  Subject(s):

  Adaptation, Classical reception, Greek and Roman drama, Poetry, Shakespeare

  Item Type:

  Article

  
  

• Grounded, Heracles and the Gorgon's Gaze

  Author(s):

  Stephe Harrop (see profile)

  Date:

  2015

  Group(s):

  Ancient Greece & Rome, Classical Tradition, Performance Studies

  Subject(s):

  Classical reception, Greek and Roman drama, Greek mythology, Playwriting, Theatre and politics

  Item Type:

  Article

  
  

• Three's Company...

  Author(s):

  Raymond CORMIER (see profile)

  Date:

  2017

  Group(s):

  Classical Tradition

  Subject(s):

  11th to 14th century

  Item Type:

  Article

  Tag(s):

  Aeneid

  
  

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