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• “The Performer’s Experience: Positional Listening and Positional Analysis,” in G. Borio, G. Gioriani, A. Cecchi, and M. Lutzu, eds. Investigating Music Performance: Theoretical Models and Intersections (Routledge, 2020), 56-68.

  Author(s):

  John Covach (see profile)

  Date:

  2020

  Group(s):

  American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Popular Music Studies, Music theory, Music history

  Item Type:

  Book chapter

  
  

• "Popular Music in the Theory Classroom," in The Routledge Companion to Music Theory Pedagogy, edited by Leigh VanHandel (Routledge, 2020), pp. 331-339.

  Author(s):

  John Covach (see profile)

  Date:

  2020

  Group(s):

  American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Popular Music Studies, Music theory, Music history

  Item Type:

  Book chapter

  
  

• “Jimmy Miller, the Rolling Stones, and Beggars Banquet,” in “They Call My Name Disturbance”: Beggars Banquet and the Rolling Stones’ Rock and Roll Revolution, edited by Russell Reising (Routledge, 2020), pp. 19-25.

  Author(s):

  John Covach (see profile)

  Date:

  2020

  Group(s):

  American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Popular Music Studies, Music history, Music theory

  Item Type:

  Book chapter

  
  

• The Balliette Concert Family Band - brass minstrels of Pennsylvania

  Author(s):

  Gavin Holman (see profile)

  Date:

  2020

  Group(s):

  American Musicological Society

  Subject(s):

  Brass Instruments

  Item Type:

  Article

  Tag(s):

  Family bands

  
  

• Listening to the Old City: Street Cries and Urbanization in Paris, ca. 1860

  Author(s):

  Jack Blaszkiewicz (see profile)

  Date:

  2020

  Group(s):

  American Musicological Society

  Subject(s):

  Musicology, French, Music and Society, French music, Urban history

  Item Type:

  Article

  Tag(s):

  Second Empire, nineteenth-century music

  
  

• Rare Gems by the Pioneers of the Concert Spiritual (Pt. 2)

  Author(s):

  Randye Jones (see profile)

  Date:

  2020

  Group(s):

  Afrocentric Sounds, American Musicological Society, Music and Sound, Music Library Association

  Subject(s):

  African American culture, Music performance

  Item Type:

  Documentary

  Tag(s):

  Negro spirituals, concert spirituals

  
  

• Rare Gems by the Pioneers of the Concert Spiritual (Pt. 1)

  Author(s):

  Randye Jones (see profile)

  Date:

  2020

  Group(s):

  Afrocentric Sounds, American Musicological Society, Music and Sound, Music Library Association

  Subject(s):

  African American cultural studies, Music performance, Voice

  Item Type:

  Documentary

  Tag(s):

  Negro spirituals, concert spirituals

  
  

• Enacting Musical Time: Chapter 1: Meaning

  Author(s):

  Mariusz Kozak (see profile)

  Date:

  2019

  Group(s):

  American Musicological Society, SMT Dance and Movement Interest Group, Society for Music Theory (SMT)

  Subject(s):

  Music theory, Music analysis, Phenomenology, Philosophy of time, Ecological humanities

  Item Type:

  Book chapter

  Tag(s):

  affordances, Edmund Husserl, Merleau-Pony

  
  

• Annotated Bibliography of African American Carillon Music

  Author(s):

  Tiffany Ng (see profile)

  Date:

  2019

  Group(s):

  American Musicological Society, Music and Sound, Open Music

  Subject(s):

  Campanology, African American cultural studies, Diversity studies, Musicology, Music performance, Classical music

  Item Type:

  Bibliography

  Tag(s):

  racial equity, Negro spirituals, gospel music, ragtime

  
  

• International Bibliography of Carillon Music by Women, Transgender, and Nonbinary Composers

  Author(s):

  Emmet Lewis, Tiffany Ng (see profile)

  Date:

  2020

  Group(s):

  American Musicological Society, Music and Sound, Open Music

  Subject(s):

  Campanology, Music composition, 20th-century music, Western classical music, Women's history, Women writers

  Item Type:

  Bibliography

  Tag(s):

  women and gender, women composers, gender equality, gender equity

  
  

• Két variáció a Don Giovanni-mítoszra: Faustizálás vs. érzéki zsenialitás. Hoffmann és Kierkegaard Mozart-értelmezései

  Author(s):

  Miklos Mezosi (see profile)

  Date:

  2019

  Group(s):

  American Musicological Society, Ethnomusicology, International Musicological Society (IMS)

  Subject(s):

  Comparative cultural studies, History of opera, Opera staging

  Item Type:

  Book chapter

  Tag(s):

  Opera semiotics, E. Th. A. Hoffmann, S. Kierkegaard, W. A. M. Mozart, Literature and opera

  
  

• "How to Talk about Opera at a Time of Crisis"

  Author(s):

  Samuel Dorf (see profile)

  Date:

  2020

  Group(s):

  American Musicological Society

  Subject(s):

  Public humanities, Opera, Trauma

  Item Type:

  Article

  
  

• Appendix 6 - African American Art Song Resource List

  Author(s):

  Caroline Helton, Emery Stephens (see profile)

  Date:

  2020

  Group(s):

  American Musicological Society, Ethnomusicology, Music Library Association

  Subject(s):

  African American culture, Harlem Renaissance, Music composition, Music libraries, Musicology, Music performance

  Item Type:

  Online publication

  Tag(s):

  African American music, Black poetry, Music bibliographies, Music composers

  
  

• Popular Music and the Growth of Brazilian Culture Industries since 1945

  Author(s):

  K. E. Goldschmitt (see profile) , Eduardo Vicente

  Date:

  2020

  Group(s):

  American Musicological Society, Ethnomusicology, Music and Sound

  Subject(s):

  Brazilian cultural studies, Music industry studies

  Item Type:

  Other

  Tag(s):

  bossa nova, Brega, incentive laws, independent recording industry, media convergence

  
  

• De fundamento discanti: Structure and Elaboration in Fourteenth-Century Counterpoint

  Author(s):

  Ryan Taycher (see profile)

  Date:

  2019

  Group(s):

  American Musicological Society, Medieval Studies, Society for Music Theory (SMT)

  Subject(s):

  Medieval music, Music theory, Music analysis, Music history

  Item Type:

  Dissertation

  Tag(s):

  History of Music Theory, Counterpoint, Ars nova

  
  

• Recorded Concert Spirituals: A Guide for the Solo Vocalist

  Author(s):

  Randye Jones (see profile)

  Date:

  2020

  Group(s):

  American Musicological Society, Music and Sound, Music Library Association

  Subject(s):

  African American, Music, Voice and opera, Sacred music

  Item Type:

  Book

  Tag(s):

  Negro spirituals

  
  

• Postcolonial Affect: Ambiguous Relationality in Robert Casteels's L’(autre) fille aux cheveux de Bali

  Author(s):

  Gavin Lee (see profile)

  Date:

  2015

  Group(s):

  American Musicological Society, Global Musical Modernisms, SMT Analysis of World Music Interest Group, Society for Music Theory (SMT)

  Item Type:

  Article

  
  

• Postcolonial Bifurcation: On John Sharpley's Emptiness

  Author(s):

  Gavin Lee (see profile)

  Date:

  2019

  Group(s):

  American Musicological Society, Global Musical Modernisms, SMT Analysis of World Music Interest Group, Society for Music Theory (SMT)

  Item Type:

  Article

  
  

• "The Schönberg Analytical Legacy: Rudolph Reti and Thematic Transformation," Journal of the Arnold Schönberg Center 16 (2019): 99-111.

  Author(s):

  John Covach (see profile)

  Date:

  2019

  Group(s):

  American Musicological Society, Society for Music Theory (SMT)

  Subject(s):

  Music analysis, Historical musicology, Music history

  Item Type:

  Article

  
  

• Timbre, Genre, and Polystylism in Sonic the Hedgehog 3

  Author(s):

  Megan Lavengood (see profile)

  Date:

  2019

  Group(s):

  American Musicological Society, Game Studies, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Video games, Music theory, Popular Music Studies, Musicology, Ludomusicology

  Item Type:

  Book chapter

  Tag(s):

  sega, synthesizers, sound chips, new wave, michael jackson

  
  

• Review essay: “Dahlhaus, Schoenberg, and the New Music,” In Theory Only 12 (1991): 19 42.

  Author(s):

  John Covach (see profile)

  Date:

  1991

  Group(s):

  American Musicological Society, Society for Music Theory (SMT)

  Subject(s):

  Aesthetics, Music history, Musicology, Music theory, Philosophy and the arts

  Item Type:

  Book review

  
  

• Review of Edward Lippman, A History of Western Musical Aesthetics and John Rahn, ed., Perspectives on Musical Aesthetics, Music Theory Spectrum 17/2 (1995): 275-82.

  Author(s):

  John Covach (see profile)

  Date:

  1995

  Group(s):

  American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Aesthetics, Music history, Musicology, Music theory, Philosophy and the arts

  Item Type:

  Book review

  
  

• Review of Alastair Borthwick, Music Theory and Analysis: The Limitations of Logic, MLA Notes (June 1996): 1192-94.

  Author(s):

  John Covach (see profile)

  Date:

  1996

  Group(s):

  American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Music analysis, Musicology, Music theory, Philosophy and the arts

  Item Type:

  Book review

  
  

• Review of Allen Forte, The American Popular Ballad of the Golden Era, 1924-1950, College Music Symposium 36 (1996): 168-72.

  Author(s):

  John Covach (see profile)

  Date:

  1996

  Group(s):

  American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Music analysis, Music history, Musicology, Music theory, Popular Music Studies

  Item Type:

  Review

  
  

• Triple review of Edward Macan, Rockin’ the Classics: Progressive Rock and the Counterculture; Paul Stump, The Music’s All That Matters: A History of Progressive Rock; and Bill Martin, Listening to the Future: The Time of Progressive Rock, 1968-78, MLA Notes (September 1998).

  Author(s):

  John Covach (see profile)

  Date:

  1998

  Group(s):

  American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Music history, Musicology, Popular Music Studies

  Item Type:

  Review

  
  

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