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• 'Aspects of British Experimental Music as a Separate Art-Music Culture'

  Author(s):

  Virginia Anderson (see profile)

  Date:

  2004

  Group(s):

  American Musicological Society, Music and Sound

  Subject(s):

  20th-century music, Aesthetics

  Item Type:

  Thesis

  
  

• Inscring medieval pedagogy: musica ficta in its texts

  Author(s):

  Clóvis de André (see profile)

  Date:

  2005

  Group(s):

  American Musicological Society, Society for Music Theory

  Item Type:

  Dissertation

  
  

• Mending Bells and Closing Belfries with Faust

  Author(s):

  Chris Chafe, John Granzow, Romain Michon, Tiffany Ng (see profile)

  Date:

  2019

  Group(s):

  American Musicological Society, Music and Sound, Open Music

  Subject(s):

  Campanology, Music composition, Music technology, Russian musical history, Research computing

  Item Type:

  Conference proceeding

  
  

• Teresa Carreño: Cien años más tarde | Teresa Carreño: One Hundred Years Later

  Author(s):

  Jesús Eloy Gutiérrez, Hermann Hudde, Anna Kijas (see profile) , David Coifman Michailos, Selene Quiroga, Clara Rodríguez, Juan Francisco Sans

  Date:

  2019

  Group(s):

  American Musicological Society, Music Library Association

  Subject(s):

  Latin American music, Venezuela, Musicology, Performance

  Item Type:

  Article

  Tag(s):

  nineteenth-century music, women composers, interviews

  
  

• Phantoms of the Archives slides

  Author(s):

  Kendra Leonard (see profile)

  Date:

  2019

  Group(s):

  American Musicological Society, Film Studies

  Subject(s):

  Musicology, Film history, Film music

  Item Type:

  Presentation

  
  

• Phantoms of the Archives: Music for the Early Cinematic Supernatural and Other Tales

  Author(s):

  Kendra Leonard (see profile)

  Date:

  2019

  Group(s):

  American Musicological Society, Film Studies

  Subject(s):

  Musicology, Film history, Film music

  Item Type:

  Presentation

  
  

• review: Composer Diversity Database, https://composerdiversity.com Music Theory Examples by Women, https://musictheoryexamplesbywomen.com

  Author(s):

  Kendra Leonard (see profile)

  Date:

  2019

  Group(s):

  American Musicological Society, Society for Music Theory

  Subject(s):

  Musicology, Music theory

  Item Type:

  Review

  
  

• Laura Rossi’s War Musics

  Author(s):

  Kendra Leonard (see profile)

  Date:

  2019

  Group(s):

  American Musicological Society, Film Studies, Society for Music Theory

  Subject(s):

  Musicology, Cultural musicology, Film music

  Item Type:

  Book chapter

  
  

• A Complete Catalog of the Musical Themes of Star Wars (Updated & Revised Feb 2019)

  Author(s):

  Frank Lehman (see profile)

  Date:

  2019

  Group(s):

  American Musicological Society

  Subject(s):

  Music, Film music, Music theory, Film

  Item Type:

  Catalog

  Tag(s):

  Music Cataloging, Music cataloguing

  
  

• Re-envisioning Information Literacy: Critical Information Literacy, Disciplinary Discourses, and Music History

  Author(s):

  Erin Conor (see profile)

  Date:

  2019

  Group(s):

  American Musicological Society, Library & Information Science, Music Library Association

  Subject(s):

  Information literacy, Music history

  Item Type:

  Article

  Tag(s):

  critical information literacy, critlib

  
  

• Catalog of the Municipal Carillon Museum of Mechelen, Belgium

  Author(s):

  Tiffany Ng (see profile)

  Date:

  2005

  Group(s):

  American Musicological Society

  Subject(s):

  Campanology, Early Modern Netherlands, Ethnomusicology, Museums, Musicology, Numismatics, Organology

  Item Type:

  Catalog

  Tag(s):

  bells, bronze, carillon

  
  

• The Conservatoire Américain: a History

  Author(s):

  Kendra Leonard (see profile)

  Date:

  2007

  Group(s):

  American Musicological Society, Music Library Association, Society for Music Theory

  Subject(s):

  Musicology, 20th-century American music, Music theory

  Item Type:

  Book

  
  

• “What does the data tell us?: Representation, Canon, and Music Encoding”

  Author(s):

  Anna Kijas (see profile)

  Date:

  2019

  Group(s):

  American Musicological Society, Digital Humanists, Music Library Association, Open Music

  Subject(s):

  Performance, Digital musicology, History of archives, Open data, Digital humanities

  Item Type:

  Conference paper

  Tag(s):

  women composers, canon, Music encoding, Diversity

  
  

• How Santa Claus Became a Slave Driver: The Work of Print Culture in a Nineteenth-Century Musical Controversy

  Author(s):

  Douglas Shadle (see profile)

  Date:

  2014

  Group(s):

  American Musicological Society

  Subject(s):

  19th-century American music, 19th-century music, Abolition, Musicology, Print culture

  Item Type:

  Article

  Tag(s):

  Eduard Hanslick, Music Aesthetics, Richard Storrs Willis, Santa Claus, William Henry Fry

  
  

• Dante, Liszt, and the Alienated Agony of Hell

  Author(s):

  Tekla Babyak (see profile)

  Date:

  2018

  Group(s):

  American Musicological Society, Music and Sound, Religious Studies

  Subject(s):

  19th-century music, Dante, Medieval Italian literature, Musicology, Romanticism, Sacred music, Theology and the arts

  Item Type:

  Article

  Tag(s):

  Liszt, Program music, Symphony

  
  

• Review: Recomposing the Past: Representations of Early Music on Stage and Screen

  Author(s):

  Kendra Leonard (see profile)

  Date:

  2018

  Group(s):

  American Musicological Society, MS Opera and Musical Performance, MS Screen Arts and Culture, Music Library Association, Society for Music Theory

  Subject(s):

  Musicology, Film music, Music theory

  Item Type:

  Review

  
  

• Hamilton's Ghosts

  Author(s):

  pmgentry (see profile)

  Date:

  2017

  Group(s):

  American Musicological Society, Performance Studies

  Subject(s):

  Music, Musical theatre, Historiography

  Item Type:

  Article

  
  

• Data Generation and Multi-Modal Analysis for Recorded Operatic Performance

  Author(s):

  Joshua Neumann (see profile)

  Date:

  2016

  Group(s):

  American Musicological Society, Digital Humanists, Digital Pedagogy, Performance Studies

  Subject(s):

  Archival studies, Data visualization, Digital archives

  Item Type:

  Conference proceeding

  Tag(s):

  Audio analysis, Data generation

  
  

• Phenomena, Poiēsis, and Performance Profiling: Temporal-Textual Emphasis and Creative Process Analysis in Turandot at the Metropolitan Opera

  Author(s):

  Joshua Neumann (see profile)

  Date:

  2018

  Group(s):

  American Musicological Society, Digital Humanists, Digital Pedagogy, Performance Studies

  Subject(s):

  Data visualization, History and philosophy of science and technology, Opera, Performance practice

  Item Type:

  Article

  Tag(s):

  Creative process, Data analysis

  
  

• Prices of Music at Breitkopf & Härtel: Publication Lists from the Intelligenz-blatt zur Allgemeine musikalische Zeitung

  Author(s):

  Derek R. Strykowski (see profile)

  Date:

  2018

  Group(s):

  American Musicological Society, Digital Humanists, History

  Subject(s):

  History, Music, Music history, Musicology, Music publishing

  Item Type:

  Data set

  Tag(s):

  Allgemeine musikalische Zeitung, Breitkopf & Härtel, Music printing, newspapers, nineteenth century

  
  

• Cue Sheets, Musical Suggestions, and Performance Practices for Hollywood Films, 1908–1927

  Author(s):

  Kendra Leonard (see profile)

  Date:

  2018

  Group(s):

  American Musicological Society, Film Studies, Music Library Association, Society for Music Theory

  Subject(s):

  Musicology, Film history, Film music

  Item Type:

  Book chapter

  Tag(s):

  silent film

  
  

• Performing Spiritualism in the Silent Cinema

  Author(s):

  Kendra Leonard (see profile)

  Date:

  2018

  Group(s):

  American Musicological Society, Film Studies, MS Screen Arts and Culture, Music Library Association

  Subject(s):

  Musicology, Film music, Film history, Music, Religion

  Item Type:

  Article

  
  

• When #TimesUp for Musical Gods: The James Levine Scandal

  Author(s):

  Linda Shaver-Gleason (see profile)

  Date:

  2018

  Group(s):

  American Musicological Society

  Subject(s):

  Musicology, Reception studies, Classical music, Western classical music, Internet culture

  Item Type:

  Conference paper

  Tag(s):

  James Levine, sexual assault, #MeToo, #TimesUp, Post-Truth

  
  

• Review: Diana Burrell, Heron: For Cello and Piano (1988); Barbara Heller, Lalai: Schlaflied zum Wachwerden? für Violoncello und Klavier (1989); Tania León, Four Pieces for Violoncello (1981); Augusta Read Thomas, Spring Song for Solo Cello (1995)

  Author(s):

  Kendra Leonard (see profile)

  Date:

  2001

  Group(s):

  American Musicological Society

  Subject(s):

  Music

  Item Type:

  Book review

  
  

• Review: Gilbert Amy, Memoire pour violoncelle et piano d’après Shin’anim sha’ananim (1979-1989); Georges Aperghis, Sonate pour violoncelle seul (1994); Nicolas Bacri, Suite no. 1 “Preludio e Metamorfosi,”, pour violoncelle seul, opus 31 no. 1 (1987-94); Jacques Castérède, Sonate pour violoncelle et piano (1996); Alexander Comitas, Yiddish Suite pour violoncelle et piano, opus 17 (1995); Thierry Escaich, Nocturne pour violoncelle et piano (1997); Renaud Gagneux, Trois bagatelles pour violoncelle seul, opus 49 (1997); Ingrid Guymer, Seven Sketches pour violoncelle seul (1989) and Chainmail pour violoncelle solo (1995); Georges Migot, Sonate et Rhapsodie pour violoncelle seul; Serge Nigg, Duo élégiaque pour violoncelle et piano; Ton-That Tiêt, Xuân Vũ pour violoncelle et piano; Jean-Jacques Werner, Clair-obscur pour violoncelle et harpe (1996)

  Author(s):

  Kendra Leonard (see profile)

  Date:

  2002

  Group(s):

  American Musicological Society

  Subject(s):

  Music

  Item Type:

  Book review

  
  

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