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• Pacifism as Ideological Complicity in The Big Lebowski

  Author(s):

  Todd Comer (see profile)

  Date:

  2007

  Group(s):

  Film Studies

  Subject(s):

  Motion pictures, Culture--Study and teaching, War, Myth, Narration (Rhetoric)

  Item Type:

  Article

  Tag(s):

  The Big Lebowski, pacificism, Film, Cultural studies, War and conflict, Narrative

  
  

• Studies in the Humanities (entire issue focus on the intersectionality of disability and ecology)

  Editor(s):

  Todd Comer (see profile) , Christine Junker

  Date:

  2020

  Group(s):

  Critical Disability Studies, Medical Humanities, World-Ecology Research Network

  Subject(s):

  Disability studies, Ecocriticism, Critical theory

  Item Type:

  Article

  Tag(s):

  literary ecology, cultural ecology, Disabiltiy in global context, Critical disability studies, Ecological humanities

  
  

• An Introduction: Disability Studies and Ecocriticism

  Author(s):

  Todd Comer (see profile) , Christine Junker

  Date:

  2020

  Group(s):

  Critical Disability Studies, Medical Humanities, World-Ecology Research Network

  Subject(s):

  Disability studies, Critical theory, Ecocriticism, Disabilities, Ontology

  Item Type:

  Article

  Tag(s):

  ecologies, Critical disability studies, Place-based ecocriticism, Disability

  
  

• Family, Nature, Autonomy: The Truman Show

  Author(s):

  Todd Comer (see profile)

  Date:

  2017

  Group(s):

  Film Studies

  Subject(s):

  Economics and literature

  Item Type:

  Essay

  Tag(s):

  capitalism, neoliberalism, australian film, Literature and economics

  
  

• “’Space is the Place”: The Politics of Birth in Minority Report”

  Author(s):

  Todd Comer (see profile)

  Date:

  2017

  Group(s):

  Film Studies, Speculative and Science Fiction

  Subject(s):

  Action and adventure films, Motion pictures--Social aspects

  Item Type:

  Conference paper

  Tag(s):

  birth, hermeneutics, Post traumatic stress disorder, science fiction, Spielberg, Film and society

  
  

• “Dilating Fixity: Pacific Rim, and the Erasure of Birth”

  Author(s):

  Todd Comer (see profile)

  Date:

  2017

  Group(s):

  Film Studies, Horror, Speculative and Science Fiction

  Subject(s):

  Motion pictures--Social aspects, Speculative fiction

  Item Type:

  Conference paper

  Tag(s):

  del toro, godzilla, birth, Film and society

  
  

• “The Indigestibility of the World; or, Birthing the Posthuman in Spielberg’s A.I.”

  Author(s):

  Todd Comer (see profile)

  Date:

  2013

  Subject(s):

  Motion pictures--Social aspects, Horror films, Postmodernism

  Item Type:

  Book chapter

  Tag(s):

  20th century film, posthumanism, Spielberg, Film and society

  
  

• “Terrence Malick's Tree of Life: Grace and the General Economy”

  Author(s):

  Todd Comer (see profile)

  Date:

  2017

  Subject(s):

  Christianity, Economics, Motion pictures--Political aspects

  Item Type:

  Conference paper

  Tag(s):

  Derrida, Malick, Terrence, grace, Film and politics

  
  

• The Hidden Architecture of Disability: Chris Ware's Building Stories

  Author(s):

  Todd Comer (see profile)

  Date:

  2016

  Subject(s):

  Comic books, strips, etc., Disabilities, Disability studies, Graphic novels

  Item Type:

  Book chapter

  Tag(s):

  Chris Ware, Building Stories, Comics, Disability

  
  

• THE DISABLED HERO: BEING AND ETHICS IN PETER JACKSON’S THE LORD OF THE RINGS

  Author(s):

  Todd Comer (see profile)

  Date:

  2016

  Subject(s):

  Disabilities, Disability studies, Motion pictures--Social aspects, Speculative fiction

  Item Type:

  Article

  Tag(s):

  Peter Jackson, Disability, Wound, Adaptation, Film and society

  
  

• “Who needs family? I’ve got the whole world on my shoulders:” How the Doctor’s Non-Domesticity Interrupts History

  Author(s):

  Todd Comer (see profile)

  Date:

  2010

  Group(s):

  Speculative and Science Fiction

  Subject(s):

  Speculative fiction, Television

  Item Type:

  Book chapter

  Tag(s):

  doctor who, domesticity, Imperialism, Ontology, Television Studies

  
  

• Playing at Birth: Samuel R. Delany’s Dhalgren

  Author(s):

  Todd Comer (see profile)

  Date:

  2005

  Subject(s):

  Postmodernism

  Item Type:

  Article

  Tag(s):

  science fiction, Samuel R. Delany

  
  

• “Body Politics: Unearthing an Embodied Ethics in V for Vendetta”

  Author(s):

  Todd Comer (see profile)

  Date:

  2017

  Group(s):

  Comics Scholarship/Comics Studies

  Subject(s):

  Comic books, strips, etc., Graphic novels

  Item Type:

  Article

  Tag(s):

  Alan moore, embodiment, Comics

  
  

• "This aggression will not stand": Myth, War, and Ethics in The Big Lebowski

  Author(s):

  Todd Comer (see profile)

  Date:

  2005

  Group(s):

  Film Studies

  Subject(s):

  Motion pictures--Political aspects

  Item Type:

  Article

  Tag(s):

  Joel and Ethan Coen, Film and politics

  
  

• Birth as Ethical Sublime in Joel and Ethan Coen's Fargo

  Author(s):

  Todd Comer (see profile)

  Date:

  2017

  Group(s):

  Film Studies

  Subject(s):

  Film criticism

  Item Type:

  Conference paper

  Tag(s):

  Joel and Ethan Coen, Sublime

  
  

• A Mortal Agency: Flann O'Brien's At Swim-Two-Birds

  Author(s):

  Todd Comer (see profile)

  Date:

  2017

  Group(s):

  Irish Literature and Culture

  Subject(s):

  Irish literature

  Item Type:

  Article

  Tag(s):

  Flann O'Brien, Irish Literature, postmodernism

  
  

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