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• Gertrude/Ophelia: Feminist Intermediality, Ekphrasis, and Tenderness in _Hamlet_

  Author(s):

  Sujata Iyengar (see profile)

  Date:

  2017

  Group(s):

  CLCS Renaissance and Early Modern, LLC Shakespeare

  Subject(s):

  Shakespeare, Shakespeare in adaptation, Feminist art history, Textual editing, Art history

  Item Type:

  Book chapter

  
  

• Why Ganymede Faints and the Duke of York Weeps: Passion Plays in Shakespeare

  Author(s):

  Sujata Iyengar (see profile)

  Date:

  2017

  Subject(s):

  Shakespeare, Philosophy of emotion, History of medicine, Book history

  Item Type:

  Article

  Tag(s):

  Gender studies, blood, menstruation, Theatre history

  
  

• Intermediating the Book Beautiful: Shakespeare at the Doves Press

  Author(s):

  Sujata Iyengar (see profile)

  Date:

  2016

  Subject(s):

  Shakespeare, Artist's books, Fine arts, Printing, Book history

  Item Type:

  Article

  Tag(s):

  Appropriation, adaptation, typography, cognition, reading

  
  

• Copyright, Copyleft, and Shakespeare After Shakespeare

  Author(s):

  Sujata Iyengar (see profile)

  Date:

  2017

  Subject(s):

  Shakespeare, Creativity, Law, Art criticism, Adaptation

  Item Type:

  Article

  Tag(s):

  Global Shakespeare, Copyright, creative commons, Appropriation, fandom

  
  

• Beds, Handkerchiefs, and Moving Objects in Othello

  Author(s):

  Sujata Iyengar (see profile)

  Date:

  2017

  Subject(s):

  Shakespeare, Adaptation, Film, New materialism

  Item Type:

  Article

  
  

• Shades of Difference (extracts)

  Author(s):

  Sujata Iyengar (see profile)

  Date:

  2017

  Item Type:

  Book section

  
  

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