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• Bevezetés a vamzerológia fundamentál-ontológiai megalapozásához (Introduction into the Fundamental-ontological Foundations of Wamserology)

  Author(s):

  Miklos Mezosi (see profile)

  Date:

  2020

  Subject(s):

  Ethics, Dostoyevsky, Fyodor, 1821-1881

  Item Type:

  Podcast

  Tag(s):

  Semi-satire, moral standing, Dostoevsky

  
  

• L'esprit d'escalier és „az igazságra való törekvés s a hamisításban való gyönyör”. Megjegyzések Füst Milán kvázi-platonikus látomásához és indulatához

  Author(s):

  Miklos Mezosi (see profile)

  Date:

  2009

  Group(s):

  Literary theory

  Subject(s):

  Comparative literature, Plato

  Item Type:

  Conference paper

  Tag(s):

  Milán Füst, Frigyes Karinthy, Nietzsche, literary parody

  
  

• Két új Szapphó-vers első magyar fordítása

  Author(s):

  Miklos Mezosi (see profile)

  Date:

  2020

  Group(s):

  Ancient Greece & Rome, Classical Tradition, Poetics and Poetry

  Subject(s):

  Poetry, Ancient, Greek poetry, Manuscripts (Papyri), Lyric poetry

  Item Type:

  Article

  Tag(s):

  Sappho, Sapphic strophe, The Brothers poem, Kypris Poem, Ancient Greek poetry, Papyrology, Greek lyric

  
  

• The inserted narratives in Boris Godunov

  Author(s):

  Miklos Mezosi (see profile)

  Date:

  1997

  Group(s):

  Literary theory

  Subject(s):

  Russian literature, Nineteenth century, Theater

  Item Type:

  Article

  Tag(s):

  Alexander Pushkin, Modest Musorgsky, Boris Godunov, romantic tragedy, 19th-century Russian literature, Dramatic genre, Literary criticism

  
  

• „...szörnyü elbeszélni mi van ottan..." vagy "...per verba nincs mód, nyelv hogy elbeszélje”? A „perszonifikáció intertextuális lebeg(tet)ése”: Dante Commediá-ja és Petőfi János vitéze

  Author(s):

  Miklos Mezosi (see profile)

  Date:

  2010

  Group(s):

  Classical Tradition, Greek and Roman Intellectual History, Literary theory

  Subject(s):

  Comparative literature, Dante Alighieri, 1265-1321, Travel writing

  Item Type:

  Conference proceeding

  Tag(s):

  Adventure, John the Valiant, Divina Commedia, Inferno, The Rose, Dante, Vergil, Travel literature

  
  

• Két variáció a Don Giovanni-mítoszra. Faustizálás versus(?) érzéki zsenialitás: Hoffmann és Kierkegaard Mozart-értelmezései

  Author(s):

  Miklos Mezosi (see profile)

  Date:

  2019

  Group(s):

  American Musicological Society, International Musicological Society (IMS)

  Subject(s):

  Comparative literature, Eighteenth century, Nineteenth century

  Item Type:

  Conference proceeding

  Tag(s):

  Literature and music, E. T. A. Hoffmann, W. A. Mozart, Don Giovanni/Don Juan, Comparative 18th-century and 19th-century literature

  
  

• Как сделан Подъячий Мусоргского? An Opera Emerging from Gogol's Sleeve—“Musical Synecdoche” in the making

  Author(s):

  Miklos Mezosi (see profile)

  Date:

  2009

  Group(s):

  American Musicological Society, International Musicological Society (IMS), Literary theory

  Subject(s):

  Russian literature, Nineteenth century, Russia (Federation), Music, History, Opera, Metaphor, Poetics

  Item Type:

  Article

  Tag(s):

  Opera semiotics, synecdoche, Gogolian mask, 19th-century Russian literature, Russian musical history

  
  

• A hidalgó szédelgése a szökökútnál – Megváltás vagy kárhozat? Beavatás és sebezhetetlenség: a szakrális, a profán és a deszakralizáció hármasútján

  Author(s):

  Miklos Mezosi (see profile)

  Date:

  2005

  Group(s):

  Literary theory

  Subject(s):

  Russian literature, Nineteenth century, Theater, Literary form, Literary theory

  Item Type:

  Article

  Tag(s):

  Alexander Pushkin, Historical tragedy, 19th-century Russian literature, Dramatic genre, Genre theory

  
  

• How was Musorgsky's Scribe Made? An Opera Emerging from Gogol's Sleeve – Musical Synecdoche in the Making

  Author(s):

  Miklos Mezosi (see profile)

  Date:

  2009

  Group(s):

  American Musicological Society, International Musicological Society (IMS), Literary theory

  Subject(s):

  Russian literature, Nineteenth century, Opera, Russia (Federation), Music, History, Comparative literature

  Item Type:

  Article

  Tag(s):

  Gogol, Musorgsky, Mandelstam, Dante Alighieri, Opera semiotics, 19th-century Russian literature, Russian musical history

  
  

• Sally Dalton-Brown, Pushkin's Evgenii Onegin (Bristol: Bristol Classical Press, 1997)

  Author(s):

  Miklos Mezosi (see profile)

  Date:

  2000

  Group(s):

  Literary theory, Narrative theory and Narratology, Poetics and Poetry

  Subject(s):

  Russian literature, Nineteenth century

  Item Type:

  Book review

  Tag(s):

  Alexander Pushkin, Evgenii Onegin, 19th-century Russian literature

  
  

• Kiútkeresés az érdek nélküli tetszés zsákutcájából Kalandozások a művészetterápia forrásvidékein – Dosztojevszkij, Mozart és az interperszonalitás / In Search for a Loophole from the Deadlock of Disinterested Pleasure.Wandering about in the Region of Sources of Art Therapy – Dostoevsky, Mozart and Interpersonality

  Author(s):

  Miklos Mezosi (see profile)

  Date:

  2011

  Group(s):

  Literary theory, Scholarly Communication

  Subject(s):

  Psychology and literature, Bakhtin, M. M. (Mikhail Mikhaĭlovich), 1895-1975, Dostoyevsky, Fyodor, 1821-1881

  Item Type:

  Article

  Tag(s):

  Carl Gustav Jung, W. A. Mozart, Bibliotherapy, Literature and psychology, Mikhail Bakhtin, Dostoevsky

  
  

• A vihar mint a filológia szolgálóleánya. Vörösmarty: A vén cigány és a Lear király / Thunderstorm as Ancilla Philologiae: Vörösmarty's The Old Gipsy and King Lear

  Author(s):

  Miklos Mezosi (see profile)

  Date:

  2020

  Subject(s):

  Hungarian literature, Shakespeare, William, 1564-1616, Comparative literature

  Item Type:

  Conference paper

  Tag(s):

  W. A. Mozart, Vörösmarty, 19th century Hungarian poetry, Hungarian/Magyar literature, Shakespeare

  
  

• Két variáció a Don Giovanni-mítoszra Faustizálás versus(?) érzéki zsenialitás: Hoffmann és Kierkegaard Mozart- értelmezései

  Author(s):

  Miklos Mezosi (see profile)

  Date:

  2019

  Group(s):

  American Musicological Society, International Musicological Society (IMS)

  Subject(s):

  Comparative literature, Eighteenth century, Nineteenth century

  Item Type:

  Conference proceeding

  Tag(s):

  Literature and music, W. A. Mozart, E. T. A. Hoffmann, Comparative 18th-century and 19th-century literature

  
  

• Komparálva és behálózva – mítosz, szóbeszéd, pletyka / Comparative Literature Linked - Myth, Rumor, Gossip

  Author(s):

  Miklos Mezosi (see profile)

  Date:

  2019

  Subject(s):

  Comparative literature--Study and teaching, Comparative literature

  Item Type:

  Conference paper

  Tag(s):

  network theory, Comparative literary studies

  
  

• A dráma válsága – vagy drámaiatlan-e a történelmi játék? [The Crisis of Drama - or is a Historical Play Undramatic?]

  Author(s):

  Miklos Mezosi (see profile)

  Date:

  2006

  Group(s):

  Literary theory

  Subject(s):

  Theater, Russian literature, Nineteenth century

  Item Type:

  Article

  Tag(s):

  Russian drama, Theory of genres, Dramatic genre, 19th-century Russian literature

  
  

• A „Borisz Godunov-szüzsé”: történet( és )írás Az autoritatív elbeszéléstől a művészi szkepszisig: Karamzin, Puskin és Muszorgszkij feldolgozásai

  Author(s):

  Miklos Mezosi (see profile)

  Date:

  2007

  Group(s):

  Historiography, Literary theory

  Subject(s):

  Russian literature, Nineteenth century, Russia (Federation), Music, History

  Item Type:

  Article

  Tag(s):

  Russian historiography, 19th century Russian drama, 19th century Russian opera, 19th-century Russian literature, Russian musical history

  
  

• Két variáció a Don Giovanni-mítoszra: Faustizálás vs. érzéki zsenialitás. Hoffmann és Kierkegaard Mozart-értelmezései

  Author(s):

  Miklos Mezosi (see profile)

  Date:

  2019

  Group(s):

  American Musicological Society, Ethnomusicology, International Musicological Society (IMS)

  Subject(s):

  Cross-cultural studies, Opera, History, Opera--Stage-setting and scenery

  Item Type:

  Book chapter

  Tag(s):

  Opera semiotics, E. Th. A. Hoffmann, S. Kierkegaard, W. A. M. Mozart, Literature and opera, Comparative cultural studies, History of opera, Opera staging

  
  

• Bevezetés a vamzerológia fundamentál-ontológiai megalapozásához / Introduction into the fundamental-ontological Foundations of Wamserology

  Author(s):

  Miklos Mezosi (see profile)

  Date:

  2020

  Subject(s):

  Satire

  Item Type:

  Sound recording-non musical

  Tag(s):

  podcast, Semi-satire

  
  

• Charting the Phenomenology of Music Rhetoresis and Imagery in Opera (Musorgsky and Mozart)

  Author(s):

  Miklos Mezosi (see profile)

  Date:

  2016

  Subject(s):

  Opera, Semiotics, Cross-cultural studies, Mozart, Wolfgang Amadeus, 1756-1791

  Item Type:

  Book chapter

  Tag(s):

  Opera semiotics, Musorgsky, Gogol, Dante Alighieri, Comparative cultural studies, Mozart

  
  

• History and the Political Ethos Represented on Pushkin's Stage: The Dramatic Poet and the Historian

  Author(s):

  Miklos Mezosi (see profile)

  Date:

  1995

  Subject(s):

  Russian literature, Nineteenth century, Pushkin, Aleksandr Sergeevich, 1799-1837

  Item Type:

  Article

  Tag(s):

  Historical drama, Chronicle play, Aristotelean Poetics, 19th-century Russian literature, Pushkin

  
  

• Charting the Phenomenology of Music [preprint]

  Author(s):

  Miklos Mezosi (see profile)

  Date:

  2016

  Subject(s):

  Poetics, Semiotics, Comparative literature

  Item Type:

  Article

  Tag(s):

  19th century Russian opera, Opera semiotics, Musorgsky, Gogol, Dante Alighieri

  
  

• Aranykor és sex appeal: Mnémosyné leányai

  Author(s):

  Miklos Mezosi (see profile)

  Date:

  2019

  Subject(s):

  Comparative literature, Poetics, Greeks--Social life and customs, Civilization, Greco-Roman

  Item Type:

  Book

  Tag(s):

  Mythopoetics, Greek myth, Hungarian poetry, Opera semiotics, Myth and literature, Classics, Literary criticism, Classical Greek culture

  
  

• Államférfiak családi körben. Muszorgszkij hősei az összeomlás előtt

  Author(s):

  Miklos Mezosi (see profile)

  Date:

  2013

  Subject(s):

  Russia (Federation), Music, History, Opera, Semiotics

  Item Type:

  Book chapter

  Tag(s):

  Musorgsky, Khovanshchina, Boris Godunov, Russian musical history

  
  

• Harag és elfogulatlanság a Borisz Godunovban. Puskin történetírói poétikájához – egy tacitusi reminiszcencia és két hommage

  Author(s):

  Miklos Mezosi (see profile)

  Date:

  2017

  Subject(s):

  Russian literature, Nineteenth century, Poetics, Historiography, Pushkin, Aleksandr Sergeevich, 1799-1837

  Item Type:

  Book chapter

  Tag(s):

  19th century Russian drama, 19th-century Russian literature, Pushkin

  
  

• Puškin’s ‘Virtual Scene. Some Aspects of Puškin’s Historiography. Boris Godunov as the Trivium on the Way to the Polyphonic Novel

  Author(s):

  Miklos Mezosi (see profile)

  Date:

  2003

  Subject(s):

  Russian literature, Nineteenth century, Literary form, Literary theory, Poetics, Pushkin, Aleksandr Sergeevich, 1799-1837

  Item Type:

  Article

  Tag(s):

  Genre poetics, Russian drama, 19th-century Russian literature, Genre theory, Pushkin

  
  

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