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Bevezetés a vamzerológia fundamentál-ontológiai megalapozásához (Introduction into the Fundamental-ontological Foundations of Wamserology)
Author(s):
Miklos Mezosi
(see profile)
Date:
2020
Subject(s):
Ethics
,
Dostoyevsky, Fyodor, 1821-1881
Item Type:
Podcast
Tag(s):
Semi-satire
,
moral standing
,
Dostoevsky
L'esprit d'escalier és „az igazságra való törekvés s a hamisításban való gyönyör”. Megjegyzések Füst Milán kvázi-platonikus látomásához és indulatához
Author(s):
Miklos Mezosi
(see profile)
Date:
2009
Group(s):
Literary theory
Subject(s):
Comparative literature
,
Plato
Item Type:
Conference paper
Tag(s):
Milán Füst
,
Frigyes Karinthy
,
Nietzsche
,
literary parody
Két új Szapphó-vers első magyar fordítása
Author(s):
Miklos Mezosi
(see profile)
Date:
2020
Group(s):
Ancient Greece & Rome
,
Classical Tradition
,
Poetics and Poetry
Subject(s):
Poetry, Ancient
,
Greek poetry
,
Manuscripts (Papyri)
,
Lyric poetry
Item Type:
Article
Tag(s):
Sappho
,
Sapphic strophe
,
The Brothers poem
,
Kypris Poem
,
Ancient Greek poetry
,
Papyrology
,
Greek lyric
The inserted narratives in Boris Godunov
Author(s):
Miklos Mezosi
(see profile)
Date:
1997
Group(s):
Literary theory
Subject(s):
Russian literature
,
Nineteenth century
,
Theater
Item Type:
Article
Tag(s):
Alexander Pushkin
,
Modest Musorgsky
,
Boris Godunov
,
romantic tragedy
,
19th-century Russian literature
,
Dramatic genre
,
Literary criticism
„...szörnyü elbeszélni mi van ottan..." vagy "...per verba nincs mód, nyelv hogy elbeszélje”? A „perszonifikáció intertextuális lebeg(tet)ése”: Dante Commediá-ja és Petőfi János vitéze
Author(s):
Miklos Mezosi
(see profile)
Date:
2010
Group(s):
Classical Tradition
,
Greek and Roman Intellectual History
,
Literary theory
Subject(s):
Comparative literature
,
Dante Alighieri, 1265-1321
,
Travel writing
Item Type:
Conference proceeding
Tag(s):
Adventure
,
John the Valiant
,
Divina Commedia
,
Inferno
,
The Rose
,
Dante
,
Vergil
,
Travel literature
Két variáció a Don Giovanni-mítoszra. Faustizálás versus(?) érzéki zsenialitás: Hoffmann és Kierkegaard Mozart-értelmezései
Author(s):
Miklos Mezosi
(see profile)
Date:
2019
Group(s):
American Musicological Society
,
International Musicological Society (IMS)
Subject(s):
Comparative literature
,
Eighteenth century
,
Nineteenth century
Item Type:
Conference proceeding
Tag(s):
Literature and music
,
E. T. A. Hoffmann
,
W. A. Mozart
,
Don Giovanni/Don Juan
,
Comparative 18th-century and 19th-century literature
Как сделан Подъячий Мусоргского? An Opera Emerging from Gogol's Sleeve—“Musical Synecdoche” in the making
Author(s):
Miklos Mezosi
(see profile)
Date:
2009
Group(s):
American Musicological Society
,
International Musicological Society (IMS)
,
Literary theory
Subject(s):
Russian literature
,
Nineteenth century
,
Russia (Federation)
,
Music
,
History
,
Opera
,
Metaphor
,
Poetics
Item Type:
Article
Tag(s):
Opera semiotics
,
synecdoche
,
Gogolian mask
,
19th-century Russian literature
,
Russian musical history
A hidalgó szédelgése a szökökútnál – Megváltás vagy kárhozat? Beavatás és sebezhetetlenség: a szakrális, a profán és a deszakralizáció hármasútján
Author(s):
Miklos Mezosi
(see profile)
Date:
2005
Group(s):
Literary theory
Subject(s):
Russian literature
,
Nineteenth century
,
Theater
,
Literary form
,
Literary theory
Item Type:
Article
Tag(s):
Alexander Pushkin
,
Historical tragedy
,
19th-century Russian literature
,
Dramatic genre
,
Genre theory
How was Musorgsky's Scribe Made? An Opera Emerging from Gogol's Sleeve – Musical Synecdoche in the Making
Author(s):
Miklos Mezosi
(see profile)
Date:
2009
Group(s):
American Musicological Society
,
International Musicological Society (IMS)
,
Literary theory
Subject(s):
Russian literature
,
Nineteenth century
,
Opera
,
Russia (Federation)
,
Music
,
History
,
Comparative literature
Item Type:
Article
Tag(s):
Gogol
,
Musorgsky
,
Mandelstam
,
Dante Alighieri
,
Opera semiotics
,
19th-century Russian literature
,
Russian musical history
Sally Dalton-Brown, Pushkin's Evgenii Onegin (Bristol: Bristol Classical Press, 1997)
Author(s):
Miklos Mezosi
(see profile)
Date:
2000
Group(s):
Literary theory
,
Narrative theory and Narratology
,
Poetics and Poetry
Subject(s):
Russian literature
,
Nineteenth century
Item Type:
Book review
Tag(s):
Alexander Pushkin
,
Evgenii Onegin
,
19th-century Russian literature
Kiútkeresés az érdek nélküli tetszés zsákutcájából Kalandozások a művészetterápia forrásvidékein – Dosztojevszkij, Mozart és az interperszonalitás / In Search for a Loophole from the Deadlock of Disinterested Pleasure.Wandering about in the Region of Sources of Art Therapy – Dostoevsky, Mozart and Interpersonality
Author(s):
Miklos Mezosi
(see profile)
Date:
2011
Group(s):
Literary theory
,
Scholarly Communication
Subject(s):
Psychology and literature
,
Bakhtin, M. M. (Mikhail Mikhaĭlovich), 1895-1975
,
Dostoyevsky, Fyodor, 1821-1881
Item Type:
Article
Tag(s):
Carl Gustav Jung
,
W. A. Mozart
,
Bibliotherapy
,
Literature and psychology
,
Mikhail Bakhtin
,
Dostoevsky
A vihar mint a filológia szolgálóleánya. Vörösmarty: A vén cigány és a Lear király / Thunderstorm as Ancilla Philologiae: Vörösmarty's The Old Gipsy and King Lear
Author(s):
Miklos Mezosi
(see profile)
Date:
2020
Subject(s):
Hungarian literature
,
Shakespeare, William, 1564-1616
,
Comparative literature
Item Type:
Conference paper
Tag(s):
W. A. Mozart
,
Vörösmarty
,
19th century Hungarian poetry
,
Hungarian/Magyar literature
,
Shakespeare
Két variáció a Don Giovanni-mítoszra Faustizálás versus(?) érzéki zsenialitás: Hoffmann és Kierkegaard Mozart- értelmezései
Author(s):
Miklos Mezosi
(see profile)
Date:
2019
Group(s):
American Musicological Society
,
International Musicological Society (IMS)
Subject(s):
Comparative literature
,
Eighteenth century
,
Nineteenth century
Item Type:
Conference proceeding
Tag(s):
Literature and music
,
W. A. Mozart
,
E. T. A. Hoffmann
,
Comparative 18th-century and 19th-century literature
Komparálva és behálózva – mítosz, szóbeszéd, pletyka / Comparative Literature Linked - Myth, Rumor, Gossip
Author(s):
Miklos Mezosi
(see profile)
Date:
2019
Subject(s):
Comparative literature--Study and teaching
,
Comparative literature
Item Type:
Conference paper
Tag(s):
network theory
,
Comparative literary studies
A dráma válsága – vagy drámaiatlan-e a történelmi játék? [The Crisis of Drama - or is a Historical Play Undramatic?]
Author(s):
Miklos Mezosi
(see profile)
Date:
2006
Group(s):
Literary theory
Subject(s):
Theater
,
Russian literature
,
Nineteenth century
Item Type:
Article
Tag(s):
Russian drama
,
Theory of genres
,
Dramatic genre
,
19th-century Russian literature
A „Borisz Godunov-szüzsé”: történet( és )írás Az autoritatív elbeszéléstől a művészi szkepszisig: Karamzin, Puskin és Muszorgszkij feldolgozásai
Author(s):
Miklos Mezosi
(see profile)
Date:
2007
Group(s):
Historiography
,
Literary theory
Subject(s):
Russian literature
,
Nineteenth century
,
Russia (Federation)
,
Music
,
History
Item Type:
Article
Tag(s):
Russian historiography
,
19th century Russian drama
,
19th century Russian opera
,
19th-century Russian literature
,
Russian musical history
Két variáció a Don Giovanni-mítoszra: Faustizálás vs. érzéki zsenialitás. Hoffmann és Kierkegaard Mozart-értelmezései
Author(s):
Miklos Mezosi
(see profile)
Date:
2019
Group(s):
American Musicological Society
,
Ethnomusicology
,
International Musicological Society (IMS)
Subject(s):
Cross-cultural studies
,
Opera
,
History
,
Opera--Stage-setting and scenery
Item Type:
Book chapter
Tag(s):
Opera semiotics
,
E. Th. A. Hoffmann
,
S. Kierkegaard
,
W. A. M. Mozart
,
Literature and opera
,
Comparative cultural studies
,
History of opera
,
Opera staging
Bevezetés a vamzerológia fundamentál-ontológiai megalapozásához / Introduction into the fundamental-ontological Foundations of Wamserology
Author(s):
Miklos Mezosi
(see profile)
Date:
2020
Subject(s):
Satire
Item Type:
Sound recording-non musical
Tag(s):
podcast
,
Semi-satire
Charting the Phenomenology of Music Rhetoresis and Imagery in Opera (Musorgsky and Mozart)
Author(s):
Miklos Mezosi
(see profile)
Date:
2016
Subject(s):
Opera
,
Semiotics
,
Cross-cultural studies
,
Mozart, Wolfgang Amadeus, 1756-1791
Item Type:
Book chapter
Tag(s):
Opera semiotics
,
Musorgsky
,
Gogol
,
Dante Alighieri
,
Comparative cultural studies
,
Mozart
History and the Political Ethos Represented on Pushkin's Stage: The Dramatic Poet and the Historian
Author(s):
Miklos Mezosi
(see profile)
Date:
1995
Subject(s):
Russian literature
,
Nineteenth century
,
Pushkin, Aleksandr Sergeevich, 1799-1837
Item Type:
Article
Tag(s):
Historical drama
,
Chronicle play
,
Aristotelean Poetics
,
19th-century Russian literature
,
Pushkin
Charting the Phenomenology of Music [preprint]
Author(s):
Miklos Mezosi
(see profile)
Date:
2016
Subject(s):
Poetics
,
Semiotics
,
Comparative literature
Item Type:
Article
Tag(s):
19th century Russian opera
,
Opera semiotics
,
Musorgsky
,
Gogol
,
Dante Alighieri
Aranykor és sex appeal: Mnémosyné leányai
Author(s):
Miklos Mezosi
(see profile)
Date:
2019
Subject(s):
Comparative literature
,
Poetics
,
Greeks--Social life and customs
,
Civilization, Greco-Roman
Item Type:
Book
Tag(s):
Mythopoetics
,
Greek myth
,
Hungarian poetry
,
Opera semiotics
,
Myth and literature
,
Classics
,
Literary criticism
,
Classical Greek culture
Államférfiak családi körben. Muszorgszkij hősei az összeomlás előtt
Author(s):
Miklos Mezosi
(see profile)
Date:
2013
Subject(s):
Russia (Federation)
,
Music
,
History
,
Opera
,
Semiotics
Item Type:
Book chapter
Tag(s):
Musorgsky
,
Khovanshchina
,
Boris Godunov
,
Russian musical history
Harag és elfogulatlanság a Borisz Godunovban. Puskin történetírói poétikájához – egy tacitusi reminiszcencia és két hommage
Author(s):
Miklos Mezosi
(see profile)
Date:
2017
Subject(s):
Russian literature
,
Nineteenth century
,
Poetics
,
Historiography
,
Pushkin, Aleksandr Sergeevich, 1799-1837
Item Type:
Book chapter
Tag(s):
19th century Russian drama
,
19th-century Russian literature
,
Pushkin
Puškin’s ‘Virtual Scene. Some Aspects of Puškin’s Historiography. Boris Godunov as the Trivium on the Way to the Polyphonic Novel
Author(s):
Miklos Mezosi
(see profile)
Date:
2003
Subject(s):
Russian literature
,
Nineteenth century
,
Literary form
,
Literary theory
,
Poetics
,
Pushkin, Aleksandr Sergeevich, 1799-1837
Item Type:
Article
Tag(s):
Genre poetics
,
Russian drama
,
19th-century Russian literature
,
Genre theory
,
Pushkin
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