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• One Line, Many Views: Perspectives on Music Theory, Composition, and Improvisation through the Work of Muhal Richard Abrams

  Author(s):

  Marc Edward Hannaford (see profile)

  Date:

  2019

  Group(s):

  Society for Music Theory, Society for Music Theory – Jazz Interest Group

  Subject(s):

  Race relations--Study and teaching, Ethnology--Study and teaching, Critical theory, Cognition, Jazz--Instruction and study, Musical analysis, Music theory

  Item Type:

  Dissertation

  Tag(s):

  AACM, Analysis, experimental music, Improvisation, Critical race and ethnic studies, Embodied cognition, Jazz studies, Music analysis

  
  

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