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Review: Rae Linda Brown, The Heart of a Woman: The Life and Music of Florence B. Price
Author(s):
Kendra Leonard
(see profile)
Date:
2021
Group(s):
Composers of Color Resource Project
,
Julia Perry Working Group
,
Music Library Association
,
Women in American Music
Subject(s):
Musicology
,
Music theory
,
History
,
Race
Item Type:
Book review
An Index to The Tuneful Yankee and Melody Magazine
Author(s):
Kendra Leonard
(see profile)
Date:
2021
Group(s):
MS Screen Arts and Culture
,
Music Library Association
,
Women in American Music
Subject(s):
Bibliography
,
Music and Society
,
Popular Music Studies
,
Popular culture
,
Silent cinema
,
Music
,
Periodicals
Item Type:
Book
Tag(s):
index
,
silent film
Cultural Diversity and the Musical Representation of California in Regional 1970s Television
Author(s):
Kendra Leonard
(see profile)
Date:
2020
Group(s):
American Musicological Society
,
Film Studies
,
MS Screen Arts and Culture
,
Society for Music Theory (SMT)
Subject(s):
Musicology
,
Film music
,
Television
,
Animation
,
Race
Item Type:
Conference paper
Using Your "Research Pantry"
Author(s):
Kendra Leonard
(see profile)
Date:
2020
Group(s):
American Musicological Society
,
Music Library Association
,
Society for Music Theory (SMT)
Subject(s):
Musicology
,
Digital humanities
Item Type:
Conference paper
Fortunes Fit: poems
Author(s):
Kendra Leonard
(see profile)
Date:
2020
Subject(s):
Poetry
,
Shakespeare
Item Type:
Poetry
Music for the Kingdom of Shadows: Cinema Accompaniment in the Age of Spiritualism
Author(s):
Kendra Leonard
(see profile)
Date:
2019
Group(s):
American Musicological Society
,
Film Studies
Subject(s):
Musicology
,
Film music
,
Film history
,
Religion
Item Type:
Book
A Forest that is Desert
Author(s):
Kendra Leonard
(see profile)
Date:
2019
Subject(s):
Poetry
Item Type:
Poetry
Women at the Pedals: Female Cinema Musicians during the Great War
Author(s):
Kendra Leonard
(see profile)
Date:
2019
Group(s):
American Musicological Society
,
Film Studies
Subject(s):
Musicology
,
Film music
Item Type:
Book chapter
Moon-Crossed: a play in play with All's Well That Ends Well
Author(s):
Kendra Leonard
(see profile)
Date:
2019
Group(s):
Global Shakespeares
,
LLC Shakespeare
Subject(s):
Adaptation
,
Shakespeare in adaptation
,
Drama
,
Theater
Item Type:
Fictional work
Tag(s):
parody
“Secret Rooms and Borrowed Pianos: Two Women’s Roles in Preserving the Conservatoire Américain during the Occupation”
Author(s):
Kendra Leonard
(see profile)
Date:
2008
Group(s):
American Musicological Society
,
Women in American Music
Subject(s):
Musicology
,
Women
Item Type:
Article
"Excellence in Execution" and "Fitness for Teaching": Assessments of Women at the Conservatoire Américain
Author(s):
Kendra Leonard
(see profile)
Date:
2012
Group(s):
American Musicological Society
,
TC Women’s and Gender Studies
,
Women in American Music
Subject(s):
Musicology
,
Gender studies
,
Women
Item Type:
Article
Review: Nadia Boulanger and the Stravinskys: A Selected Correspondence
Author(s):
Kendra Leonard
(see profile)
Date:
2019
Group(s):
American Musicological Society
,
Music Library Association
Subject(s):
Musicology
Item Type:
Review
The Shakespeare Theatre Company ’s Oresteia
Author(s):
Kendra Leonard
(see profile)
Date:
2019
Group(s):
Global Shakespeares
,
LLC Shakespeare
Subject(s):
Drama
,
Greek and Roman drama
,
Theater
,
Adaptation
Item Type:
Review
Brumadinho
Author(s):
Kendra Leonard
(see profile)
Date:
2019
Subject(s):
Poetry
Item Type:
Poetry
Phantoms of the Archives slides
Author(s):
Kendra Leonard
(see profile)
Date:
2019
Group(s):
American Musicological Society
,
Film Studies
Subject(s):
Musicology
,
Film history
,
Film music
Item Type:
Presentation
Phantoms of the Archives: Music for the Early Cinematic Supernatural and Other Tales
Author(s):
Kendra Leonard
(see profile)
Date:
2019
Group(s):
American Musicological Society
,
Film Studies
Subject(s):
Musicology
,
Film history
,
Film music
Item Type:
Presentation
review: Composer Diversity Database, https://composerdiversity.com Music Theory Examples by Women, https://musictheoryexamplesbywomen.com
Author(s):
Kendra Leonard
(see profile)
Date:
2019
Group(s):
American Musicological Society
,
Society for Music Theory
Subject(s):
Musicology
,
Music theory
Item Type:
Review
Laura Rossi’s War Musics
Author(s):
Kendra Leonard
(see profile)
Date:
2019
Group(s):
American Musicological Society
,
Film Studies
,
Society for Music Theory
Subject(s):
Musicology
,
Cultural musicology
,
Film music
Item Type:
Book chapter
The Conservatoire Américain: a History
Author(s):
Kendra Leonard
(see profile)
Date:
2007
Group(s):
American Musicological Society
,
Music Library Association
,
Society for Music Theory
Subject(s):
Musicology
,
20th-century American music
,
Music theory
Item Type:
Book
Review: Recomposing the Past: Representations of Early Music on Stage and Screen
Author(s):
Kendra Leonard
(see profile)
Date:
2018
Group(s):
American Musicological Society
,
MS Opera and Musical Performance
,
MS Screen Arts and Culture
,
Music Library Association
,
Society for Music Theory
Subject(s):
Musicology
,
Film music
,
Music theory
Item Type:
Review
Cue Sheets, Musical Suggestions, and Performance Practices for Hollywood Films, 1908–1927
Author(s):
Kendra Leonard
(see profile)
Date:
2018
Group(s):
American Musicological Society
,
Film Studies
,
Music Library Association
,
Society for Music Theory
Subject(s):
Musicology
,
Film history
,
Film music
Item Type:
Book chapter
Tag(s):
silent film
Performing Spiritualism in the Silent Cinema
Author(s):
Kendra Leonard
(see profile)
Date:
2018
Group(s):
American Musicological Society
,
Film Studies
,
MS Screen Arts and Culture
,
Music Library Association
Subject(s):
Musicology
,
Film music
,
Film history
,
Music
,
Religion
Item Type:
Article
Review: Diana Burrell, Heron: For Cello and Piano (1988); Barbara Heller, Lalai: Schlaflied zum Wachwerden? für Violoncello und Klavier (1989); Tania León, Four Pieces for Violoncello (1981); Augusta Read Thomas, Spring Song for Solo Cello (1995)
Author(s):
Kendra Leonard
(see profile)
Date:
2001
Group(s):
American Musicological Society
Subject(s):
Music
Item Type:
Book review
Review: Gilbert Amy, Memoire pour violoncelle et piano d’après Shin’anim sha’ananim (1979-1989); Georges Aperghis, Sonate pour violoncelle seul (1994); Nicolas Bacri, Suite no. 1 “Preludio e Metamorfosi,”, pour violoncelle seul, opus 31 no. 1 (1987-94); Jacques Castérède, Sonate pour violoncelle et piano (1996); Alexander Comitas, Yiddish Suite pour violoncelle et piano, opus 17 (1995); Thierry Escaich, Nocturne pour violoncelle et piano (1997); Renaud Gagneux, Trois bagatelles pour violoncelle seul, opus 49 (1997); Ingrid Guymer, Seven Sketches pour violoncelle seul (1989) and Chainmail pour violoncelle solo (1995); Georges Migot, Sonate et Rhapsodie pour violoncelle seul; Serge Nigg, Duo élégiaque pour violoncelle et piano; Ton-That Tiêt, Xuân Vũ pour violoncelle et piano; Jean-Jacques Werner, Clair-obscur pour violoncelle et harpe (1996)
Author(s):
Kendra Leonard
(see profile)
Date:
2002
Group(s):
American Musicological Society
Subject(s):
Music
Item Type:
Book review
Review: The Miserly Knight by Sergei Rachmaninoff
Author(s):
Kendra Leonard
(see profile)
Date:
2006
Group(s):
American Musicological Society
Subject(s):
Music
Item Type:
Book review
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