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CORE Search Results Start Search Over

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  • MLA Deposits
  • “The Performer’s Experience: Positional Listening and Positional Analysis,” in G. Borio, G. Gioriani, A. Cecchi, and M. Lutzu, eds. Investigating Music Performance: Theoretical Models and Intersections (Routledge, 2020), 56-68.

    Author(s):
    John Covach (see profile)
    Date:
    2020
    Group(s):
    American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Popular music, Music theory, Music, History
    Item Type:
    Book chapter
    Tag(s):
    Popular Music Studies, Music history

  • "Popular Music in the Theory Classroom," in The Routledge Companion to Music Theory Pedagogy, edited by Leigh VanHandel (Routledge, 2020), pp. 331-339.

    Author(s):
    John Covach (see profile)
    Date:
    2020
    Group(s):
    American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Popular music, Music theory, Music, History
    Item Type:
    Book chapter
    Tag(s):
    Popular Music Studies, Music history

  • “Jimmy Miller, the Rolling Stones, and Beggars Banquet,” in “They Call My Name Disturbance”: Beggars Banquet and the Rolling Stones’ Rock and Roll Revolution, edited by Russell Reising (Routledge, 2020), pp. 19-25.

    Author(s):
    John Covach (see profile)
    Date:
    2020
    Group(s):
    American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Popular music, Music, History, Music theory
    Item Type:
    Book chapter
    Tag(s):
    Popular Music Studies, Music history

  • "The Schönberg Analytical Legacy: Rudolph Reti and Thematic Transformation," Journal of the Arnold Schönberg Center 16 (2019): 99-111.

    Author(s):
    John Covach (see profile)
    Date:
    2019
    Group(s):
    American Musicological Society, Society for Music Theory (SMT)
    Subject(s):
    Musical analysis, Musicology, History, Music
    Item Type:
    Article
    Tag(s):
    Music analysis, Historical musicology, Music history

  • Review essay: “Dahlhaus, Schoenberg, and the New Music,” In Theory Only 12 (1991): 19 42.

    Author(s):
    John Covach (see profile)
    Date:
    1991
    Group(s):
    American Musicological Society, Society for Music Theory (SMT)
    Subject(s):
    Aesthetics, Music, History, Musicology, Music theory, Art and philosophy
    Item Type:
    Book review
    Tag(s):
    Music history, Philosophy and the arts

  • Review of Edward Lippman, A History of Western Musical Aesthetics and John Rahn, ed., Perspectives on Musical Aesthetics, Music Theory Spectrum 17/2 (1995): 275-82.

    Author(s):
    John Covach (see profile)
    Date:
    1995
    Group(s):
    American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Aesthetics, Music, History, Musicology, Music theory, Art and philosophy
    Item Type:
    Book review
    Tag(s):
    Music history, Philosophy and the arts

  • Review of Alastair Borthwick, Music Theory and Analysis: The Limitations of Logic, MLA Notes (June 1996): 1192-94.

    Author(s):
    John Covach (see profile)
    Date:
    1996
    Group(s):
    American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Musical analysis, Musicology, Music theory, Art and philosophy
    Item Type:
    Book review
    Tag(s):
    Music analysis, Philosophy and the arts

  • Review of Allen Forte, The American Popular Ballad of the Golden Era, 1924-1950, College Music Symposium 36 (1996): 168-72.

    Author(s):
    John Covach (see profile)
    Date:
    1996
    Group(s):
    American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Musical analysis, Music, History, Musicology, Music theory, Popular music
    Item Type:
    Review
    Tag(s):
    Music analysis, Music history, Popular Music Studies

  • Triple review of Edward Macan, Rockin’ the Classics: Progressive Rock and the Counterculture; Paul Stump, The Music’s All That Matters: A History of Progressive Rock; and Bill Martin, Listening to the Future: The Time of Progressive Rock, 1968-78, MLA Notes (September 1998).

    Author(s):
    John Covach (see profile)
    Date:
    1998
    Group(s):
    American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Music, History, Musicology, Popular music
    Item Type:
    Review
    Tag(s):
    Music history, Popular Music Studies

  • Review of Robert Freeman, The Crisis of Classical Music: Lessons from a Life in the Education of Musicians, Music Theory Online 21/2 (June 2015).

    Author(s):
    John Covach (see profile)
    Date:
    2015
    Group(s):
    American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Music--Instruction and study, Music, History, Musicology, Music theory
    Item Type:
    Review
    Tag(s):
    Music education, Music history

  • “The Zwölftonspiel of Josef Matthias Hauer,” Journal of Music Theory 36.1 (1992): 149-84.

    Author(s):
    John Covach (see profile)
    Date:
    1992
    Group(s):
    American Musicological Society, Society for Music Theory (SMT)
    Subject(s):
    Musical analysis, Music, History, Musicology, Music theory
    Item Type:
    Article
    Tag(s):
    Music analysis, Music history

  • “Schoenberg and the Occult: Some Reflections on the Musical Idea,” Theory and Practice 17 (1992): 103-18.

    Author(s):
    John Covach (see profile)
    Date:
    1992
    Group(s):
    American Musicological Society, Society for Music Theory (SMT)
    Subject(s):
    Aesthetics, Music, History, Musicology, Music theory, Art and philosophy
    Item Type:
    Article
    Tag(s):
    Music history, Philosophy and the arts

  • “The Quest of the Absolute: Schoenberg, Hauer, and the Twelve-Tone Idea,” in Jon Michael Spencer, ed., Theomusicology, special issue of Black Sacred Music: A Journal of Theomusicology 8/1 (Duke University Press, 1994): 158-77.

    Author(s):
    John Covach (see profile)
    Date:
    1994
    Group(s):
    American Musicological Society
    Item Type:
    Article

  • “The Sources of Schoenberg’s ‘Aesthetic Theology,’” 19th-Century Music 19/3 (1996): 252-62.

    Author(s):
    John Covach (see profile)
    Date:
    2019
    Group(s):
    American Musicological Society, Society for Music Theory (SMT)
    Subject(s):
    Aesthetics, Music, History, Musicology, Music theory, Art and philosophy
    Item Type:
    Article
    Tag(s):
    Music history, Philosophy and the arts

  • “Balzacian Mysticism, Palindromic Design, and Heavenly Time in Berg’s Music,” in Encryted Messages in Alban Berg’s Music, ed. Siglind Bruhn (Garland Publishing, 1998), 5-29.

    Author(s):
    John Covach (see profile)
    Date:
    1998
    Group(s):
    American Musicological Society, Society for Music Theory (SMT)
    Subject(s):
    Musical analysis, Music, History, Musicology, Music theory
    Item Type:
    Book chapter
    Tag(s):
    Music analysis, Music history

  • “Schoenberg’s ‘Poetics of Music’ and the Twelve-Tone Idea,” in Schoenberg and Words, ed. R. Berman and C. Cross (Garland Publishing, 2000), 309-46.

    Author(s):
    John Covach (see profile)
    Date:
    2000
    Group(s):
    American Musicological Society, Society for Music Theory (SMT)
    Subject(s):
    Music, History, Musicology, Music theory
    Item Type:
    Book chapter
    Tag(s):
    Music history

  • “Twelve-Tone Theory,” in The Cambridge History of Western Music Theory, ed. Thomas Christensen, (Cambridge University Press, 2002), 603-627.

    Author(s):
    John Covach (see profile)
    Date:
    2002
    Group(s):
    American Musicological Society, Society for Music Theory (SMT)
    Subject(s):
    Music, History, Musicology, Music theory
    Item Type:
    Book chapter
    Tag(s):
    Music history

  • “Josef Matthias Hauer,” in Music of the Twentieth Century Avant-Garde, ed. Larry Sitsky (Greenwood Publishing, 2003), 197-202.

    Author(s):
    John Covach (see profile)
    Date:
    2003
    Group(s):
    American Musicological Society, Society for Music Theory (SMT)
    Subject(s):
    Music, History, Musicology, Music theory
    Item Type:
    Book chapter
    Tag(s):
    Music history

  • "Schoenberg's (Analytical) Gaze: Musical Time, The Organic Ideal, and Analytical Perspectivism," Theory and Practice 42 (2017): 141-59.

    Author(s):
    John Covach (see profile)
    Date:
    2017
    Group(s):
    American Musicological Society, Society for Music Theory (SMT)
    Subject(s):
    Music, History, Musicology, Music theory
    Item Type:
    Article
    Tag(s):
    Classical music, Music history

  • "The Americanization of Arnold Schoenberg? Theory, Analysis, and Reception," Zeitschrift der Gesellschaft für Musiktheorie 15/2 (2018): 155-75.

    Author(s):
    John Covach (see profile)
    Date:
    2018
    Group(s):
    American Musicological Society, Society for Music Theory (SMT)
    Subject(s):
    Music, History, Music theory
    Item Type:
    Article
    Tag(s):
    Music history, Western classical music

  • “George Harrison, Songwriter,” in M. Osteen, ed., Part of Everything: The Beatles’ White Album at Fifty (University of Michigan Press, 2019), 177-96.

    Author(s):
    John Covach (see profile)
    Date:
    2019
    Group(s):
    Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Musical analysis, Musicology, Music theory, Popular music
    Item Type:
    Book chapter
    Tag(s):
    Music analysis, Popular Music Studies

  • “Afterword,” in M. Osteen, ed., Part of Everything: The Beatles’ White Album at Fifty (University of Michigan Press, 2019), 263-69.

    Author(s):
    John Covach (see profile)
    Date:
    2019
    Group(s):
    Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Musicology, Popular music
    Item Type:
    Book chapter
    Tag(s):
    Popular Music Studies

  • "Analyzing Texture in Rock Music: Stratification, Coordination, Position, and Perspective," in Pop weiter denken: Neue Anstöße aus Jazz Studies, Philosophie, Musiktheorie und Geschichte, Beiträge zur Popularmusikforschung 44, ed. Ralf von Appen and André Doehring (Transcript Verlag, 2018), 53-72.

    Author(s):
    John Covach (see profile)
    Date:
    2018
    Group(s):
    Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Musical analysis, Musicology, Music theory, Popular music
    Item Type:
    Book chapter
    Tag(s):
    Music analysis, Popular Music Studies

  • “Yes, the Psychedelic-Symphonic Cover, and ‘Every Little Thing’,” in C. Scotto, K. Smith, and J. Brackett, The Routledge Companion to Popular Music Analysis: Expanding Approaches (Routledge, 2018), 277-90.

    Author(s):
    John Covach (see profile)
    Date:
    2018
    Group(s):
    Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Item Type:
    Book chapter

  • “High Brow, Low Brow, Knot Now, Know How,” in C. Rodriguez, ed., Coming of Age: Teaching and Learning Music in Academia (Maize Books, 2017), 313-33.

    Author(s):
    John Covach (see profile)
    Date:
    2017
    Group(s):
    Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Culture--Study and teaching, United States, Music, Music--Instruction and study, Musicology
    Item Type:
    Book chapter
    Tag(s):
    American cultural studies, Music education

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