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MLA Deposits
“The Performer’s Experience: Positional Listening and Positional Analysis,” in G. Borio, G. Gioriani, A. Cecchi, and M. Lutzu, eds. Investigating Music Performance: Theoretical Models and Intersections (Routledge, 2020), 56-68.
Author(s):
John Covach
(see profile)
Date:
2020
Group(s):
American Musicological Society
,
Society for Music Theory (SMT)
,
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Popular music
,
Music theory
,
Music
,
History
Item Type:
Book chapter
Tag(s):
Popular Music Studies
,
Music history
"Popular Music in the Theory Classroom," in The Routledge Companion to Music Theory Pedagogy, edited by Leigh VanHandel (Routledge, 2020), pp. 331-339.
Author(s):
John Covach
(see profile)
Date:
2020
Group(s):
American Musicological Society
,
Society for Music Theory (SMT)
,
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Popular music
,
Music theory
,
Music
,
History
Item Type:
Book chapter
Tag(s):
Popular Music Studies
,
Music history
“Jimmy Miller, the Rolling Stones, and Beggars Banquet,” in “They Call My Name Disturbance”: Beggars Banquet and the Rolling Stones’ Rock and Roll Revolution, edited by Russell Reising (Routledge, 2020), pp. 19-25.
Author(s):
John Covach
(see profile)
Date:
2020
Group(s):
American Musicological Society
,
Society for Music Theory (SMT)
,
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Popular music
,
Music
,
History
,
Music theory
Item Type:
Book chapter
Tag(s):
Popular Music Studies
,
Music history
"The Schönberg Analytical Legacy: Rudolph Reti and Thematic Transformation," Journal of the Arnold Schönberg Center 16 (2019): 99-111.
Author(s):
John Covach
(see profile)
Date:
2019
Group(s):
American Musicological Society
,
Society for Music Theory (SMT)
Subject(s):
Musical analysis
,
Musicology
,
History
,
Music
Item Type:
Article
Tag(s):
Music analysis
,
Historical musicology
,
Music history
Review essay: “Dahlhaus, Schoenberg, and the New Music,” In Theory Only 12 (1991): 19 42.
Author(s):
John Covach
(see profile)
Date:
1991
Group(s):
American Musicological Society
,
Society for Music Theory (SMT)
Subject(s):
Aesthetics
,
Music
,
History
,
Musicology
,
Music theory
,
Art and philosophy
Item Type:
Book review
Tag(s):
Music history
,
Philosophy and the arts
Review of Edward Lippman, A History of Western Musical Aesthetics and John Rahn, ed., Perspectives on Musical Aesthetics, Music Theory Spectrum 17/2 (1995): 275-82.
Author(s):
John Covach
(see profile)
Date:
1995
Group(s):
American Musicological Society
,
Society for Music Theory (SMT)
,
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Aesthetics
,
Music
,
History
,
Musicology
,
Music theory
,
Art and philosophy
Item Type:
Book review
Tag(s):
Music history
,
Philosophy and the arts
Review of Alastair Borthwick, Music Theory and Analysis: The Limitations of Logic, MLA Notes (June 1996): 1192-94.
Author(s):
John Covach
(see profile)
Date:
1996
Group(s):
American Musicological Society
,
Society for Music Theory (SMT)
,
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Musical analysis
,
Musicology
,
Music theory
,
Art and philosophy
Item Type:
Book review
Tag(s):
Music analysis
,
Philosophy and the arts
Review of Allen Forte, The American Popular Ballad of the Golden Era, 1924-1950, College Music Symposium 36 (1996): 168-72.
Author(s):
John Covach
(see profile)
Date:
1996
Group(s):
American Musicological Society
,
Society for Music Theory (SMT)
,
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Musical analysis
,
Music
,
History
,
Musicology
,
Music theory
,
Popular music
Item Type:
Review
Tag(s):
Music analysis
,
Music history
,
Popular Music Studies
Triple review of Edward Macan, Rockin’ the Classics: Progressive Rock and the Counterculture; Paul Stump, The Music’s All That Matters: A History of Progressive Rock; and Bill Martin, Listening to the Future: The Time of Progressive Rock, 1968-78, MLA Notes (September 1998).
Author(s):
John Covach
(see profile)
Date:
1998
Group(s):
American Musicological Society
,
Society for Music Theory (SMT)
,
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music
,
History
,
Musicology
,
Popular music
Item Type:
Review
Tag(s):
Music history
,
Popular Music Studies
Review of Robert Freeman, The Crisis of Classical Music: Lessons from a Life in the Education of Musicians, Music Theory Online 21/2 (June 2015).
Author(s):
John Covach
(see profile)
Date:
2015
Group(s):
American Musicological Society
,
Society for Music Theory (SMT)
,
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music--Instruction and study
,
Music
,
History
,
Musicology
,
Music theory
Item Type:
Review
Tag(s):
Music education
,
Music history
“The Zwölftonspiel of Josef Matthias Hauer,” Journal of Music Theory 36.1 (1992): 149-84.
Author(s):
John Covach
(see profile)
Date:
1992
Group(s):
American Musicological Society
,
Society for Music Theory (SMT)
Subject(s):
Musical analysis
,
Music
,
History
,
Musicology
,
Music theory
Item Type:
Article
Tag(s):
Music analysis
,
Music history
“Schoenberg and the Occult: Some Reflections on the Musical Idea,” Theory and Practice 17 (1992): 103-18.
Author(s):
John Covach
(see profile)
Date:
1992
Group(s):
American Musicological Society
,
Society for Music Theory (SMT)
Subject(s):
Aesthetics
,
Music
,
History
,
Musicology
,
Music theory
,
Art and philosophy
Item Type:
Article
Tag(s):
Music history
,
Philosophy and the arts
“The Quest of the Absolute: Schoenberg, Hauer, and the Twelve-Tone Idea,” in Jon Michael Spencer, ed., Theomusicology, special issue of Black Sacred Music: A Journal of Theomusicology 8/1 (Duke University Press, 1994): 158-77.
Author(s):
John Covach
(see profile)
Date:
1994
Group(s):
American Musicological Society
Item Type:
Article
“The Sources of Schoenberg’s ‘Aesthetic Theology,’” 19th-Century Music 19/3 (1996): 252-62.
Author(s):
John Covach
(see profile)
Date:
2019
Group(s):
American Musicological Society
,
Society for Music Theory (SMT)
Subject(s):
Aesthetics
,
Music
,
History
,
Musicology
,
Music theory
,
Art and philosophy
Item Type:
Article
Tag(s):
Music history
,
Philosophy and the arts
“Balzacian Mysticism, Palindromic Design, and Heavenly Time in Berg’s Music,” in Encryted Messages in Alban Berg’s Music, ed. Siglind Bruhn (Garland Publishing, 1998), 5-29.
Author(s):
John Covach
(see profile)
Date:
1998
Group(s):
American Musicological Society
,
Society for Music Theory (SMT)
Subject(s):
Musical analysis
,
Music
,
History
,
Musicology
,
Music theory
Item Type:
Book chapter
Tag(s):
Music analysis
,
Music history
“Schoenberg’s ‘Poetics of Music’ and the Twelve-Tone Idea,” in Schoenberg and Words, ed. R. Berman and C. Cross (Garland Publishing, 2000), 309-46.
Author(s):
John Covach
(see profile)
Date:
2000
Group(s):
American Musicological Society
,
Society for Music Theory (SMT)
Subject(s):
Music
,
History
,
Musicology
,
Music theory
Item Type:
Book chapter
Tag(s):
Music history
“Twelve-Tone Theory,” in The Cambridge History of Western Music Theory, ed. Thomas Christensen, (Cambridge University Press, 2002), 603-627.
Author(s):
John Covach
(see profile)
Date:
2002
Group(s):
American Musicological Society
,
Society for Music Theory (SMT)
Subject(s):
Music
,
History
,
Musicology
,
Music theory
Item Type:
Book chapter
Tag(s):
Music history
“Josef Matthias Hauer,” in Music of the Twentieth Century Avant-Garde, ed. Larry Sitsky (Greenwood Publishing, 2003), 197-202.
Author(s):
John Covach
(see profile)
Date:
2003
Group(s):
American Musicological Society
,
Society for Music Theory (SMT)
Subject(s):
Music
,
History
,
Musicology
,
Music theory
Item Type:
Book chapter
Tag(s):
Music history
"Schoenberg's (Analytical) Gaze: Musical Time, The Organic Ideal, and Analytical Perspectivism," Theory and Practice 42 (2017): 141-59.
Author(s):
John Covach
(see profile)
Date:
2017
Group(s):
American Musicological Society
,
Society for Music Theory (SMT)
Subject(s):
Music
,
History
,
Musicology
,
Music theory
Item Type:
Article
Tag(s):
Classical music
,
Music history
"The Americanization of Arnold Schoenberg? Theory, Analysis, and Reception," Zeitschrift der Gesellschaft für Musiktheorie 15/2 (2018): 155-75.
Author(s):
John Covach
(see profile)
Date:
2018
Group(s):
American Musicological Society
,
Society for Music Theory (SMT)
Subject(s):
Music
,
History
,
Music theory
Item Type:
Article
Tag(s):
Music history
,
Western classical music
“George Harrison, Songwriter,” in M. Osteen, ed., Part of Everything: The Beatles’ White Album at Fifty (University of Michigan Press, 2019), 177-96.
Author(s):
John Covach
(see profile)
Date:
2019
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Musical analysis
,
Musicology
,
Music theory
,
Popular music
Item Type:
Book chapter
Tag(s):
Music analysis
,
Popular Music Studies
“Afterword,” in M. Osteen, ed., Part of Everything: The Beatles’ White Album at Fifty (University of Michigan Press, 2019), 263-69.
Author(s):
John Covach
(see profile)
Date:
2019
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Musicology
,
Popular music
Item Type:
Book chapter
Tag(s):
Popular Music Studies
"Analyzing Texture in Rock Music: Stratification, Coordination, Position, and Perspective," in Pop weiter denken: Neue Anstöße aus Jazz Studies, Philosophie, Musiktheorie und Geschichte, Beiträge zur Popularmusikforschung 44, ed. Ralf von Appen and André Doehring (Transcript Verlag, 2018), 53-72.
Author(s):
John Covach
(see profile)
Date:
2018
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Musical analysis
,
Musicology
,
Music theory
,
Popular music
Item Type:
Book chapter
Tag(s):
Music analysis
,
Popular Music Studies
“Yes, the Psychedelic-Symphonic Cover, and ‘Every Little Thing’,” in C. Scotto, K. Smith, and J. Brackett, The Routledge Companion to Popular Music Analysis: Expanding Approaches (Routledge, 2018), 277-90.
Author(s):
John Covach
(see profile)
Date:
2018
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Item Type:
Book chapter
“High Brow, Low Brow, Knot Now, Know How,” in C. Rodriguez, ed., Coming of Age: Teaching and Learning Music in Academia (Maize Books, 2017), 313-33.
Author(s):
John Covach
(see profile)
Date:
2017
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Culture--Study and teaching
,
United States
,
Music
,
Music--Instruction and study
,
Musicology
Item Type:
Book chapter
Tag(s):
American cultural studies
,
Music education
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