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• Satan, Subliminals, and Suicide: The Formation and Development of an Antirock Discourse in the United States During the 1980s

  Author(s):

  John Brackett (see profile)

  Date:

  2019

  Subject(s):

  Musicology, Popular Music Studies, 20th-century American music, Satan

  Item Type:

  Article

  Tag(s):

  Popular music, satanism, American music, Moral panic

  
  

• “Weed Crumbles into Glitter”: Representing a Marijuana High in Frank Ocean’s Blonde

  Author(s):

  John Brackett (see profile)

  Date:

  2018

  Group(s):

  Music and Sound

  Subject(s):

  Historical musicology, Music analysis, Musicology, Music theory, Popular Music Studies

  Item Type:

  Book chapter

  Tag(s):

  Blonde, drugs, Frank Ocean, marijuana

  
  

• Some Notes on John Zorn’s Cobra

  Author(s):

  John Brackett (see profile)

  Date:

  2010

  Group(s):

  Music and Sound

  Subject(s):

  Historical musicology, Music analysis, Musicology, Music theory

  Item Type:

  Article

  Tag(s):

  Avant-garde, experimental music, File-card, John Zorn

  
  

• Schoenberg, Unfolding, and ‘Composing With Twelve Tones’: A Case Study (Op. 25/I)

  Author(s):

  John Brackett (see profile)

  Date:

  2015

  Group(s):

  Music and Sound

  Subject(s):

  Historical musicology, Music analysis, Musicology, Music theory

  Item Type:

  Article

  Tag(s):

  12-tone, Arnold Schoenberg, Piano Suite, Twelve-tone composition

  
  

• ‘Hand in Glove’ and the Development of The Smiths’ Sound

  Author(s):

  John Brackett (see profile)

  Date:

  2013

  Group(s):

  Music and Sound

  Subject(s):

  Historical musicology, Music analysis, Music theory, Popular Music Studies

  Item Type:

  Article

  Tag(s):

  Hand in Glove, Johnny Marr, Morrissey, Recording Technology, The Smiths

  
  

• John Zorn: Tradition and Transgression

  Author(s):

  John Brackett (see profile)

  Date:

  2008

  Group(s):

  Music and Sound

  Subject(s):

  Historical musicology, Jazz, Music analysis, Music theory

  Item Type:

  Book

  Tag(s):

  Avant-garde, Collage, Contemporary Classical Music, Experimental, John Zorn

  
  

• Examining Rhythmic and Metric Practices in Led Zeppelin's Musical Style

  Author(s):

  John Brackett (see profile)

  Date:

  2008

  Group(s):

  Music and Sound

  Subject(s):

  Historical musicology, Music analysis, Music theory, Popular Music Studies

  Item Type:

  Article

  Tag(s):

  Led Zeppelin, Meter, Popular music, Rhythm, Style Analysis

  
  

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