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• A Critical Response to “The value of mass-digitised cultural heritage content in creative contexts” by Melissa Terras, et al, Published in "Big Data and Society"

  Author(s):

  Jasmine Burns (see profile)

  Date:

  2021

  Group(s):

  Digital Art History, Library & Information Science

  Subject(s):

  Critical theory, Data mining, Data sets, Open access publishing, Digital libraries, Digital humanities

  Item Type:

  Review

  Tag(s):

  Commodification, Critical data studies, Open data, Appropriation

  
  

• Images as Research Data and the Role of the Information Professional

  Author(s):

  Jasmine Burns (see profile)

  Date:

  2020

  Group(s):

  Digital Art History, Library & Information Science

  Subject(s):

  Library science

  Item Type:

  Article

  Tag(s):

  research data, image management

  
  

• Review of "René d’Harnoncourt and the Art of Installation"

  Author(s):

  Jasmine Burns (see profile)

  Date:

  2020

  Group(s):

  Archives, History of Art

  Subject(s):

  Archives, Imperialism

  Item Type:

  Book review

  Tag(s):

  MOMA, book review, art installation, Colonialism

  
  

• Information as Capital: The Commodification of Archives and Library Labor

  Author(s):

  Jasmine Burns (see profile)

  Date:

  2018

  Group(s):

  Archives, Library & Information Science

  Subject(s):

  Capitalism--Social aspects, Culture--Economic aspects, Library science, Library education, Archives--Study and teaching, Labor

  Item Type:

  Article

  Tag(s):

  commodity, vendor, marx, Culture and capitalism, Librarianship, Library and Archival Studies, Academic labor, Labour, Information

  
  

• Virtuality as Aura: The Digital Afterlife of Medieval Books

  Author(s):

  Jasmine Burns (see profile)

  Date:

  2017

  Group(s):

  Archives, Digital Art History, Medieval Studies

  Subject(s):

  Critical theory

  Item Type:

  Conference paper

  Tag(s):

  aura, digital facsimiles, Digitization, Digital archives, Medieval studies

  
  

• Visual Materials in the Archive: Determining and Maintaining Value in a Postmodern Climate

  Author(s):

  Jasmine Burns (see profile)

  Date:

  2015

  Group(s):

  Archives, Library & Information Science

  Subject(s):

  Archives, Material culture

  Item Type:

  Article

  Tag(s):

  documentary art, materiality, visual materials, Visual culture

  
  

• Digital Facsimiles and the Modern Viewer: Medieval Manuscripts and Archival Practice in the Age of New Media

  Author(s):

  Jasmine Burns (see profile)

  Date:

  2014

  Group(s):

  Archives, Digital Art History, History of Art, Medieval Studies

  Subject(s):

  Illumination of books and manuscripts, Material culture

  Item Type:

  Article

  Tag(s):

  archives, digital facsimiles, Digitization, Material culture, materiality, Digital archives, Illuminated manuscripts, Medieval studies

  
  

• The Aura of Materiality: Digital Surrogacy and the Preservation of Photographic Archives

  Author(s):

  Jasmine Burns (see profile)

  Date:

  2017

  Group(s):

  Archives, Digital Art History, History of Art, Library & Information Science

  Subject(s):

  Archives, Photography

  Item Type:

  Article

  Tag(s):

  aura, Digitization, photo archives, Walter Benjamin, Digital archives

  
  

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