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• Post-Secular Musicals in a Post-Truth World

  Author(s):

  Jake Johnson (see profile)

  Date:

  2019

  Group(s):

  American Musicological Society, Music and Sound

  Subject(s):

  Musical theater, Religious thought, United States, Mormons, Theater and society, Theater, American drama

  Item Type:

  Book chapter

  Tag(s):

  Post-Truth, post-secular, american musical theater, Book of Mormon, Leonard Bernstein, American religious thought, Mormon studies, Theatre and society, American theatre

  
  

• PERFORMING THE PATRON: BETTY FREEMAN AND THE AVANT-GARDE

  Author(s):

  Jake Johnson (see profile)

  Date:

  2014

  Group(s):

  American Musicological Society, Music and Sound

  Subject(s):

  Musicology, Popular music, Avant-garde (Aesthetics)

  Item Type:

  Article

  Tag(s):

  musicology, los angeles, Patronage, Avant-garde, Contemporary music, Patronage discourse, Women and performance

  
  

• “Unstuck in time”: Harry Partch's Bilocated Life

  Author(s):

  Jake Johnson (see profile)

  Date:

  2015

  Group(s):

  American Musicological Society, Music and Sound

  Subject(s):

  Musicology, Music, United States, Twentieth century, Popular music

  Item Type:

  Article

  Tag(s):

  musicology, Harry Partch, Time and temporality, Queer Studies, 20th-century American music, Contemporary music, Narrative and time

  
  

• “That's Where They Knew Me When”: Oklahoma Senior Follies and the Narrative of Decline

  Author(s):

  Jake Johnson (see profile)

  Date:

  2016

  Group(s):

  American Musicological Society, Music and Sound

  Subject(s):

  Music, United States, Twentieth century, Aging--Study and teaching, Musical theater, Musicology, Popular music

  Item Type:

  Article

  Tag(s):

  aging, American music, american musical theater, regionalism, 20th-century American music, Age studies, Musical theatre, Popular Music Studies

  
  

• Calling out the nameless: CocoRosie's Posthuman sound world

  Author(s):

  Jake Johnson (see profile)

  Date:

  2017

  Group(s):

  American Musicological Society, Music and Sound

  Subject(s):

  Musicology, Popular music, Sound--Study and teaching

  Item Type:

  Article

  Tag(s):

  Popular music, posthumanism, Queer Studies, sound studies, voice, Popular Music Studies, Queer and feminist performance, Sound studies, Voice

  
  

• The Music Room: Betty Freeman's Musical Soirées

  Author(s):

  Jake Johnson (see profile)

  Date:

  2018

  Group(s):

  American Musicological Society

  Subject(s):

  Music, United States, Twentieth century, Area studies, Avant-garde (Aesthetics), Popular music, Musicology

  Item Type:

  Article

  Tag(s):

  American music, los angeles, Patronage, women in music, 20th-century American music, American studies, Avant-garde, Contemporary music

  
  

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