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MLA Deposits
Against a reading of a sacred landscape: Raja Shehadeh rewrites the Palestinian presence in Palestinian Walks
Author(s):
Hania A.M. Nashef
(see profile)
Date:
2020
Group(s):
CLCS Global Arab and Arab American
,
Critical Studies in World Literature
,
GS Nonfiction Prose
,
LLC Arabic
,
Postcolonial Literature
Subject(s):
Palestine studies
,
Literary journalism
,
Postcolonial literature
,
Space and place
,
Arab world
,
Colonialism
Item Type:
Article
Tag(s):
marginalized populations
,
scriptural geography
,
Non-fiction
“Giving a Face to the Silenced Victims: Recent Documentaries on Gaza”
Author(s):
Hania A.M. Nashef
(see profile)
Date:
2020
Group(s):
GS Drama and Performance
,
LLC Arabic
,
MS Visual Culture
,
TC Popular Culture
Subject(s):
Palestine studies
,
Film
,
Documentary
,
Arabic culture
,
Cinema
Item Type:
Article
Tag(s):
Gaza
,
war
,
humiliation
,
survival
,
resilience
Waiting for the arrivant: Godot in two poems by Nizār Qabbānī
Author(s):
Hania A.M. Nashef
(see profile)
Date:
2020
Group(s):
CLCS 20th- and 21st-Century
,
CLCS Global Arab and Arab American
,
Critical Studies in World Literature
,
GS Drama and Performance
,
LLC Arabic
Subject(s):
Samuel Beckett
,
Arabic literature
,
Drama
,
Poetry in translation
,
Jacques Derrida
Item Type:
Book chapter
Tag(s):
Waiting for Godot
,
Nizār Qabbānī
,
Arrivant
,
Messianism
Virtual Space: Palestinians Negotiate a Lost Homeland in Film
Author(s):
Hania A.M. Nashef
(see profile)
Date:
2020
Group(s):
CLCS Global Arab and Arab American
,
LLC Arabic
,
MLA Members for Justice in Palestine
,
Postcolonial Studies
,
TC Memory Studies
Subject(s):
Palestine studies
,
Film
,
Memory studies
,
Possible worlds
,
Virtual reality
Item Type:
Book chapter
Tag(s):
Elia Suleiman
,
Hany Abu-Assad
,
Palestinian
"'Nothing is Left to Tell' Beckettian Despair and Hope in the Arab World"
Author(s):
Hania A.M. Nashef
(see profile)
Date:
2019
Group(s):
Critical Studies in World Literature
,
GS Drama and Performance
,
LLC Arabic
,
TM Literary Criticism
Subject(s):
Samuel Beckett
,
Arab world
Item Type:
Article
Tag(s):
Waiting for Godot
,
theater of the absurd
Palestinian Culture and the Nakba: Bearing Witness
Author(s):
Hania A.M. Nashef
(see profile)
Date:
2018
Group(s):
CLCS Global Arab and Arab American
,
LLC Arabic
,
MLA Members for Justice in Palestine
,
Postcolonial Studies
,
TC Postcolonial Studies
Subject(s):
Palestine studies
,
Cultural memory
,
Cultural studies
,
Film
,
Poetry
Item Type:
Book
Tag(s):
Naji al-Ali
,
Mahmoud Darwish
,
Ghassan Kanafani
,
Elia Suleiman
,
Ismail Shammout
Challenging the myth of "a land without a people": Mahmoud Darwishs Journal of an Ordinary Grief and In the Presence of Absence
Author(s):
Hania A.M. Nashef
(see profile)
Date:
2016
Group(s):
GS Nonfiction Prose
,
LLC Arabic
,
TC Memory Studies
,
TC Postcolonial Studies
,
TM Literary Criticism
Subject(s):
Literature
,
Middle Eastern history
,
Middle Eastern literature
,
Modern literature
,
World literature
Item Type:
Article
Tag(s):
Absence Presence
,
contemporary literature
,
dehumanization
,
Edward Said
,
Mahmoud Darwish
Challenging the myth of “a land without a people”: Mahmoud Darwish’s Journal of an Ordinary Grief and In the Presence of Absence
Author(s):
Hania A.M. Nashef
(see profile)
Date:
2016
Group(s):
GS Nonfiction Prose
,
LLC Arabic
,
TC Memory Studies
,
TC Postcolonial Studies
,
TM Literary Criticism
Subject(s):
Arabic language
,
Comparative literature
,
Literature
,
Middle Eastern history
,
Middle Eastern literature
Item Type:
Article
Tag(s):
20th Century Literature
,
Absence Presence
,
autobiography
,
Edward Said
,
Mahmoud Darwish
Virtuality and différance in the age of the hyperreal
Author(s):
Hania A.M. Nashef
(see profile)
Date:
2016
Subject(s):
Media studies
,
Philosophy
Item Type:
Abstract
Tag(s):
hyperreal
,
mobiles
,
simulation
,
simulcra
,
virtuality
"Barbaric Space: Portrayal of Arab lands in Hollywood films"
Author(s):
Hania A.M. Nashef
(see profile)
Date:
2012
Group(s):
MS Visual Culture
,
TC Popular Culture
,
TC Postcolonial Studies
Subject(s):
Cultural studies
,
Film studies
,
Media studies
Item Type:
Book chapter
Tag(s):
arab world
,
arab land
,
Edward Said
,
Hollywood
,
Arab cinema
"Jordan Unrest: Did Royal Twittering Absorb Some of the Anger?"
Author(s):
Hania A.M. Nashef
(see profile)
Date:
2013
Group(s):
LLC Arabic
Subject(s):
Media studies
Item Type:
Book chapter
Tag(s):
arab world
,
Jordan
,
Social Media
,
mass communications
“Not to Get Lost in the Loss”: Narrating the Story in Mourid Barghouti’s I Was Born There, I Was Born Here and in Deborah Rohan’s The Olive Grove – A Palestinian Story."
Author(s):
Hania A.M. Nashef
(see profile)
Date:
2013
Group(s):
CLCS 20th- and 21st-Century
,
CLCS Global Arab and Arab American
,
GS Prose Fiction
,
LLC Arabic
,
TC Memory Studies
Subject(s):
Arabic language
,
Comparative literature
,
History and literature
,
Literature
,
Middle Eastern literature
Item Type:
Book chapter
Tag(s):
memory
,
memory studies
,
trauma
,
Palestine
,
Mourid Barghouti
"Wygnanie jako trwałe rozdarcie. „Życie i czasy Michaela K” oraz wspomnienia Mahmouda Darwisha."
Author(s):
Hania A.M. Nashef
(see profile)
Date:
2013
Group(s):
CLCS 20th- and 21st-Century
,
GS Nonfiction Prose
,
GS Prose Fiction
,
LLC 20th- and 21st-Century English and Anglophone
,
LLC Arabic
Subject(s):
Arabic language
,
Comparative literature
,
English literature
,
Literature
,
Middle Eastern literature
Item Type:
Book chapter
Tag(s):
Absence Presence
,
j.m. coetzee
,
Journal of Ordinary Grief
,
Life and Times of Michael K
,
Mahmoud Darwish
"Let the Demon in: Death and Guilt in The Master of Petersburg."
Author(s):
Hania A.M. Nashef
(see profile)
Date:
2014
Group(s):
CLCS 20th- and 21st-Century
,
GS Prose Fiction
,
LLC 20th- and 21st-Century English and Anglophone
,
TC Psychology, Psychoanalysis, and Literature
,
TM Literary Criticism
Subject(s):
Comparative literature
,
English literature
,
Modern literature
Item Type:
Book chapter
Tag(s):
Dostoevsky
,
Master of Petersburg
,
The Devils
,
J.M. Coetzee
,
Death & Guilt
"Let the Demon in: Death and Guilt in The Master of Petersburg," in Travelling Texts: J.M. Coetzee and Other Writers ed. Kucala, Bozena / Kusek, Robert
Author(s):
Hania A.M. Nashef
(see profile)
Date:
2016
Group(s):
CLCS 20th- and 21st-Century
,
GS Prose Fiction
,
LLC 20th- and 21st-Century English and Anglophone
,
TC Psychology, Psychoanalysis, and Literature
,
TM Literary Criticism
Subject(s):
Comparative literature
,
English literature
,
Literature
,
Modern literature
Item Type:
Book chapter
Tag(s):
Dostoevsky
,
j.m. coetzee
,
Master of Petersburg
,
The Devils
,
death
The abject/the terrorist/the reel Arab - a point of intersection
Author(s):
Hania A.M. Nashef
(see profile)
Date:
2011
Group(s):
MS Visual Culture
,
TC Popular Culture
Subject(s):
Film studies
,
Media studies
Item Type:
Article
Tag(s):
abject
,
dehumanization
,
media
,
representations
The blurring of boundaries: images of abjection as the terrorist and the reel Arab intersect
Author(s):
Hania A.M. Nashef
(see profile)
Date:
2011
Group(s):
LLC Arabic
,
MS Screen Arts and Culture
,
MS Visual Culture
,
TC Popular Culture
,
TC Postcolonial Studies
Subject(s):
Cultural studies
,
Film studies
,
Media studies
Item Type:
Article
Tag(s):
arab world
,
terrorism
,
kristeva
,
abject
,
dehumanization
اهلا, hello and bonjour: a postcolonial analysis of Arab media's use of code switching and mixing and its ramification on the identity of the self in the Arab world
Author(s):
Hania A.M. Nashef
(see profile)
Date:
2013
Group(s):
LSL General Linguistics
,
MS Visual Culture
,
TC Popular Culture
,
TC Postcolonial Studies
Subject(s):
Arabic language
,
Cultural studies
,
Linguistics
,
Media studies
,
Middle Eastern languages
Item Type:
Article
Tag(s):
arab world
,
gender
,
identity
,
language
,
arab media
Specters of Doom: Saramago's Dystopias in Blindness and The Cave
Author(s):
Hania A.M. Nashef
(see profile)
Date:
2015
Group(s):
CLCS 20th- and 21st-Century
,
CLCS Classical and Modern
,
GS Prose Fiction
,
LLC 20th- and 21st-Century Spanish and Iberian
,
LLC Global Portuguese
Subject(s):
Literary theory
,
Literature
,
Literature and philosophy
,
Modern literature
,
Portuguese literature
Item Type:
Article
Tag(s):
european literature
,
fiction
,
jose saramago
,
literature and philosophy
,
utopia
Disconcerting Images: Arab Female Portrayals on Arab Television
Author(s):
Hania A.M. Nashef
(see profile)
Date:
2013
Group(s):
LLC Arabic
,
MS Visual Culture
,
TC Popular Culture
,
TC Postcolonial Studies
Subject(s):
Aesthetics
,
Cultural studies
,
Media studies
Item Type:
Article
Tag(s):
arab world
,
culture studies
,
postcolonial
,
gender
,
identity
Becomings in J. M. Coetzee's
Waiting for the Barbarians
and José Saramago's
Blindness
Author(s):
Hania A.M. Nashef
(see profile)
Date:
2010
Group(s):
CLCS 20th- and 21st-Century
,
GS Prose Fiction
,
LLC 20th- and 21st-Century Spanish and Iberian
,
LLC Luso-Brazilian
,
TC Philosophy and Literature
Subject(s):
Comparative literature
,
English literature
,
Literature and philosophy
,
Portuguese literature
Item Type:
Article
Tag(s):
contemporary fiction
,
fiction
,
j.m. coetzee
,
jose saramago
,
postmodernism
Baal and Thoth: Unwelcome Apparitions in J. M. Coetzee’s The Master of Petersburg and Disgrace
Author(s):
Hania A.M. Nashef
(see profile)
Date:
2011
Group(s):
LLC South Asian and South Asian Diasporic
,
TM Literary Criticism
Subject(s):
Literature
Item Type:
Essay
Abu Ghraib and Beyond: Torture as an Extension of the Desiring Machine
Author(s):
Hania A.M. Nashef
(see profile)
Date:
2012
Group(s):
TC Postcolonial Studies
Subject(s):
Cultural studies
Item Type:
Essay
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