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• Against a reading of a sacred landscape: Raja Shehadeh rewrites the Palestinian presence in Palestinian Walks

  Author(s):

  Hania A.M. Nashef (see profile)

  Date:

  2020

  Group(s):

  CLCS Global Arab and Arab American, Critical Studies in World Literature, GS Nonfiction Prose, LLC Arabic, Postcolonial Literature

  Subject(s):

  Palestine studies, Literary journalism, Postcolonial literature, Space and place, Arab world, Colonialism

  Item Type:

  Article

  Tag(s):

  marginalized populations, scriptural geography, Non-fiction

  
  

• “Giving a Face to the Silenced Victims: Recent Documentaries on Gaza”

  Author(s):

  Hania A.M. Nashef (see profile)

  Date:

  2020

  Group(s):

  GS Drama and Performance, LLC Arabic, MS Visual Culture, TC Popular Culture

  Subject(s):

  Palestine studies, Film, Documentary, Arabic culture, Cinema

  Item Type:

  Article

  Tag(s):

  Gaza, war, humiliation, survival, resilience

  
  

• Waiting for the arrivant: Godot in two poems by Nizār Qabbānī

  Author(s):

  Hania A.M. Nashef (see profile)

  Date:

  2020

  Group(s):

  CLCS 20th- and 21st-Century, CLCS Global Arab and Arab American, Critical Studies in World Literature, GS Drama and Performance, LLC Arabic

  Subject(s):

  Samuel Beckett, Arabic literature, Drama, Poetry in translation, Jacques Derrida

  Item Type:

  Book chapter

  Tag(s):

  Waiting for Godot, Nizār Qabbānī, Arrivant, Messianism

  
  

• Virtual Space: Palestinians Negotiate a Lost Homeland in Film

  Author(s):

  Hania A.M. Nashef (see profile)

  Date:

  2020

  Group(s):

  CLCS Global Arab and Arab American, LLC Arabic, MLA Members for Justice in Palestine, Postcolonial Studies, TC Memory Studies

  Subject(s):

  Palestine studies, Film, Memory studies, Possible worlds, Virtual reality

  Item Type:

  Book chapter

  Tag(s):

  Elia Suleiman, Hany Abu-Assad, Palestinian

  
  

• "'Nothing is Left to Tell' Beckettian Despair and Hope in the Arab World"

  Author(s):

  Hania A.M. Nashef (see profile)

  Date:

  2019

  Group(s):

  Critical Studies in World Literature, GS Drama and Performance, LLC Arabic, TM Literary Criticism

  Subject(s):

  Samuel Beckett, Arab world

  Item Type:

  Article

  Tag(s):

  Waiting for Godot, theater of the absurd

  
  

• Palestinian Culture and the Nakba: Bearing Witness

  Author(s):

  Hania A.M. Nashef (see profile)

  Date:

  2018

  Group(s):

  CLCS Global Arab and Arab American, LLC Arabic, MLA Members for Justice in Palestine, Postcolonial Studies, TC Postcolonial Studies

  Subject(s):

  Palestine studies, Cultural memory, Cultural studies, Film, Poetry

  Item Type:

  Book

  Tag(s):

  Naji al-Ali, Mahmoud Darwish, Ghassan Kanafani, Elia Suleiman, Ismail Shammout

  
  

• Challenging the myth of "a land without a people": Mahmoud Darwishs Journal of an Ordinary Grief and In the Presence of Absence

  Author(s):

  Hania A.M. Nashef (see profile)

  Date:

  2016

  Group(s):

  GS Nonfiction Prose, LLC Arabic, TC Memory Studies, TC Postcolonial Studies, TM Literary Criticism

  Subject(s):

  Literature, Middle Eastern history, Middle Eastern literature, Modern literature, World literature

  Item Type:

  Article

  Tag(s):

  Absence Presence, contemporary literature, dehumanization, Edward Said, Mahmoud Darwish

  
  

• Challenging the myth of “a land without a people”: Mahmoud Darwish’s Journal of an Ordinary Grief and In the Presence of Absence

  Author(s):

  Hania A.M. Nashef (see profile)

  Date:

  2016

  Group(s):

  GS Nonfiction Prose, LLC Arabic, TC Memory Studies, TC Postcolonial Studies, TM Literary Criticism

  Subject(s):

  Arabic language, Comparative literature, Literature, Middle Eastern history, Middle Eastern literature

  Item Type:

  Article

  Tag(s):

  20th Century Literature, Absence Presence, autobiography, Edward Said, Mahmoud Darwish

  
  

• Virtuality and différance in the age of the hyperreal

  Author(s):

  Hania A.M. Nashef (see profile)

  Date:

  2016

  Subject(s):

  Media studies, Philosophy

  Item Type:

  Abstract

  Tag(s):

  hyperreal, mobiles, simulation, simulcra, virtuality

  
  

• "Barbaric Space: Portrayal of Arab lands in Hollywood films"

  Author(s):

  Hania A.M. Nashef (see profile)

  Date:

  2012

  Group(s):

  MS Visual Culture, TC Popular Culture, TC Postcolonial Studies

  Subject(s):

  Cultural studies, Film studies, Media studies

  Item Type:

  Book chapter

  Tag(s):

  arab world, arab land, Edward Said, Hollywood, Arab cinema

  
  

• "Jordan Unrest: Did Royal Twittering Absorb Some of the Anger?"

  Author(s):

  Hania A.M. Nashef (see profile)

  Date:

  2013

  Group(s):

  LLC Arabic

  Subject(s):

  Media studies

  Item Type:

  Book chapter

  Tag(s):

  arab world, Jordan, Social Media, mass communications

  
  

• “Not to Get Lost in the Loss”: Narrating the Story in Mourid Barghouti’s I Was Born There, I Was Born Here and in Deborah Rohan’s The Olive Grove – A Palestinian Story."

  Author(s):

  Hania A.M. Nashef (see profile)

  Date:

  2013

  Group(s):

  CLCS 20th- and 21st-Century, CLCS Global Arab and Arab American, GS Prose Fiction, LLC Arabic, TC Memory Studies

  Subject(s):

  Arabic language, Comparative literature, History and literature, Literature, Middle Eastern literature

  Item Type:

  Book chapter

  Tag(s):

  memory, memory studies, trauma, Palestine, Mourid Barghouti

  
  

• "Wygnanie jako trwałe rozdarcie. „Życie i czasy Michaela K” oraz wspomnienia Mahmouda Darwisha."

  Author(s):

  Hania A.M. Nashef (see profile)

  Date:

  2013

  Group(s):

  CLCS 20th- and 21st-Century, GS Nonfiction Prose, GS Prose Fiction, LLC 20th- and 21st-Century English and Anglophone, LLC Arabic

  Subject(s):

  Arabic language, Comparative literature, English literature, Literature, Middle Eastern literature

  Item Type:

  Book chapter

  Tag(s):

  Absence Presence, j.m. coetzee, Journal of Ordinary Grief, Life and Times of Michael K, Mahmoud Darwish

  
  

• "Let the Demon in: Death and Guilt in The Master of Petersburg."

  Author(s):

  Hania A.M. Nashef (see profile)

  Date:

  2014

  Group(s):

  CLCS 20th- and 21st-Century, GS Prose Fiction, LLC 20th- and 21st-Century English and Anglophone, TC Psychology, Psychoanalysis, and Literature, TM Literary Criticism

  Subject(s):

  Comparative literature, English literature, Modern literature

  Item Type:

  Book chapter

  Tag(s):

  Dostoevsky, Master of Petersburg, The Devils, J.M. Coetzee, Death & Guilt

  
  

• "Let the Demon in: Death and Guilt in The Master of Petersburg," in Travelling Texts: J.M. Coetzee and Other Writers ed. Kucala, Bozena / Kusek, Robert

  Author(s):

  Hania A.M. Nashef (see profile)

  Date:

  2016

  Group(s):

  CLCS 20th- and 21st-Century, GS Prose Fiction, LLC 20th- and 21st-Century English and Anglophone, TC Psychology, Psychoanalysis, and Literature, TM Literary Criticism

  Subject(s):

  Comparative literature, English literature, Literature, Modern literature

  Item Type:

  Book chapter

  Tag(s):

  Dostoevsky, j.m. coetzee, Master of Petersburg, The Devils, death

  
  

• The abject/the terrorist/the reel Arab - a point of intersection

  Author(s):

  Hania A.M. Nashef (see profile)

  Date:

  2011

  Group(s):

  MS Visual Culture, TC Popular Culture

  Subject(s):

  Film studies, Media studies

  Item Type:

  Article

  Tag(s):

  abject, dehumanization, media, representations

  
  

• The blurring of boundaries: images of abjection as the terrorist and the reel Arab intersect

  Author(s):

  Hania A.M. Nashef (see profile)

  Date:

  2011

  Group(s):

  LLC Arabic, MS Screen Arts and Culture, MS Visual Culture, TC Popular Culture, TC Postcolonial Studies

  Subject(s):

  Cultural studies, Film studies, Media studies

  Item Type:

  Article

  Tag(s):

  arab world, terrorism, kristeva, abject, dehumanization

  
  

• اهلا, hello and bonjour: a postcolonial analysis of Arab media's use of code switching and mixing and its ramification on the identity of the self in the Arab world

  Author(s):

  Hania A.M. Nashef (see profile)

  Date:

  2013

  Group(s):

  LSL General Linguistics, MS Visual Culture, TC Popular Culture, TC Postcolonial Studies

  Subject(s):

  Arabic language, Cultural studies, Linguistics, Media studies, Middle Eastern languages

  Item Type:

  Article

  Tag(s):

  arab world, gender, identity, language, arab media

  
  

• Specters of Doom: Saramago's Dystopias in Blindness and The Cave

  Author(s):

  Hania A.M. Nashef (see profile)

  Date:

  2015

  Group(s):

  CLCS 20th- and 21st-Century, CLCS Classical and Modern, GS Prose Fiction, LLC 20th- and 21st-Century Spanish and Iberian, LLC Global Portuguese

  Subject(s):

  Literary theory, Literature, Literature and philosophy, Modern literature, Portuguese literature

  Item Type:

  Article

  Tag(s):

  european literature, fiction, jose saramago, literature and philosophy, utopia

  
  

• Disconcerting Images: Arab Female Portrayals on Arab Television

  Author(s):

  Hania A.M. Nashef (see profile)

  Date:

  2013

  Group(s):

  LLC Arabic, MS Visual Culture, TC Popular Culture, TC Postcolonial Studies

  Subject(s):

  Aesthetics, Cultural studies, Media studies

  Item Type:

  Article

  Tag(s):

  arab world, culture studies, postcolonial, gender, identity

  
  

• Becomings in J. M. Coetzee's Waiting for the Barbarians and José Saramago's Blindness

  Author(s):

  Hania A.M. Nashef (see profile)

  Date:

  2010

  Group(s):

  CLCS 20th- and 21st-Century, GS Prose Fiction, LLC 20th- and 21st-Century Spanish and Iberian, LLC Luso-Brazilian, TC Philosophy and Literature

  Subject(s):

  Comparative literature, English literature, Literature and philosophy, Portuguese literature

  Item Type:

  Article

  Tag(s):

  contemporary fiction, fiction, j.m. coetzee, jose saramago, postmodernism

  
  

• Baal and Thoth: Unwelcome Apparitions in J. M. Coetzee’s The Master of Petersburg and Disgrace

  Author(s):

  Hania A.M. Nashef (see profile)

  Date:

  2011

  Group(s):

  LLC South Asian and South Asian Diasporic, TM Literary Criticism

  Subject(s):

  Literature

  Item Type:

  Essay

  
  

• Abu Ghraib and Beyond: Torture as an Extension of the Desiring Machine

  Author(s):

  Hania A.M. Nashef (see profile)

  Date:

  2012

  Group(s):

  TC Postcolonial Studies

  Subject(s):

  Cultural studies

  Item Type:

  Essay

  
  

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