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• George Sand’s Consuelo, Nineteenth-Century American Literature, and Pleasure-Writing

  Author(s):

  Gerard Holmes (see profile)

  Date:

  2022

  Subject(s):

  Improvisation (Music), Composition (Music), American literature, Nineteenth century, French literature, Academic writing

  Item Type:

  Essay

  Tag(s):

  covid-19, Compositional improvisation, 19th-century American literature, 19th-century French literature, Precarity

  
  

• "‘The Bird / Who Sings the Same, Unheard, / As Unto Crowd —’: Dickinson, Birdsong, and the Business of Improvisation"

  Author(s):

  Gerard Holmes (see profile)

  Date:

  2021

  Group(s):

  GS Poetry and Poetics, LLC 19th-Century American, MS Sound, TC Popular Culture

  Subject(s):

  American poetry, Nineteenth century, Music and literature, Music--Social aspects, Business writing, Women's studies, Poetry, Music

  Item Type:

  Article

  Tag(s):

  business, birdsong, Improvisation, 19th-century American poetry, Music and Society

  
  

• “Emily Dickinson, Jenny Lind, and Rural Nineteenth-Century Fandom,” Reception: Texts, Readers, Audiences, History.

  Author(s):

  Gerard Holmes (see profile)

  Date:

  2020

  Subject(s):

  Dickinson, Emily, 1830-1886, Music, Subculture, Fans (Persons), Rural conditions, History

  Item Type:

  Essay

  Tag(s):

  Reception, Emily Dickinson, Fandom, Rural history

  
  

• “‘Invisible, as Music –’: What the Earliest Musical Settings of Emily Dickinson’s Poems, Including Two Previously Unknown, Tell Us about Dickinson’s Musicality”

  Author(s):

  Gerard Holmes (see profile)

  Date:

  2019

  Item Type:

  Article

  
  

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