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Making “Anti-Music”: Divergent Interactional Strategies in the Miles Davis Quintet’s The Complete Live at the Plugged Nickel 1965
Author(s):
Garrett Michaelsen
(see profile)
Date:
2019
Group(s):
Society for Music Theory – Jazz Interest Group
Subject(s):
Jazz--Instruction and study
,
Music theory
Item Type:
Article
Tag(s):
Improvisation
,
miles davis
,
Musical interaction
,
Jazz studies
Chord-Scale Networks in the Music and Improvisations of Wayne Shorter
Author(s):
Garrett Michaelsen
(see profile)
Date:
2018
Group(s):
Society for Music Theory – Jazz Interest Group
Subject(s):
Jazz
,
Music theory
Item Type:
Article
Tag(s):
Improvisation
,
Transformational theory
,
Wayne Shorter
Rhythm Changes, Improvisation, and Chromaticism: Who Could Ask for Anything More?
Author(s):
Garrett Michaelsen
(see profile)
Date:
2016
Group(s):
Society for Music Theory – Jazz Interest Group
Subject(s):
Jazz
,
Music theory
,
Teaching
Item Type:
Article
Tag(s):
Improvisation
,
Pedagogy
Improvising to Learn/Learning to Improvise: Designing Scaffolded Group Improvisations for the Music Theory Classroom
Author(s):
Garrett Michaelsen
(see profile)
Date:
2014
Subject(s):
Music theory
,
Teaching
Item Type:
Article
Tag(s):
Improvisation
,
Pedagogy
Groove Topics in Improvised Jazz
Author(s):
Garrett Michaelsen
(see profile)
Date:
2013
Group(s):
Society for Music Theory – Jazz Interest Group
Subject(s):
Jazz
Item Type:
Book chapter
Tag(s):
Groove
,
Improvisation
,
Topic Theory
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