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• The Bourgeoisie Is Also a Class: Class as Character in Michelangelo Antonioni's "L'Avventura"

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2019

  Group(s):

  Film Studies

  Subject(s):

  Motion pictures, Italian, Motion pictures, Motion pictures--Social aspects, Art, American, Foreign films, Social classes

  Item Type:

  Article

  Tag(s):

  Michelangelo Antonioni, L'AVVENTURA, bourgeoise, Italian cinema, Film, Film and society, Film arts, Cinema, world cinema, Class

  
  

• Italian Americans in the Hollywood Cinema: Filmmakers, Characters, Audiences Voices in Italian Americana 7.1 (Spring 1996): 65-77. Selected for reprinting in Voices in Italian Americana 26.1 (Spring 2015) as one of the most significant essays published in VIA

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2019

  Group(s):

  Film Studies

  Subject(s):

  Motion pictures, Motion pictures--Social aspects, California--Los Angeles--Hollywood, Ethnicity

  Item Type:

  Article

  Tag(s):

  Italian Americans in film, Italian film, representations, Film, Film and society, Hollywood cinema, Cinema

  
  

• Japan through Others' Lenses: "Hiroshima Mon Amour" (1959) and "Lost in Translation" Japan Studies Review 11 (2007): 143-155. Also available on the Internet at http://asianstudies.fiu.edu

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2007

  Group(s):

  Film Studies

  Subject(s):

  Motion pictures, Art, American, Japan, Foreign films

  Item Type:

  Article

  Tag(s):

  Alain Resnais, Sophia Coppola, HIROSHIMA MON AMOUR, LOST IN TRANSLATION, Japanese cinema, Film, Film arts, Cinema, world cinema

  
  

• IDENTIFICATION OF A WOMAN

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2012

  Group(s):

  Film Studies

  Subject(s):

  Motion pictures, Italian, Motion pictures, Art, American, Foreign films

  Item Type:

  Review

  Tag(s):

  Michelangelo Antonioni, Italian film, Italian cinema, Film, Film arts, Cinema, world cinema

  
  

• Mr. Jones Goes to Washington: Myth and Religion in "Raiders of the Lost Ark"

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2019

  Group(s):

  Film Studies

  Subject(s):

  Motion pictures, Motion pictures--Political aspects, History, Mythology

  Item Type:

  Article

  Tag(s):

  Steven Spielberg, Joseph Campbell, Monomyth, Raiders of the Lost Ark, Film, Film and politics, Cinema, Cinema history

  
  

• "'You're Telling Me You Didn't See": Hitchcock's "Rear Window" and Antonioni's "Blow-Up"

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2006

  Group(s):

  Film Studies

  Subject(s):

  Motion pictures, Art, American, History, Intersexuality

  Item Type:

  Book chapter

  Tag(s):

  Michelangelo Antonioni, Alfred Hitchcock, film modernism, Film, Film arts, Cinema, Cinema history, Adaptation, Intertextuality

  
  

• The Mass Psychology of Fascist Cinema: "Triumph of the Will"

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  1998

  Group(s):

  Documentary Studies, Film Studies

  Subject(s):

  Motion pictures, Motion pictures--Social aspects, History, Propaganda

  Item Type:

  Book chapter

  Tag(s):

  Hitler, Leni Riefenstahl, Wilhelm Reich, Film, Film and society, Film history, Cinema, Cinema history, Documentary

  
  

• The Gospel According to Spielberg in "E.T.: The Extra-Terrestrial"

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2001

  Group(s):

  Film Studies

  Subject(s):

  Motion pictures, Motion pictures--Political aspects, California--Los Angeles--Hollywood

  Item Type:

  Article

  Tag(s):

  Steven Spielberg, E.T, christian iconography, Film, Film and politics, Cinema, Hollywood cinema

  
  

• Empire of the Gun: Steven Spielberg's SAVING PRIVATE RYAN and American Chauvinism

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2001

  Group(s):

  Film Studies

  Subject(s):

  Motion pictures, Motion pictures and history, California--Los Angeles--Hollywood

  Item Type:

  Book chapter

  Tag(s):

  Steven Spielberg, SAVING PRIVATE RYAN, war movies, Film, Film and history, Cinema, Hollywood cinema

  
  

• "I'll See It When I Believe It": Rodney King and the Prison-House of Video

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  1996

  Group(s):

  Documentary Studies, Film Studies

  Subject(s):

  Documentary films--Production and direction, Documentary films--Authorship, Motion pictures, Phenomenology

  Item Type:

  Book chapter

  Tag(s):

  documentary films, Race and film, Documentary, Documentary filmmaking, Film, Cinema

  
  

• EROS and Civilization: Sexuality and the Contemporary International Art Cinema

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2008

  Group(s):

  Film Studies

  Subject(s):

  Motion pictures, Art, American, Sex, Foreign films

  Item Type:

  Article

  Tag(s):

  Transnational film, Film, Film arts, Sexuality, Cinema, world cinema

  
  

• EL TOPO and the Midnight Movie Craze

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2019

  Group(s):

  Film Studies

  Subject(s):

  Surrealism, Motion pictures, Art, American, Foreign films

  Item Type:

  Article

  Tag(s):

  Alejandro Jodorowsky, Surrealist Cinema, EL TOPO, Film arts, Cinema, world cinema

  
  

• Colonel North Goes to Washington: Observations on the Intertextual Re-Presentation of History

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  1989

  Group(s):

  Film Studies

  Subject(s):

  Motion pictures--Political aspects, Television--Study and teaching, Television

  Item Type:

  Article

  Tag(s):

  Oliver North, Frank Capra, TV, Film and politics, Television studies, Documentary

  
  

• Narrate AND Describe?: Point of View and Narrative Voice in CITIZEN KANE's Thatcher Sequence

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  1986

  Group(s):

  Film Studies

  Subject(s):

  Motion pictures, Motion pictures--Philosophy, California--Los Angeles--Hollywood, History, Twentieth century

  Item Type:

  Article

  Tag(s):

  american cinema, CITIZEN KANE, orson welles, Film, Film theory, Cinema, Hollywood cinema, Cinema history, Film history, 20th-century film

  
  

• The Sounds of Silence: Minimalist Acting in BLOW-UP

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2019

  Group(s):

  Film Studies

  Subject(s):

  Motion pictures, Art, American, History, Acting

  Item Type:

  Book chapter

  Tag(s):

  performamnce, film acting, film directing, minimalism, Film arts, Film history, Cinema history, Cinema, Modernism

  
  

• BICYCLE THIEVES: A Re-reading

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2019

  Group(s):

  Film Studies

  Subject(s):

  Motion pictures, Italian, Motion pictures, History, Motion pictures and history, Foreign films

  Item Type:

  Article

  Tag(s):

  neorealism, Italian cinema, Cinema, Cinema history, Film and history, Film, Film history, world cinema

  
  

• The Politics of Ambivalence: APOCALYPSE NOW as Pro-War and Anti-War Film

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2019

  Group(s):

  Film Studies

  Subject(s):

  Motion pictures, Motion pictures and history, Motion pictures--Political aspects, Twentieth century

  Item Type:

  Book chapter

  Tag(s):

  APOCALYPSE NOW, Cinema Art Criticism, american cinema, francis coppola, Film, Film and history, Film and politics, 20th-century film, Cinema

  
  

• The Architectonics of Alienation: Antonioni's Edifice Complex

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2019

  Group(s):

  Film Studies

  Subject(s):

  Motion pictures, Film criticism, Motion pictures, Italian, Foreign films, Architecture, History

  Item Type:

  Article

  Tag(s):

  film modernism, Film, Italian cinema, world cinema, Film history, Cinema

  
  

• ADAPTATION as Adaptation

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2019

  Group(s):

  Film Studies

  Subject(s):

  Motion pictures, Art, American, Film criticism, Twentieth century, Motion picture authorship

  Item Type:

  Book chapter

  Tag(s):

  american cinema, film adaptation, Film, Film arts, Cinema, Adaptation, 20th-century film, Screenwriting

  
  

• 1976: Movies and Cultural Contradictions

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2019

  Group(s):

  Film Studies

  Subject(s):

  Motion pictures and history, Motion pictures--Political aspects, Motion pictures--Social aspects, Motion pictures, California--Los Angeles--Hollywood, History, Twentieth century

  Item Type:

  Book chapter

  Tag(s):

  american cinema, academy award, Film and history, Film and politics, Film and society, Cinema, Hollywood cinema, Film history, 20th-century film

  
  

• The Maltese Phallcon: The Oedipal Trajectory of Classical Hollywood Cinema

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2019

  Group(s):

  Film Studies

  Subject(s):

  Motion pictures, History, Motion picture industry, California--Los Angeles--Hollywood

  Item Type:

  Article

  Tag(s):

  film adaptation, american cinema, Film history, Film, Hollywood

  
  

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