Search for:
Register
Log In
An online community for MLA members
News Feed
Members
Groups and Forums
Sites and Blogs
CORE
Repository
Help
MLA Online Publications
mla.org
HC Organizations
HC
ASEEES
AUPresses
MSU
SAH
MLA Visitor
Register
Login
News Feed
Members
Groups and Forums
Sites and Blogs
CORE
Repository
Help
MLA Online Publications
mla.org
HC Organizations
HC
ASEEES
AUPresses
MSU
SAH
CORE
Search Results
Start Search Over
Order By:
Newest Deposits
Alphabetical
Search Field:
All Fields
Author/Contributor
Subject
Tag
Title
All Deposits
0
MLA Deposits
The Bourgeoisie Is Also a Class: Class as Character in Michelangelo Antonioni's "L'Avventura"
Author(s):
Frank P. Tomasulo, Ph.D.
(see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Motion pictures, Italian
,
Motion pictures
,
Motion pictures--Social aspects
,
Art, American
,
Foreign films
,
Social classes
Item Type:
Article
Tag(s):
Michelangelo Antonioni
,
L'AVVENTURA
,
bourgeoise
,
Italian cinema
,
Film
,
Film and society
,
Film arts
,
Cinema
,
world cinema
,
Class
Italian Americans in the Hollywood Cinema: Filmmakers, Characters, Audiences Voices in Italian Americana 7.1 (Spring 1996): 65-77. Selected for reprinting in Voices in Italian Americana 26.1 (Spring 2015) as one of the most significant essays published in VIA
Author(s):
Frank P. Tomasulo, Ph.D.
(see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Motion pictures
,
Motion pictures--Social aspects
,
California--Los Angeles--Hollywood
,
Ethnicity
Item Type:
Article
Tag(s):
Italian Americans in film
,
Italian film
,
representations
,
Film
,
Film and society
,
Hollywood cinema
,
Cinema
Japan through Others' Lenses: "Hiroshima Mon Amour" (1959) and "Lost in Translation" Japan Studies Review 11 (2007): 143-155. Also available on the Internet at http://asianstudies.fiu.edu
Author(s):
Frank P. Tomasulo, Ph.D.
(see profile)
Date:
2007
Group(s):
Film Studies
Subject(s):
Motion pictures
,
Art, American
,
Japan
,
Foreign films
Item Type:
Article
Tag(s):
Alain Resnais
,
Sophia Coppola
,
HIROSHIMA MON AMOUR
,
LOST IN TRANSLATION
,
Japanese cinema
,
Film
,
Film arts
,
Cinema
,
world cinema
IDENTIFICATION OF A WOMAN
Author(s):
Frank P. Tomasulo, Ph.D.
(see profile)
Date:
2012
Group(s):
Film Studies
Subject(s):
Motion pictures, Italian
,
Motion pictures
,
Art, American
,
Foreign films
Item Type:
Review
Tag(s):
Michelangelo Antonioni
,
Italian film
,
Italian cinema
,
Film
,
Film arts
,
Cinema
,
world cinema
Mr. Jones Goes to Washington: Myth and Religion in "Raiders of the Lost Ark"
Author(s):
Frank P. Tomasulo, Ph.D.
(see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Motion pictures
,
Motion pictures--Political aspects
,
History
,
Mythology
Item Type:
Article
Tag(s):
Steven Spielberg
,
Joseph Campbell
,
Monomyth
,
Raiders of the Lost Ark
,
Film
,
Film and politics
,
Cinema
,
Cinema history
"'You're Telling Me You Didn't See": Hitchcock's "Rear Window" and Antonioni's "Blow-Up"
Author(s):
Frank P. Tomasulo, Ph.D.
(see profile)
Date:
2006
Group(s):
Film Studies
Subject(s):
Motion pictures
,
Art, American
,
History
,
Intersexuality
Item Type:
Book chapter
Tag(s):
Michelangelo Antonioni
,
Alfred Hitchcock
,
film modernism
,
Film
,
Film arts
,
Cinema
,
Cinema history
,
Adaptation
,
Intertextuality
The Mass Psychology of Fascist Cinema: "Triumph of the Will"
Author(s):
Frank P. Tomasulo, Ph.D.
(see profile)
Date:
1998
Group(s):
Documentary Studies
,
Film Studies
Subject(s):
Motion pictures
,
Motion pictures--Social aspects
,
History
,
Propaganda
Item Type:
Book chapter
Tag(s):
Hitler
,
Leni Riefenstahl
,
Wilhelm Reich
,
Film
,
Film and society
,
Film history
,
Cinema
,
Cinema history
,
Documentary
The Gospel According to Spielberg in "E.T.: The Extra-Terrestrial"
Author(s):
Frank P. Tomasulo, Ph.D.
(see profile)
Date:
2001
Group(s):
Film Studies
Subject(s):
Motion pictures
,
Motion pictures--Political aspects
,
California--Los Angeles--Hollywood
Item Type:
Article
Tag(s):
Steven Spielberg
,
E.T
,
christian iconography
,
Film
,
Film and politics
,
Cinema
,
Hollywood cinema
Empire of the Gun: Steven Spielberg's SAVING PRIVATE RYAN and American Chauvinism
Author(s):
Frank P. Tomasulo, Ph.D.
(see profile)
Date:
2001
Group(s):
Film Studies
Subject(s):
Motion pictures
,
Motion pictures and history
,
California--Los Angeles--Hollywood
Item Type:
Book chapter
Tag(s):
Steven Spielberg
,
SAVING PRIVATE RYAN
,
war movies
,
Film
,
Film and history
,
Cinema
,
Hollywood cinema
"I'll See It When I Believe It": Rodney King and the Prison-House of Video
Author(s):
Frank P. Tomasulo, Ph.D.
(see profile)
Date:
1996
Group(s):
Documentary Studies
,
Film Studies
Subject(s):
Documentary films--Production and direction
,
Documentary films--Authorship
,
Motion pictures
,
Phenomenology
Item Type:
Book chapter
Tag(s):
documentary films
,
Race and film
,
Documentary
,
Documentary filmmaking
,
Film
,
Cinema
EROS and Civilization: Sexuality and the Contemporary International Art Cinema
Author(s):
Frank P. Tomasulo, Ph.D.
(see profile)
Date:
2008
Group(s):
Film Studies
Subject(s):
Motion pictures
,
Art, American
,
Sex
,
Foreign films
Item Type:
Article
Tag(s):
Transnational film
,
Film
,
Film arts
,
Sexuality
,
Cinema
,
world cinema
EL TOPO and the Midnight Movie Craze
Author(s):
Frank P. Tomasulo, Ph.D.
(see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Surrealism
,
Motion pictures
,
Art, American
,
Foreign films
Item Type:
Article
Tag(s):
Alejandro Jodorowsky
,
Surrealist Cinema
,
EL TOPO
,
Film arts
,
Cinema
,
world cinema
Colonel North Goes to Washington: Observations on the Intertextual Re-Presentation of History
Author(s):
Frank P. Tomasulo, Ph.D.
(see profile)
Date:
1989
Group(s):
Film Studies
Subject(s):
Motion pictures--Political aspects
,
Television--Study and teaching
,
Television
Item Type:
Article
Tag(s):
Oliver North
,
Frank Capra
,
TV
,
Film and politics
,
Television studies
,
Documentary
Narrate AND Describe?: Point of View and Narrative Voice in CITIZEN KANE's Thatcher Sequence
Author(s):
Frank P. Tomasulo, Ph.D.
(see profile)
Date:
1986
Group(s):
Film Studies
Subject(s):
Motion pictures
,
Motion pictures--Philosophy
,
California--Los Angeles--Hollywood
,
History
,
Twentieth century
Item Type:
Article
Tag(s):
american cinema
,
CITIZEN KANE
,
orson welles
,
Film
,
Film theory
,
Cinema
,
Hollywood cinema
,
Cinema history
,
Film history
,
20th-century film
The Sounds of Silence: Minimalist Acting in BLOW-UP
Author(s):
Frank P. Tomasulo, Ph.D.
(see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Motion pictures
,
Art, American
,
History
,
Acting
Item Type:
Book chapter
Tag(s):
performamnce
,
film acting
,
film directing
,
minimalism
,
Film arts
,
Film history
,
Cinema history
,
Cinema
,
Modernism
BICYCLE THIEVES: A Re-reading
Author(s):
Frank P. Tomasulo, Ph.D.
(see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Motion pictures, Italian
,
Motion pictures
,
History
,
Motion pictures and history
,
Foreign films
Item Type:
Article
Tag(s):
neorealism
,
Italian cinema
,
Cinema
,
Cinema history
,
Film and history
,
Film
,
Film history
,
world cinema
The Politics of Ambivalence: APOCALYPSE NOW as Pro-War and Anti-War Film
Author(s):
Frank P. Tomasulo, Ph.D.
(see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Motion pictures
,
Motion pictures and history
,
Motion pictures--Political aspects
,
Twentieth century
Item Type:
Book chapter
Tag(s):
APOCALYPSE NOW
,
Cinema Art Criticism
,
american cinema
,
francis coppola
,
Film
,
Film and history
,
Film and politics
,
20th-century film
,
Cinema
The Architectonics of Alienation: Antonioni's Edifice Complex
Author(s):
Frank P. Tomasulo, Ph.D.
(see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Motion pictures
,
Film criticism
,
Motion pictures, Italian
,
Foreign films
,
Architecture
,
History
Item Type:
Article
Tag(s):
film modernism
,
Film
,
Italian cinema
,
world cinema
,
Film history
,
Cinema
ADAPTATION as Adaptation
Author(s):
Frank P. Tomasulo, Ph.D.
(see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Motion pictures
,
Art, American
,
Film criticism
,
Twentieth century
,
Motion picture authorship
Item Type:
Book chapter
Tag(s):
american cinema
,
film adaptation
,
Film
,
Film arts
,
Cinema
,
Adaptation
,
20th-century film
,
Screenwriting
1976: Movies and Cultural Contradictions
Author(s):
Frank P. Tomasulo, Ph.D.
(see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Motion pictures and history
,
Motion pictures--Political aspects
,
Motion pictures--Social aspects
,
Motion pictures
,
California--Los Angeles--Hollywood
,
History
,
Twentieth century
Item Type:
Book chapter
Tag(s):
american cinema
,
academy award
,
Film and history
,
Film and politics
,
Film and society
,
Cinema
,
Hollywood cinema
,
Film history
,
20th-century film
The Maltese Phallcon: The Oedipal Trajectory of Classical Hollywood Cinema
Author(s):
Frank P. Tomasulo, Ph.D.
(see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Motion pictures
,
History
,
Motion picture industry
,
California--Los Angeles--Hollywood
Item Type:
Article
Tag(s):
film adaptation
,
american cinema
,
Film history
,
Film
,
Hollywood
Viewing item 1 to 21 (of 21 items)
@
Not recently active