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• The White Devil: The State of the Art

  Author(s):

  Brett Greatley-Hirsch (see profile)

  Date:

  2016

  Item Type:

  Book chapter

  Tag(s):

  Jacobean drama, John Webster, The White Devil, Early modern studies

  
  

• Judaism and Jews

  Author(s):

  Brett Greatley-Hirsch (see profile)

  Date:

  2016

  Subject(s):

  Shakespeare, William, 1564-1616

  Item Type:

  Book chapter

  Tag(s):

  Jews, The Merchant of Venice, Early modern studies, Shakespeare

  
  

• Three Wax Images, Two Italian Gentlemen, and One English Queen

  Author(s):

  Brett Greatley-Hirsch (see profile)

  Date:

  2014

  Item Type:

  Book chapter

  Tag(s):

  Renaissance drama, Theatre history, Anthony Munday, Fidele and Fortunio, Elizabethan drama, Early modern studies

  
  

• The Taming of the Jew: Spit and the Civilizing Process in The Merchant of Venice

  Author(s):

  Brett Greatley-Hirsch (see profile)

  Date:

  2013

  Subject(s):

  Shakespeare, William, 1564-1616

  Item Type:

  Book chapter

  Tag(s):

  iconography, Jews, The Merchant of Venice, Spit, Early modern studies, Shakespeare

  
  

• Lycanthropy in Early Modern England: The Case of John Webster’s The Duchess of Malfi

  Author(s):

  Brett Greatley-Hirsch (see profile)

  Date:

  2011

  Item Type:

  Book chapter

  Tag(s):

  History of Medicine, Lycanthropy, John Webster, The Duchess of Malfi, Jacobean drama, Early modern studies

  
  

• From Jew to Puritan: The Emblematic Owl in Early English Culture

  Author(s):

  Brett Greatley-Hirsch (see profile)

  Date:

  2010

  Item Type:

  Book chapter

  Tag(s):

  iconography, owls, Reformation, emblems, English literature, Early modern studies

  
  

• ‘What are these faces?’ Interpreting Bearded Women in Macbeth

  Author(s):

  Brett Greatley-Hirsch (see profile)

  Date:

  2008

  Subject(s):

  Shakespeare, William, 1564-1616

  Item Type:

  Book chapter

  Tag(s):

  Womens History Month, Early modern studies, Shakespeare

  
  

• ‘Mingled Yarn’: The State of Computing in Shakespeare 2.0

  Author(s):

  Hugh Craig, Brett Greatley-Hirsch (see profile)

  Date:

  2014

  Subject(s):

  Digital humanities, Shakespeare, William, 1564-1616

  Item Type:

  Book chapter

  Tag(s):

  computational criticism, digital editions, textual scholarship, digital performance, Shakespeare

  
  

• Prime Suspect: William Cowper Prime in the Holy Land and the Identity of ‘An American’ in Harper’s New Monthly Magazine, 1858

  Author(s):

  Brett Greatley-Hirsch (see profile) , David Kennedy

  Date:

  2016

  Subject(s):

  American literature, Archaeology

  Item Type:

  Article

  Tag(s):

  William Cowper Prime, Holy Land, Travel Writing, Authorship attribution

  
  

• Beyond the Text: Digital Editions and Performance

  Author(s):

  Brett Greatley-Hirsch (see profile)

  Date:

  2016

  Subject(s):

  Shakespeare, William, 1564-1616

  Item Type:

  Article

  Tag(s):

  digital editions, performance, scholarly editing, Early modern studies, Shakespeare

  
  

• Jewish Questions in Robert Wilson’s The Three Ladies of London

  Author(s):

  Brett Greatley-Hirsch (see profile)

  Date:

  2016

  Subject(s):

  Drama

  Item Type:

  Article

  Tag(s):

  Jews, Renaissance drama, The Three Ladies of London, Theatre history, Early modern studies

  
  

• Moving Targets: Constructing Canons, 2013-2014

  Author(s):

  Brett Greatley-Hirsch (see profile)

  Date:

  2015

  Subject(s):

  Shakespeare, William, 1564-1616

  Item Type:

  Article

  Tag(s):

  academic publishing, book history, scholarly editing, Apocrypha, editorial history, Shakespeare

  
  

• ‘To see the Playes of Theatre newe wrought’: Electronic Editions and Early Tudor Drama

  Author(s):

  Brett Greatley-Hirsch (see profile)

  Date:

  2013

  Subject(s):

  Drama

  Item Type:

  Article

  Tag(s):

  digital editions, scholarly editing, Tudor drama

  
  

• The Kingdom Has Been Digitized: Electronic Editions of Renaissance Drama and the Long Shadows of Shakespeare and Print

  Author(s):

  Brett Greatley-Hirsch (see profile)

  Date:

  2011

  Subject(s):

  Shakespeare, William, 1564-1616

  Item Type:

  Article

  Tag(s):

  academic publishing, digital editions, scholarly editing, Renaissance drama, Shakespeare

  
  

• Bringing Richard Brome Online

  Author(s):

  Brett Greatley-Hirsch (see profile)

  Date:

  2010

  Subject(s):

  Digital humanities, Drama

  Item Type:

  Article

  Tag(s):

  digital editing, Richard Brome, Caroline drama, Early modern studies

  
  

• ‘A Gentle and No Jew’: The Difference Marriage Makes in The Merchant of Venice

  Author(s):

  Brett Greatley-Hirsch (see profile)

  Date:

  2006

  Subject(s):

  Drama, Jews--Study and teaching, Shakespeare, William, 1564-1616

  Item Type:

  Article

  Tag(s):

  The Merchant of Venice, Jews, Early modern studies, Jewish studies, Shakespeare

  
  

• ‘In the likeness of a Jew’: Kabbalah and The Merchant of Venice

  Author(s):

  Brett Greatley-Hirsch (see profile)

  Date:

  2005

  Subject(s):

  Drama, Intellectual life, History, Shakespeare, William, 1564-1616

  Item Type:

  Article

  Tag(s):

  Kabbalah, The Merchant of Venice, Jewish mysticism, Early modern studies, Intellectual history, Shakespeare

  
  

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