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• Asa Simon Mittman, Anti-Race? The Need for Colour-Sightedness in Medieval and Renaissance Studies, in A Cultural History of Race in the Renaissance and Early Modern Age, ed. Kim Coles and Dorothy Kim, 2022

  Author(s):

  Asa Simon Mittman (see profile)

  Date:

  2022

  Group(s):

  Medieval Art, Medieval Studies, Monsters and Monstrosity

  Subject(s):

  Cartography, History, Critical race theory, Art, Medieval, Race, Middle Ages

  Item Type:

  Book chapter

  Tag(s):

  maps, monsters, History of cartography, Critical race studies, Medieval art, Medieval studies, Medieval

  
  

• Monstrosity, Disability, and the Posthuman in the Medieval and Early Modern World

  Editor(s):

  Richard H. Godden, Asa Simon Mittman (see profile)

  Date:

  2019

  Group(s):

  Monsters and Monstrosity

  Subject(s):

  Disability studies, Disabilities

  Item Type:

  Book

  Tag(s):

  monsters, posthuman, Medieval studies, Early modern studies, Disability

  
  

• MEARCSTAPA: TEN YEARS OF TERATOLOGY

  Editor(s):

  Melissa Ridley Elmes, Asa Simon Mittman (see profile) , Thea Tomaini

  Date:

  2020

  Group(s):

  Monsters and Monstrosity

  Subject(s):

  Monsters

  Item Type:

  Book chapter

  Tag(s):

  Preternatural, History of Monsters, monster theory, Monstrosity

  
  

• The Vercelli Map

  Author(s):

  Asa Simon Mittman (see profile)

  Editor(s):

  Nick Millea, Dan Terkla

  Date:

  2019

  Group(s):

  Medieval Art, Medieval Studies, The Medieval landscape/seascape

  Subject(s):

  Maps in literature, Middle Ages

  Item Type:

  Book chapter

  Tag(s):

  medieval maps, Vercelli Map, Medieval studies, Medieval history, Mapping, Medieval

  
  

• Mapping Global Middle Ages, Toward a Global Middle Ages

  Author(s):

  Asa Simon Mittman (see profile)

  Editor(s):

  Bryan C. Keene

  Date:

  2019

  Group(s):

  Medieval English Literature, Medieval Studies, The Medieval landscape/seascape

  Subject(s):

  Middle Ages, Maps in literature, Cartography, History

  Item Type:

  Book chapter

  Tag(s):

  Christian map, medieval maps, Medieval, Medieval studies, History of cartography

  
  

• “The Other Close at Hand: Gerald of Wales and the ‘Marvels of the West,’” in The Monstrous Middle Ages, eds. Robert Mills and Bettina Bildhauer (Cardiff: University of Wales Press, 2003), 97-112

  Author(s):

  Asa Simon Mittman (see profile)

  Date:

  2003

  Group(s):

  Medieval Art, Medieval Studies, Monsters and Monstrosity, The Medieval landscape/seascape

  Subject(s):

  Art, Medieval, Monsters

  Item Type:

  Book chapter

  Tag(s):

  Marvels of the West, Wales, Medieval studies, Medieval art, Monstrosity

  
  

• "Inconceivable Beasts: The Wonders of the East in the Beowulf Manuscript," with Susan Kim, in Dark Reflections, Monstrous Reflections: Essays on the Monster in Culture, ed. Sorcha Ní Fhlainn (Oxford: Inter-Disciplinary Press E-Book, 2008)

  Author(s):

  Susan Kim, Asa Simon Mittman (see profile)

  Date:

  2008

  Group(s):

  Medieval Art, Medieval English Literature, Medieval Studies, Monsters and Monstrosity

  Subject(s):

  Monsters, Middle Ages, Art, Medieval

  Item Type:

  Essay

  Tag(s):

  wonders of the east, Beowulf Manuscript, Monstrosity, Medieval, Medieval art

  
  

• “The Exposed Body and the Gendered Blemmye: Reading the Wonders of the East,” with Susan Kim, Fundamentals of Medieval and Early Modern Culture, v. 3, The History of Sexuality in the Middle Ages and the Renaissance, ed. by Albrecht Classen and Marilyn Sandidge (Berlin: Walter de Gruyter, 2008)

  Author(s):

  Susan Kim, Asa Simon Mittman (see profile)

  Date:

  2008

  Group(s):

  Medieval Art, Medieval Studies, Monsters and Monstrosity

  Subject(s):

  Middle Ages, Art, Medieval, Monsters

  Item Type:

  Book chapter

  Tag(s):

  monster theory, Blemmye, Medieval, Medieval art, Medieval studies, Monstrosity

  
  

• “Digital Mappaemundi: Changing the Way We Work with Medieval World Maps,” Peregrinations: The Official Publication of the International Society for the Study of Pilgrimage Art, with Martin Foys, vol. 2:3 (Summer 2009)

  Author(s):

  Martin Foys, Asa Simon Mittman (see profile)

  Date:

  2009

  Group(s):

  Medieval Art, Medieval Studies, The Medieval landscape/seascape

  Subject(s):

  Maps in literature, Art, Medieval

  Item Type:

  Article

  Tag(s):

  mappaemundi, maps, Medieval art, Medieval studies

  
  

• “The Exotic in the Early Middle Ages,” with Susan Kim, Literature Compass, ed. Elaine Treharne (Blackwell Publishing, 2008)

  Author(s):

  Susan Kim, Asa Simon Mittman (see profile)

  Editor(s):

  Elaine Treharne

  Date:

  2008

  Group(s):

  Early Medieval, Medieval Art, Medieval Studies

  Subject(s):

  Art, Medieval, Literature, Medieval, Monsters, Bible

  Item Type:

  Article

  Tag(s):

  mappaemundi, Medieval art, Medieval literature, Monstrosity

  
  

• "Ungefraegelicu deor: Monsters and Truth in the Wonders of the East," Different Visions: A Journal of New Perspectives on Medieval Art, vol. 2 (2009), with Susan Kim

  Author(s):

  Susan Kim, Asa Simon Mittman (see profile)

  Date:

  2009

  Group(s):

  Medieval Art, Monsters and Monstrosity

  Subject(s):

  Art, Medieval, Monsters, Other (Philosophy)

  Item Type:

  Article

  Tag(s):

  monster theory, wonders of the east, Medieval art, Medieval studies, Monstrosity, Otherness

  
  

• "Anglo-Saxon Frames of Reference: Spatial Relations on the Page and in the World," Different Visions: A Journal of New Perspectives on Medieval Art, vol. 2 (2009), with Susan Kim

  Author(s):

  Susan Kim, Asa Simon Mittman (see profile)

  Date:

  2009

  Group(s):

  Medieval Art, Medieval Studies

  Subject(s):

  Anglo-Saxons--Study and teaching, Art, Medieval

  Item Type:

  Article

  Tag(s):

  Anglo-Saxon studies, Medieval studies, Medieval art

  
  

• Asa Simon Mittman and Susan M. Kim, Monsters and the Exotic in Early Medieval England, Literature Compass 6/2 (2009): 332–348

  Author(s):

  Asa Simon Mittman (see profile)

  Date:

  2009

  Group(s):

  Medieval Art, Medieval Studies, Monsters and Monstrosity

  Subject(s):

  Literature, Medieval, Middle Ages, Monsters, Art, Medieval, Other (Philosophy)

  Item Type:

  Essay

  Tag(s):

  monster theory, Sea Monsters, Medieval literature, Medieval history, Monstrosity, Medieval art, Otherness

  
  

• "Monsters and the Exotic in Early Medieval England," The Oxford Handbook of Medieval Literature in English, ed. Elaine Treharne and Greg Walker (Oxford University Press, March 2010)

  Author(s):

  Susan Kim, Asa Simon Mittman (see profile)

  Date:

  2010

  Group(s):

  Early Medieval, Medieval Art, Medieval English Literature, Medieval Studies, Monsters and Monstrosity

  Subject(s):

  Monsters, Art, Medieval

  Item Type:

  Book chapter

  Tag(s):

  monster theory, Early medieval literature, Monstrosity, Medieval art

  
  

• “Answering the Call of the Severed Head,” Heads Will Roll: Decapitation Motifs in Medieval Literature, ed. Larissa Tracy (Leiden: Brill, 2012)

  Author(s):

  Asa Simon Mittman (see profile)

  Date:

  2012

  Group(s):

  Medieval Art, Medieval Studies, Monsters and Monstrosity, Public Humanities

  Subject(s):

  Middle Ages, Art, Medieval, Literature, Medieval

  Item Type:

  Book chapter

  Tag(s):

  Medieval, Medieval art, Medieval literature

  
  

• “Introduction: The Impact of Monsters and Monster Studies,” in Research Companion to Monsters and the Monstrous, ed. Asa Simon Mittman, with Peter Dendle (London: Ashgate, 2012), 1-14

  Author(s):

  Asa Simon Mittman (see profile)

  Date:

  2012

  Group(s):

  Medieval Art, Medieval Studies, Monsters and Monstrosity

  Subject(s):

  Monsters, Art, Medieval

  Item Type:

  Book chapter

  Tag(s):

  monster theory, Monstrosity, Medieval art

  
  

• "Navigating Myriad Distant Worlds," Lo Sguardo, N. 9 (II): “Spazi del Mostruoso; Luoghi Filosofici della Monstruosià,” (2012): 35-46

  Author(s):

  Asa Simon Mittman (see profile)

  Date:

  2012

  Group(s):

  Medieval Art, Medieval Studies, Monsters and Monstrosity

  Subject(s):

  Monsters, Art, Medieval, Cartography

  Item Type:

  Book chapter

  Tag(s):

  monster theory, maps, Monstrosity, Medieval art

  
  

• “Inverting the Panopticon: Google Earth, Wonder and Earthly Delights,” Literature Compass, ed. Elaine Treharne, 9/12: 938–954

  Author(s):

  Asa Simon Mittman (see profile)

  Date:

  2012

  Group(s):

  Medieval Art, Public Humanities, The Medieval landscape/seascape

  Subject(s):

  Art, Medieval

  Item Type:

  Book chapter

  Tag(s):

  Google Maps, maps, Medieval art, Medieval studies, Mapping

  
  

• “Introduction to Mappings,” with Dan Terkla, Peregrinations: The Official Publication of the International Society for the Study of Pilgrimage Art, vol. IV:I (2013): 134-160

  Author(s):

  Asa Simon Mittman (see profile) , Dan Terkla

  Date:

  2013

  Group(s):

  Medieval Art, Medieval Studies, The Medieval landscape/seascape

  Subject(s):

  Art, Medieval

  Item Type:

  Article

  Tag(s):

  maps, Mapping, Medieval art, Medieval studies

  
  

• “Forking Paths? Matthew Paris, Jorge Luis Borges, and Maps of the Labyrinth,” Peregrinations: The Official Publication of the International Society for the Study of Pilgrimage Art, vol. IV:I (2013): 134-160

  Author(s):

  Asa Simon Mittman (see profile)

  Date:

  2013

  Group(s):

  Medieval Art, Medieval Studies

  Subject(s):

  Art, Medieval

  Item Type:

  Article

  Tag(s):

  labyrinth, maps, medieval maps, Mapping, Medieval art

  
  

• “Gates, Hats, and Naked Jews: Sorting out the Nubian Guards on the Ebstorf Map,” FKW: Zeitschrift für Geschlechterforschung und visuelle Kultur, Nr. 54 (2013): 89-101

  Author(s):

  Asa Simon Mittman (see profile)

  Date:

  2013

  Group(s):

  Medieval Art, Medieval Studies, Public Humanities

  Subject(s):

  Jews--Study and teaching, Middle Ages, Maps in literature, Art, Medieval, Interfaith relations, Jews, Christianity

  Item Type:

  Article

  Tag(s):

  maps, medieval jewish, Jewish studies, Medieval Jewish studies, Medieval art, Jewish-Christian relations

  
  

• "Of Wood and Bone: Crafting Living Things," Preternature: Critical and Historical Studies on the Preternatural, Volume 4, Number 1, 2015, pp. 110-124

  Author(s):

  Asa Simon Mittman (see profile)

  Date:

  2015

  Group(s):

  Medieval Art

  Subject(s):

  Ontologies (Information retrieval), Object-oriented methods (Computer science), Autonomism

  Item Type:

  Article

  Tag(s):

  Frankenstein, Marry Shelley, robot, Thing theory, Object-oriented ontology, Autonomist theory

  
  

• "Are the ‘monstrous races’ races?" postmedieval 6:1 (Spring 2015): 36–51

  Author(s):

  Asa Simon Mittman (see profile)

  Date:

  2015

  Group(s):

  Medieval Art, Medieval Studies, Monsters and Monstrosity

  Subject(s):

  English language--Middle English, Monsters, Race relations--Study and teaching, Ethnology--Study and teaching, Critical theory, Race

  Item Type:

  Article

  Tag(s):

  monsters, wonders of the east, Postcolonial studies, Middle English, Critical race studies, Monstrosity, Critical race and ethnic studies

  
  

• “Locating the Devil ‘Her’ in MS Junius 11,” with Susan M. Kim, Gesta 54:1 (2015)

  Author(s):

  Susan Kim, Asa Simon Mittman (see profile)

  Date:

  2015

  Group(s):

  Medieval Art, Medieval English Literature, Medieval Studies

  Subject(s):

  English language--Old English, English literature--Old English, Anglo-Saxons--Study and teaching, Devil

  Item Type:

  Book chapter

  Tag(s):

  old englsih poetry, monster theory, Old English, Old English literature, Anglo-Saxon studies, Satan

  
  

• Asa Simon Mittman, "This Would Be Better If I Had a Co-Author," How We Write, ed. Suzanne Akbari (Brooklyn: Punctum Books, 2015)

  Author(s):

  Asa Simon Mittman (see profile)

  Date:

  2015

  Group(s):

  Public Humanities

  Subject(s):

  Writing, Academic writing, Research

  Item Type:

  Book chapter

  Tag(s):

  Collaboration

  
  

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