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• Connecting through Collecting: 20 years of art from Latin America at the University of Essex

  Author(s):

  Sarah Demelo, Joanne Harwood, Andrés David Montenegro Rosero (see profile)

  Date:

  2014

  Subject(s):

  Art, History, Art, Modern, Twenty-first century, Art, Latin American, Exhibitions

  Item Type:

  Book

  Tag(s):

  Latin American Art, Exhibition, Art history, Contemporary art, Latin American art, Exhibtions

  
  

• Arte de Conducta: On Tania Bruguera’s Tatlin’s Whisper series (2006-present)

  Author(s):

  Andrés David Montenegro Rosero (see profile)

  Date:

  2017

  Subject(s):

  Art, Modern, Twenty-first century, Art, History, Performance art

  Item Type:

  Book chapter

  Tag(s):

  Tania Bruguera, Behaviour Art, Arte de Conducta, Cuba, Contemporary art, Art history, Performance and politics

  
  

• Radical (Dis)Identification: Santiago Sierra's Double(D) Spectator

  Author(s):

  Andrés David Montenegro Rosero (see profile)

  Date:

  2016

  Subject(s):

  Art, Modern, Twenty-first century, Art, History

  Item Type:

  Article

  Tag(s):

  Santiago Sierra, Uncanny, Identification, Contemporary art, Art history

  
  

• “Sometimes doing is undoing and sometimes undoing is doing”

  Author(s):

  Andrés David Montenegro Rosero (see profile)

  Date:

  2014

  Subject(s):

  Art, Modern, Twenty-first century, Art, History, Sculpture

  Item Type:

  Book chapter

  Tag(s):

  Francis Alÿs, Contemporary art, Art history, Art theory

  
  

• Against (Porno)Precarity

  Author(s):

  Andrés David Montenegro Rosero (see profile)

  Date:

  2014

  Subject(s):

  Art, Modern, Twenty-first century, Art, History, Art, Latin American

  Item Type:

  Book chapter

  Tag(s):

  Contemporary art, Art history, Art theory, Precarity, Latin American art

  
  

• Locating Work in Santiago Sierra’s Artistic Practice

  Author(s):

  Andrés David Montenegro Rosero (see profile)

  Date:

  2013

  Subject(s):

  Art, Modern, Twenty-first century, Art, History, Liberty, Labor

  Item Type:

  Article

  Tag(s):

  Santiago Sierra, work, freedom, Contemporary art, Art history, Art theory, Freedom, Labour

  
  

• Ghosts of Futures Past: Time in Francis Alÿs’ Rehearsal and Tania Bruguera’s Untitled (Place, Year) series

  Author(s):

  Andrés David Montenegro Rosero (see profile)

  Date:

  2013

  Subject(s):

  Art, History, Art, Modern, Twenty-first century

  Item Type:

  Article

  Tag(s):

  Francis Alÿs, Tania Bruguera, Uncanny, Modernity, Contemporary Art, Art history, Contemporary art, Art theory, Temporality

  
  

• Debunking Modernism: Politics of Rehearsal, 8 Persons Paid to Remain Inside Cardboard Boxes and Tatlin’s Whisper# 5

  Author(s):

  Andrés David Montenegro Rosero (see profile)

  Date:

  2012

  Subject(s):

  Art, Modern, Twenty-first century, Art, History

  Item Type:

  Book chapter

  Tag(s):

  Francis Alÿs, Santiago Sierra, Modernity, Tania Bruguera, Debunking, Contemporary art, Art history, Art theory

  
  

• Francis Alÿs, Santiago Sierra y Tania Bruguera: Exilios voluntarios, lugares en debate y desplazamientos orales

  Author(s):

  Andrés David Montenegro Rosero (see profile)

  Date:

  2011

  Subject(s):

  Art, Modern, Twenty-first century, Art, History

  Item Type:

  Article

  Tag(s):

  Tania Bruguera, Francis Alÿs, Santiago Sierra, Contemporary art, Art history, Art theory, Migration

  
  

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