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• Ritual Structure and Rites of Passage in Wole Soyinka's Death and the King's Horseman

  Author(s):

  Adewale Bankole Ajayi (see profile)

  Date:

  2007

  Group(s):

  GS Drama and Performance, GS Folklore, Myth, and Fairy Tale, Interdisciplinary Approaches to Culture and Society, LLC African American, LLC African to 1990

  Subject(s):

  Ritual--Study and teaching, Mythology, Social change, Theater, Africa, African drama

  Item Type:

  Article

  Tag(s):

  ritual, sacrifice, burial rites, Kingship, colonialism, Ritual studies, Postcolonial literature, Sociology of social change, African theatre

  
  

• Ritualization as pragmatic deployment of revolutionary consciousness in the drama of Femi Osofisan

  Author(s):

  Adewale Bankole Ajayi (see profile)

  Date:

  2012

  Group(s):

  GS Drama and Performance, GS Folklore, Myth, and Fairy Tale, Interdisciplinary Approaches to Culture and Society, LLC African American, LLC African to 1990

  Subject(s):

  African literature, Marxian school of sociology, Mythology, Aesthetics

  Item Type:

  Book chapter

  Tag(s):

  marxian aesthetics, myth, ritual, social change, the mimetic, Literary criticism, Marxist sociology

  
  

• Performance and Orality as Cultural and Pragmatic Strategies in the Musical Performance of 9ice

  Author(s):

  Adewale Bankole Ajayi (see profile)

  Date:

  2012

  Group(s):

  GS Drama and Performance, Interdisciplinary Approaches to Culture and Society, MS Opera and Musical Performance, TC Popular Culture, TC Postcolonial Studies

  Subject(s):

  Africa, Area studies, Culture--Study and teaching, Ethnomusicology, Music--Performance, Performance art--Study and teaching

  Item Type:

  Article

  Tag(s):

  ethnomusicology, performance, orality, African studies, Cultural studies, Music performance, Performance studies

  
  

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