MemberMarlo Burks

I work on philosophies of representation and aesthetics in literature, especially in Viennese Modernism and post-war German and Austrian literature. I am currently making revisions to my monograph, Troubling Art: The Aesthetic Encounter in Hofmannsthal and European Modernism and writing an article on poetological strategies in Uwe Johnson’s politically-charged Mutmassungen über Jakob for the Johnson-Jahrbuch. My next book project, Und die Welt hebt an zu singen: A History of Musical Mimesis in German Literature will survey representative examples of literature that try to describe music in poetic language — much like ekphrastic literature describes visual works of art. Tracing such examples from the Romantic Era to postwar Literature (e.g. ETA Hoffmann to  Thomas Bernhard) will result in a new narrative of German literary and cultural history.  

MemberAnthony Adler

Anthony Curtis Adler is professor of Comparative Literature at Yonsei’s Underwood International College in South Korea, where he has taught since 2006. He is the author of Celebricities: Media Culture and the Phenomenology of Gadget Commodity Life (Fordham: 2016), a critical edition of Fichte’s The Closed Commercial State, and a short book titled The Afterlife of Genre: Remnants of the Trauerspiel in Buffy the Vampire Slayer. He has also published numerous articles, in such journals as Continental Philosophy ReviewAngelakiCultural CritiqueDiacritics, and Seminar. He is currently working on a book on Friedrich Hoelderlin’s Hyperion.