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MemberKendra Leonard

2017

“Shakespeare’s Second Line,” Borrowers and Lenders, special issue on “Shakespeare and Jazz,” ed. Stephen Buhler (forthcoming).

 

2016

“Using Resources for Silent Film Music,” Fontes Artis Musicae 63, no. 4 (October-December 2016), 259-76.

 

“Listening to the Gaoler’s Daughter,” Cerae: An Australasian Journal of Medieval and Early Modern Studies …

Kendra Preston Leonard is a musicologist and music theorist whose work focuses on women and music in the twentieth and twenty-first centuries; and music and screen history, particularly music and adaptations of Shakespeare; and a librettist and poet. She is the founder and Executive Director of the Silent Film Sound and Music Archive (www.sfsma.org) and the founder and manager of Shakespeare in Early Film (https://sheaf.hcommons.org/).

MemberAlbertine Fox

I am a Lecturer in French Film at the University of Bristol. I am currently working on a book project that explores ‘listening spaces’ in contemporary French and Francophone documentaries, with a focus on the documentary convention of the filmed interview. Part of this project is particularly concerned with works by the Belgian filmmaker Chantal Akerman. Other research interests that dovetail with this project include sound studies, musicology and listening, queer studies, and feminist queer theory and intersectionality. My first monograph Godard and Sound: Acoustic Innovation in the Late Films of Jean-Luc Godard was published by I.B.Tauris in 2017 and explores the relationship of sound to vision in cinema and in turn our relationship as spectators with the audiovisual in a selection of post-1979 films by Jean-Luc Godard.

MemberKerim Yasar

I teach modern Japanese literature and film at the University of Southern California. I was previously Assistant Professor of Japanese at The Ohio State University and had visiting appointments at Boston University and the University of Notre Dame. I was the East Asian Studies-Cotsen Postdoctoral Fellow in the Society of Fellows in the Liberal Arts at Princeton University between 2009-12.

MemberAlison Alison

I completed my Ph.D. in English, with specializations in Medieval Literature and Digital Humanities, in June 2011.  While a student at UCLA, I worked closely with the medieval manuscripts and digital humanities initiatives at UCLA was twice the recipient of the British Library’s Internship in Illuminated Manuscripts.  After graduating, I worked as a Mellon-funded postdoctoral researcher at Saint Louis University’s Center for Digital Humanities, where I helped to develop T-PEN (Transcription for Paleographical and Editorial Notation) and Tradamus—software applications that assist scholars in transcribing manuscripts and creating digital editions.  After my postdoctoral research, I taught for a year as a Visiting Assistant Professor at the University of Puget Sound’s department of English.  I’ve published on medieval manuscripts, the digital humanities, and medieval film music. While writing her dissertation, I started an online business selling mid-century design objects to clients worldwide.  My shop has been featured in Apartment Therapy, Gourment magazine, and Etsy and has sourced products for Mad Men, Anthropologie, and Hawaii 5-0, among others. Currently, I live in Seattle and works as a Senior Curator at Amazon Books, where I curate the selection of titles for many categories in Amazon’s growing network of brick-and-mortar bookstores, including Art & Design, Graphic Novels, and Science Fiction.