Scholarly Communication, Libraries, Digital Publishing, Digital Humanities, Open Access Brian Rosenblum is Founding Co-Director of the Institute for Digital Research in the Humanities, and Librarian for Digital Scholarship at the University of Kansas Libraries, where he has administrative, production and outreach responsibilities in support of a variety of digital initiatives and publishing services.
DB Bauer is a doctoral candidate in Women’s Studies, a graduate assistant with the Design Cultures and Creativity Honors Program, and a Digital Studies in the Arts and Humanities graduate certificate student at the University of Maryland, College Park. DB has a background in technical media production and has worked for PBS, public radio, and other freelance outlets. DB’s scholarly work focuses on the relationship between digital technologies and notions of the human, centralizing issues of gender, affect, embodiment, and critical or scholarly maker practices, specifically using 3D printing, and more recently, virtual reality. DB uses scholarly making to position technology as both research object and research tool. Areas of interest: digital humanities; critical and scholarly making; 3D printing(new) media studies; speculative literature, art, and design; affect; gender performance and embodiment; queer theories; new materialisms; feminisms.
I completed my Ph.D. in English, with specializations in Medieval Literature and Digital Humanities, in June 2011. While a student at UCLA, I worked closely with the medieval manuscripts and digital humanities initiatives at UCLA was twice the recipient of the British Library’s Internship in Illuminated Manuscripts. After graduating, I worked as a Mellon-funded postdoctoral researcher at Saint Louis University’s Center for Digital Humanities, where I helped to develop T-PEN (Transcription for Paleographical and Editorial Notation) and Tradamus—software applications that assist scholars in transcribing manuscripts and creating digital editions. After my postdoctoral research, I taught for a year as a Visiting Assistant Professor at the University of Puget Sound’s department of English. I’ve published on medieval manuscripts, the digital humanities, and medieval film music. While writing her dissertation, I started an online business selling mid-century design objects to clients worldwide. My shop has been featured in Apartment Therapy, Gourment magazine, and Etsy and has sourced products for Mad Men, Anthropologie, and Hawaii 5-0, among others. Currently, I live in Seattle and works as a Senior Curator at Amazon Books, where I curate the selection of titles for many categories in Amazon’s growing network of brick-and-mortar bookstores, including Art & Design, Graphic Novels, and Science Fiction.
Dr. Eric S. Hood specialize in cultural theory and British Romanticism, particularly British epic poetry in the 18th and 19th century. He is a Founding Editor at the Digital Mitford and a Core Faculty Member in the Digital Humanities at Michigan State University, where he teaches first-year writing, web authoring, and courses in the Digital Humanities as well as in the Integrated Arts and Humanities.
Jack Kerouac, English language crime fiction, creative writing, screenwriting, playwriting, long fiction, academic writing, multimodal composition, filmmaking, podcasting, digital media, transmedia storytelling
Alenda Y. Chang is an Associate Professor in Film and Media Studies at UC Santa Barbara. With a multidisciplinary background in biology, literature, and film, she specializes in merging ecocritical theory with the analysis of contemporary media. Her writing has been featured in Ant Spider Bee, Interdisciplinary Studies in Literature and Environment, Qui Parle, the Journal of Gaming & Virtual Worlds, and Ecozon@, and her first book Playing Nature: Ecology in Video Games (University of Minnesota Press, December 2019), develops ecological frameworks for understanding and designing digital games.
Along with Film and Media Studies professor Laila Shereen Sakr, Chang is also the co-founder of the digital media studio Wireframe (Music 1410). Wireframe was established to support collaborative and cutting-edge research and teaching in new media, with an emphasis on global human rights, social justice, and environmental concerns. Located adjacent to the Digital Arts and Humanities Commons, the studio provides a space for production and critical engagement across media including games, data visualization, installation art, virtual/augmented reality, projection mapping, performance and installation, livestreaming, 3D modeling, mobile apps, and social media.
As of Fall 2020, Matthew Lavin is an Assistant Professor of Humanities Analytics in the Data Analytics Program at Denison University. He earned a PhD in English from the University of Iowa in 2012; a master’s degree in American studies at Utah State University in 2006; and a bachelor’s degree at St. Lawrence University in 2002. His dissertation, “Collaborative Momentum: The Author and the Middle Man in U.S. Literature and Culture, 1890-1940” examines the supportive and productively adversarial labor of editors, publishers, and other literary go-betweens, as well as how this labor contributed to the construction of modern authorship. Lavin’s scholarship focuses on the intersection of book history, U.S. literature, and cultural analytics methods. He has published articles in Auto|Biography Studies, Cather Studies, Cultural Analytics, Digital Scholarship in the Humanities, The Programming Historian, Studies in the Novel, and Western American Literature. From 2012 to 2013, Lavin served as a Council on Library and Information Resources (CLIR) Postdoctoral Fellow at the University of Nebraska-Lincoln’s Center for Digital Research in the Humanities (CDRH). From 2013 to 2015, he was Associate Program Coordinator for the Andrew W. Mellon Foundation Initiative “Crossing Boundaries: Re-Envisioning the Humanities for the 21st Century” at St. Lawrence University. From 2015 to 2020, he was a Clinical Assistant Professor of English at the University of Pittsburgh, and Director of the department’s Digital Media Lab.
I am Professor and Chair of the Department of Writing, Rhetoric and American Cultures at Michigan State University as well as a faculty member in American Indian and Indigenous Studies. I am lead researcher for the Digital Publishing Lab at MSU, director of the Cultural Rhetorics Consortium, editor-in-chief of constellations: a journal of cultural rhetorics, past chair of the CCCC, and editor emerita of SAIL: Studies in American Indian Literatures. A widely published scholar and poet, my current book project, This Is A Story, examines the continuum of indigenous rhetorical production in North America, from beadwork to alphabetic writing. I am an unenrolled mixed-blood of Indiana Miami, Eastern Shawnee, and Euroamerican ancestry. In my spare time, I hang out with eccentric Native women artists & poets, and do beadwork.