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Interpreting Art
- Author(s):
- Sam Rose (see profile)
- Date:
- 2022
- Group(s):
- Global & Transnational Studies, History, History of Art, Literary theory, Modernist British Art History
- Subject(s):
- Art criticism, Writing and art, Historiography, Criticism, interpretation, etc., Criticism, Art appreciation, Writing, Arts and transnationalism, Creation (Literary, artistic, etc.), Artists' writings
- Item Type:
- Monograph
- Tag(s):
- academic writing, Art criticism, Art history, Art writing, evidence, Historiograph, Intention and interpretation, interpretation, Writing history
- Permanent URL:
- https://doi.org/10.17613/f05m-qp85
- Abstract:
- How do people make sense of works of art? And how do they write to make others see the same way? There are many guides to looking at art, histories of art history and art criticism, and accounts of various ‘theories’ and ‘methods’, but this book offers something very unlike the normal search for difference and division: it examines the general and largely unspoken norms shared by interpreters of many kinds. Interpreting Art reveals subtle features of art writing central to the often unnoticed interpretative practices through which we understand works of art. In doing so, the book also sheds light on possible alternatives, pointing to how writers on art might choose to operate differently in the future.
- Metadata:
- xml
- Published as:
- Monograph
- Status:
- Published
- Last Updated:
- 1 year ago
- License:
- Attribution-NonCommercial
- Share this:
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